Collana |
Storie dell’arte contemporanea
Miscellanea | Storie della Biennale di Venezia
Capitolo | Il gioco di nessuno
Abstract
The purpose of this article is to start mapping the trajectories of artistic dispositives, exhibiting formats and reciprocal cultural influences across Europe since its economic and political foundation in the 1950s, and up until the 1980s. Lines are drawn between Venice and Paris, two of the most visually identified cities on the continent, to explore the contribution given by photography and Biennales towards a European self-representation.
Pubblicato 18 Dicembre 2019 | Lingua: it
Keywords Mois de la Photo • Biennale della Fotografia Venezia • Venezia ’79 • Biennale Photo-Cinéma
Copyright © 2019 Francesca Dolzani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-366-3/013
Storie della Biennale: nuove ricerche
Mapping pavilions
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3459 |
dc.contributor.author |
Dolzani Francesca |
dc.title |
Il gioco di nessuno. La forma biennale tra Venezia e Parigi nella fotografia del dopoguerra fino agli anni Ottanta |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
The purpose of this article is to start mapping the trajectories of artistic dispositives, exhibiting formats and reciprocal cultural influences across Europe since its economic and political foundation in the 1950s, and up until the 1980s. Lines are drawn between Venice and Paris, two of the most visually identified cities on the continent, to explore the contribution given by photography and Biennales towards a European self-representation. |
dc.relation.ispartof |
Storie dell’arte contemporanea |
dc.relation.ispartof |
Atlante delle Biennali |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-18 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-367-0/il-gioco-di-nessuno/ |
dc.identifier.doi |
10.30687/978-88-6969-366-3/013 |
dc.identifier.issn |
2610-9905 |
dc.identifier.eissn |
2610-9891 |
dc.identifier.isbn |
978-88-6969-367-0 |
dc.identifier.eisbn |
978-88-6969-366-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Biennale Photo-Cinéma |
dc.subject |
Biennale Photo-Cinéma |
dc.subject |
Biennale della Fotografia Venezia |
dc.subject |
Biennale della Fotografia Venezia |
dc.subject |
Mois de la Photo |
dc.subject |
Mois de la Photo |
dc.subject |
Venezia ’79 |
dc.subject |
Venezia ’79 |
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