Vol. 4 | October 2017
Language: it
Published: Oct. 5, 2017
Pirandello • Stage • Episcopo, the ridicolous man • Valerij Brjusov • Dramatist • Tragedy • Vanguard • Actor • Acting techniques • De Chirico • Stage directions • Malyj Theater • Theatre production • Valerij Brjusov • Dramatic writing • Nikolay Evreinov • Phoné • Fears • Madness • Early sound cinema • Musical Dramaturgy • Tragedies • Acting • Alexander Lensky • Ruggeri • Theatre • French literature • Film music • Writing • La Nave • Translation • Plays • Dramaturgy • Betrayed sentiments • Gabriellino d’Annunzio • Candour • Ekphrasis • Career • Francesca da Rimini • Royal School of Acting, Florence • Silent cinema • Carmelo Bene • Russian theatre • Changes • Luigi Rasi • Abba • Death • Violence and humiliations • Loves • Figlia di Iorio • Grotesque melodrama • Models • Denarrativisation • Actor and dramatist • Myth • Sleep • Vera Komissarzhevskaya • D’Annunzio • Direction • Publicity launch • Symbolism • Eleonora Duse • Trampled dignity