Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Carmelo Bene • D’Annunzio • Violence and humiliations • Eleonora Duse • Loves • Early sound cinema • Episcopo, the ridicolous man • Stage directions • Acting techniques • Publicity launch • Theatre • Plays • Figlia di Iorio • Film music • Denarrativisation • Grotesque melodrama • Ruggeri • Royal School of Acting, Florence • Writing • Pirandello • French literature • Trampled dignity • Stage • Changes • Actor • Abba • Dramaturgy • Dramatic writing • Francesca da Rimini • Vanguard • Symbolism • Gabriellino d’Annunzio • Career • Fears • Models • Phoné • Valerij Brjusov • Nikolay Evreinov • Actor and dramatist • Silent cinema • Sleep • Ekphrasis • Madness • Direction • Russian theatre • De Chirico • Dramatist • Luigi Rasi • Acting • Translation • Alexander Lensky • Malyj Theater • Tragedy • Musical Dramaturgy • Vera Komissarzhevskaya • Death • Valerij Brjusov • La Nave • Betrayed sentiments • Candour • Tragedies • Theatre production • Myth

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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