Collana | Antichistica
Volume 25 | Miscellanea | La falsificazione epigrafica
Abstract
Il libro indaga le complesse articolazioni della falsificazione epigrafica, un fenomeno ampiamente attestato in Italia fra il tardo Medioevo e il XVIII secolo. Le iscrizioni non genuine o falsae, come le chiamava Theodor Mommsen, sono quelle che si presentano come antiche, ma in realtà non lo sono. Possono essere prodotte tanto su supporto materiale, quanto semplicemente su carta. Al loro interno si distinguono diverse tipologie di documenti: falsi realizzati a scopo di dolo, repliche di iscrizioni antiche, nonché testi o monumenti che si ispirano a modelli epigrafici classici. Il volume raccoglie quindici saggi scientifici, che esaminano singoli casi di falsificazione, ricostruiscono l'epistemologia della critica dei falsi e riabilitano numerose epigrafi ritenute erroneamente false, confermandone invece l'effettiva antichità.
Keywords Documentary forgeries • Epitaph • F • Decretum Rubiconis • Fake • Manuscript • False inscriptions • Ager Mediolanensis • Digital editions • Fitzwilliam Museum • Epigraphy • Lex de imperio Vespasiani Antonio Agustín • Lucas Peto • Renaissance • Forgeries • Epigraphic forgeries • Jacopo Valvasone • Latin poets of Renaissance • Manuscripts • Counterfeit instrumentum inscriptum • House of Savoy • Aqueducts • Coarse altar • Amphora • CIL VI 990* • Classical scholarship • Epigraphic forgeries on paper • Forged blunder • G • Aquileia • Roman Liguria • Spurious imitations • Ciriaco de’ Pizzicolli • CIL VI 991* • Christian forgeries • Forgery • Savoy Piedmont • Forged inscriptions • Spain • Epigraph balanced between dimensions and inscripti • Inscribed zone as decorative surface • Pirro Ligorio • Primacy of Sardinia • Antiquarians • Casa Museo dell’Antiquariato Ivan Bruschi • Printed editions • Antiquarian market in the early 1900s • Marche • Thomas Hollis • Epigraphic research • Fake inscriptions • Senatus consultum • Internet • Intellectual history • Cities • Mariangelo Accursio • Council of Trent • Aqua Vergine • Meyranesio • Johns Hopkins Archaeological Museum • Non-alphabetic graphemes • Lepontic • Antonio Trevisi • Pingone • Theodor Mommsen • Latin epigraphy • Pseudo-antique palaeography • Critical editions • John Disney • Luigi Biraghi • Epigraphic models • Ancient restorations • Copies
Permalink http://doi.org/10.30687/978-88-6969-386-1 | e-ISBN 978-88-6969-386-1 | ISBN (PRINT) 978-88-6969-387-8 | Numero pagine 312 | Dimensioni 16x23cm | Pubblicato 16 Dicembre 2019 | Lingua en, it, fr
Copyright © 2019 Lorenzo Calvelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
DC Field | Value |
---|---|
dc.identifier |
ECF_book_401 |
dc.creator |
Calvelli Lorenzo |
dc.title |
La falsificazione epigrafica. Questioni di metodo e casi di studio |
dc.type |
Miscellanea |
dc.language.iso |
en, it, fr |
dc.description.abstract |
Il libro indaga le complesse articolazioni della falsificazione epigrafica, un fenomeno ampiamente attestato in Italia fra il tardo Medioevo e il XVIII secolo. Le iscrizioni non genuine o falsae, come le chiamava Theodor Mommsen, sono quelle che si presentano come antiche, ma in realtà non lo sono. Possono essere prodotte tanto su supporto materiale, quanto semplicemente su carta. Al loro interno si distinguono diverse tipologie di documenti: falsi realizzati a scopo di dolo, repliche di iscrizioni antiche, nonché testi o monumenti che si ispirano a modelli epigrafici classici. Il volume raccoglie quindici saggi scientifici, che esaminano singoli casi di falsificazione, ricostruiscono l'epistemologia della critica dei falsi e riabilitano numerose epigrafi ritenute erroneamente false, confermandone invece l'effettiva antichità. |
