Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Career • Betrayed sentiments • Gabriellino d’Annunzio • Candour • Musical Dramaturgy • Russian theatre • Sleep • Ekphrasis • Francesca da Rimini • Dramatic writing • Actor • Acting • Theatre • Translation • Madness • Valerij Brjusov • Death • Grotesque melodrama • Actor and dramatist • Direction • Nikolay Evreinov • Royal School of Acting, Florence • French literature • Valerij Brjusov • Early sound cinema • La Nave • Vanguard • Writing • Silent cinema • Loves • Dramaturgy • Phoné • Publicity launch • Dramatist • Carmelo Bene • D’Annunzio • Eleonora Duse • Luigi Rasi • Models • Theatre production • Vera Komissarzhevskaya • Plays • Trampled dignity • Violence and humiliations • Symbolism • Acting techniques • De Chirico • Tragedies • Fears • Stage directions • Denarrativisation • Film music • Pirandello • Ruggeri • Malyj Theater • Abba • Alexander Lensky • Changes • Figlia di Iorio • Tragedy • Episcopo, the ridicolous man • Myth • Stage

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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