Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Royal School of Acting, Florence • Myth • De Chirico • D’Annunzio • Actor and dramatist • Actor • Gabriellino d’Annunzio • Luigi Rasi • Direction • Sleep • Writing • Publicity launch • Russian theatre • Ekphrasis • Ruggeri • Fears • Valerij Brjusov • Acting • Madness • Valerij Brjusov • La Nave • Models • Acting techniques • Tragedies • Early sound cinema • Episcopo, the ridicolous man • Candour • Grotesque melodrama • Abba • Plays • Career • Betrayed sentiments • Eleonora Duse • Francesca da Rimini • Dramatist • Stage directions • Tragedy • French literature • Film music • Nikolay Evreinov • Trampled dignity • Dramaturgy • Dramatic writing • Stage • Theatre production • Vera Komissarzhevskaya • Changes • Theatre • Malyj Theater • Death • Symbolism • Carmelo Bene • Silent cinema • Musical Dramaturgy • Pirandello • Violence and humiliations • Denarrativisation • Alexander Lensky • Translation • Phoné • Loves • Figlia di Iorio • Vanguard

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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