dc.relation.ispartof |
Antichistica |
dc.relation.ispartof |
Storia ed epigrafia |
dc.identifier.doi |
10.30687/978-88-6969-386-1 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-16 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-387-8/ |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-387-8 |
dc.identifier.eisbn |
978-88-6969-386-1 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Ager Mediolanensis |
dc.subject |
Ager Mediolanensis |
dc.subject |
Ager Mediolanensis |
dc.subject |
Amphora |
dc.subject |
Amphora |
dc.subject |
Amphora |
dc.subject |
Ancient restorations |
dc.subject |
Ancient restorations |
dc.subject |
Ancient restorations |
dc.subject |
Antiquarian market in the early 1900s |
dc.subject |
Antiquarian market in the early 1900s |
dc.subject |
Antiquarians |
dc.subject |
Antiquarians |
dc.subject |
Antiquarians |
dc.subject |
Antonio Trevisi |
dc.subject |
Antonio Trevisi |
dc.subject |
Antonio Trevisi |
dc.subject |
Aqua Vergine |
dc.subject |
Aqua Vergine |
dc.subject |
Aqua Vergine |
dc.subject |
Aqueducts |
dc.subject |
Aqueducts |
dc.subject |
Aqueducts |
dc.subject |
Aquileia |
dc.subject |
Aquileia |
dc.subject |
Aquileia |
dc.subject |
CIL VI 990* |
dc.subject |
CIL VI 990* |
dc.subject |
CIL VI 990* |
dc.subject |
CIL VI 991* |
dc.subject |
CIL VI 991* |
dc.subject |
CIL VI 991* |
dc.subject |
Casa Museo dell’Antiquariato Ivan Bruschi |
dc.subject |
Casa Museo dell’Antiquariato Ivan Bruschi |
dc.subject |
Christian forgeries |
dc.subject |
Christian forgeries |
dc.subject |
Ciriaco de’ Pizzicolli |
dc.subject |
Ciriaco de’ Pizzicolli |
dc.subject |
Ciriaco de’ Pizzicolli |
dc.subject |
Cities |
dc.subject |
Cities |
dc.subject |
Cities |
dc.subject |
Classical scholarship |
dc.subject |
Classical scholarship |
dc.subject |
Classical scholarship |
dc.subject |
Coarse altar |
dc.subject |
Coarse altar |
dc.subject |
Coarse altar |
dc.subject |
Copies |
dc.subject |
Copies |
dc.subject |
Copies |
dc.subject |
Council of Trent |
dc.subject |
Council of Trent |
dc.subject |
Council of Trent |
dc.subject |
Counterfeit instrumentum inscriptum |
dc.subject |
Counterfeit instrumentum inscriptum |
dc.subject |
Counterfeit instrumentum inscriptum |
dc.subject |
Critical editions |
dc.subject |
Critical editions |
dc.subject |
Critical editions |
dc.subject |
Decretum Rubiconis |
dc.subject |
Decretum Rubiconis |
dc.subject |
Decretum Rubiconis |
dc.subject |
Digital editions |
dc.subject |
Digital editions |
dc.subject |
Digital editions |
dc.subject |
Documentary forgeries |
dc.subject |
Documentary forgeries |
dc.subject |
Documentary forgeries |
dc.subject |
Epigraph balanced between dimensions and inscripti |
dc.subject |
Epigraph balanced between dimensions and inscripti |
dc.subject |
Epigraph balanced between dimensions and inscripti |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries on paper |
dc.subject |
Epigraphic forgeries on paper |
dc.subject |
Epigraphic forgeries on paper |
dc.subject |
Epigraphic models |
dc.subject |
Epigraphic models |
dc.subject |
Epigraphic models |
dc.subject |
Epigraphic research |
dc.subject |
Epigraphic research |
dc.subject |
Epigraphic research |
dc.subject |
Epigraphy |
dc.subject |
Epigraphy |
dc.subject |
Epigraphy |
dc.subject |
Epitaph |
dc.subject |
Epitaph |
dc.subject |
Epitaph |
dc.subject |
F |
dc.subject |
Fake |
dc.subject |
Fake |
dc.subject |
Fake |
dc.subject |
Fake inscriptions |
dc.subject |
Fake inscriptions |
dc.subject |
Fake inscriptions |
dc.subject |
False inscriptions |
dc.subject |
False inscriptions |
dc.subject |
False inscriptions |
dc.subject |
Fitzwilliam Museum |
dc.subject |
Fitzwilliam Museum |
