Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Miscellanea | El teatro clásico español en el cine
Capitolo | «Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo

«Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo

Abstract

In the 1960s, Calderón’s Life is a Dream went through two popular audiovisual adaptations: Luis Lucia’s movie El príncipe encadenado (1960), a ‘free version’ with peplum influences, and Pedro Amalio López’s televised performance (1967). By analysing how these works trivialise or manipulate the playwright’s theological and political perspective, the article aims to question the notion of an orthodox Calderonian canon in the late Francoist period.


Open access | Peer reviewed

Presentato: 27 Maggio 2019 | Accettato: 29 Maggio 2019 | Pubblicato 12 Luglio 2019 | Lingua: es

Keywords Pedro Calderón de la BarcaFrancoismReception of the Golden Age theatre heritageGolden Age Drama StudiesLa vida es sueñoTheatre in cinema


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