Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Direction • Writing • Carmelo Bene • Dramatic writing • Gabriellino d’Annunzio • Madness • Francesca da Rimini • Malyj Theater • Theatre • Publicity launch • Tragedies • Abba • Actor and dramatist • Career • Grotesque melodrama • Dramatist • Musical Dramaturgy • Nikolay Evreinov • Early sound cinema • Ruggeri • Stage • Stage directions • Valerij Brjusov • Vera Komissarzhevskaya • Alexander Lensky • Death • Myth • Tragedy • Film music • Changes • Theatre production • Fears • Figlia di Iorio • Actor • Eleonora Duse • De Chirico • Russian theatre • Valerij Brjusov • Luigi Rasi • French literature • Trampled dignity • Violence and humiliations • La Nave • Acting • Dramaturgy • Ekphrasis • Symbolism • Sleep • Translation • D’Annunzio • Vanguard • Candour • Models • Loves • Episcopo, the ridicolous man • Betrayed sentiments • Plays • Acting techniques • Phoné • Pirandello • Denarrativisation • Silent cinema • Royal School of Acting, Florence

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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