dc.subject |
Fitzwilliam Museum |
dc.subject |
Forged blunder |
dc.subject |
Forged blunder |
dc.subject |
Forged blunder |
dc.subject |
Forged inscriptions |
dc.subject |
Forged inscriptions |
dc.subject |
Forged inscriptions |
dc.subject |
Forgeries |
dc.subject |
Forgeries |
dc.subject |
Forgeries |
dc.subject |
Forgeries |
dc.subject |
Forgeries |
dc.subject |
Forgery |
dc.subject |
Forgery |
dc.subject |
Forgery |
dc.subject |
G |
dc.subject |
G |
dc.subject |
G |
dc.subject |
House of Savoy |
dc.subject |
House of Savoy |
dc.subject |
House of Savoy |
dc.subject |
Inscribed zone as decorative surface |
dc.subject |
Inscribed zone as decorative surface |
dc.subject |
Inscribed zone as decorative surface |
dc.subject |
Intellectual history |
dc.subject |
Intellectual history |
dc.subject |
Intellectual history |
dc.subject |
Internet |
dc.subject |
Internet |
dc.subject |
Internet |
dc.subject |
Jacopo Valvasone |
dc.subject |
Jacopo Valvasone |
dc.subject |
Jacopo Valvasone |
dc.subject |
John Disney |
dc.subject |
John Disney |
dc.subject |
John Disney |
dc.subject |
Johns Hopkins Archaeological Museum |
dc.subject |
Johns Hopkins Archaeological Museum |
dc.subject |
Latin epigraphy |
dc.subject |
Latin epigraphy |
dc.subject |
Latin epigraphy |
dc.subject |
Latin epigraphy |
dc.subject |
Latin epigraphy |
dc.subject |
Latin poets of Renaissance |
dc.subject |
Latin poets of Renaissance |
dc.subject |
Latin poets of Renaissance |
dc.subject |
Lepontic |
dc.subject |
Lepontic |
dc.subject |
Lepontic |
dc.subject |
Lex de imperio Vespasiani Antonio Agustín |
dc.subject |
Lex de imperio Vespasiani Antonio Agustín |
dc.subject |
Lex de imperio Vespasiani Antonio Agustín |
dc.subject |
Lucas Peto |
dc.subject |
Lucas Peto |
dc.subject |
Lucas Peto |
dc.subject |
Luigi Biraghi |
dc.subject |
Luigi Biraghi |
dc.subject |
Luigi Biraghi |
dc.subject |
Manuscript |
dc.subject |
Manuscript |
dc.subject |
Manuscript |
dc.subject |
Manuscripts |
dc.subject |
Manuscripts |
dc.subject |
Manuscripts |
dc.subject |
Manuscripts |
dc.subject |
Manuscripts |
dc.subject |
Marche |
dc.subject |
Marche |
dc.subject |
Marche |
dc.subject |
Mariangelo Accursio |
dc.subject |
Mariangelo Accursio |
dc.subject |
Mariangelo Accursio |
dc.subject |
Meyranesio |
dc.subject |
Meyranesio |
dc.subject |
Meyranesio |
dc.subject |
Non-alphabetic graphemes |
dc.subject |
Non-alphabetic graphemes |
dc.subject |
Non-alphabetic graphemes |
dc.subject |
Pingone |
dc.subject |
Pingone |
dc.subject |
Pingone |
dc.subject |
Pirro Ligorio |
dc.subject |
Pirro Ligorio |
dc.subject |
Pirro Ligorio |
dc.subject |
Pirro Ligorio |
dc.subject |
Pirro Ligorio |
dc.subject |
Primacy of Sardinia |
dc.subject |
Primacy of Sardinia |
dc.subject |
Primacy of Sardinia |
dc.subject |
Printed editions |
dc.subject |
Printed editions |
dc.subject |
Printed editions |
dc.subject |
Pseudo-antique palaeography |
dc.subject |
Pseudo-antique palaeography |
dc.subject |
Renaissance |
dc.subject |
Renaissance |
dc.subject |
Renaissance |
dc.subject |
Roman Liguria |
dc.subject |
Roman Liguria |
dc.subject |
Roman Liguria |
dc.subject |
Savoy Piedmont |
dc.subject |
Savoy Piedmont |
dc.subject |
Savoy Piedmont |
dc.subject |
Senatus consultum |
dc.subject |
Senatus consultum |
dc.subject |
Senatus consultum |
dc.subject |
Spain |
dc.subject |
Spain |
dc.subject |
Spain |
dc.subject |
Spurious imitations |
dc.subject |
Spurious imitations |
dc.subject |
Spurious imitations |
dc.subject |
Theodor Mommsen |
dc.subject |
Theodor Mommsen |
dc.subject |
Theodor Mommsen |
dc.subject |
Thomas Hollis |
dc.subject |
Thomas Hollis |
dc.subject |
Thomas Hollis |
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