Rivista |
Archivio d’Annunzio
Fascicolo | 4 | 2017
Keywords Figlia di Iorio • Abba • Alexander Lensky • Betrayed sentiments • Valerij Brjusov • Russian theatre • Theatre production • Tragedy • D’Annunzio • Vanguard • Dramaturgy • Pirandello • Translation • Episcopo, the ridicolous man • Carmelo Bene • Gabriellino d’Annunzio • Eleonora Duse • Royal School of Acting, Florence • Acting • Vera Komissarzhevskaya • Symbolism • Actor • Early sound cinema • Loves • De Chirico • French literature • Models • Death • Phoné • Plays • Sleep • Luigi Rasi • Musical Dramaturgy • Stage • Nikolay Evreinov • Violence and humiliations • Direction • Publicity launch • Ekphrasis • Ruggeri • Tragedies • Writing • Acting techniques • Francesca da Rimini • Changes • Grotesque melodrama • Film music • Stage directions • Madness • Denarrativisation • Silent cinema • Career • Actor and dramatist • La Nave • Trampled dignity • Dramatist • Valerij Brjusov • Malyj Theater • Myth • Fears • Theatre • Candour • Dramatic writing
Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Introduzione
Officina dannunziana
Civiltà dannunziana
Recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_issue_73 |
dc.title |
Vol. 4 | Ottobre 2017 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Fascicolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2017/1/ |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.issued |
2017-10-05 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2421-292X/AdA-4 |
dc.peer-review |
yes |
dc.subject |
Abba |
dc.subject |
Abba |
dc.subject |
Acting |
dc.subject |
Acting |
dc.subject |
Acting |
dc.subject |
Acting |
dc.subject |
Acting techniques |
dc.subject |
Acting techniques |
dc.subject |
Actor |
dc.subject |
Actor |
dc.subject |
Actor |
dc.subject |
Actor |
dc.subject |
Actor and dramatist |
dc.subject |
Actor and dramatist |
dc.subject |
Alexander Lensky |
dc.subject |
Alexander Lensky |
dc.subject |
Betrayed sentiments |
dc.subject |
Betrayed sentiments |
dc.subject |
Candour |
dc.subject |
Candour |
dc.subject |
Career |
dc.subject |
Career |
dc.subject |
Carmelo Bene |
dc.subject |
Carmelo Bene |
dc.subject |
Changes |
dc.subject |
Changes |
dc.subject |
De Chirico |
dc.subject |
De Chirico |
dc.subject |
Death |
dc.subject |
Death |
dc.subject |
Denarrativisation |
dc.subject |
Denarrativisation |
dc.subject |
Direction |
dc.subject |
Direction |
dc.subject |
Direction |
dc.subject |
Direction |
dc.subject |
Dramatic writing |
dc.subject |
Dramatic writing |
dc.subject |
Dramatist |
dc.subject |
Dramatist |
dc.subject |
Dramaturgy |
dc.subject |
Dramaturgy |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
Early sound cinema |
dc.subject |
Early sound cinema |
dc.subject |
Ekphrasis |
dc.subject |
Ekphrasis |
dc.subject |
Eleonora Duse |
dc.subject |
Eleonora Duse |
dc.subject |
Episcopo, the ridicolous man |
dc.subject |
Episcopo, the ridicolous man |
dc.subject |
Fears |
dc.subject |
Fears |
dc.subject |
Figlia di Iorio |
dc.subject |
Figlia di Iorio |
dc.subject |
Film music |
dc.subject |
Film music |
dc.subject |
Francesca da Rimini |
dc.subject |
Francesca da Rimini |
dc.subject |
French literature |
dc.subject |
French literature |
dc.subject |
Gabriellino d’Annunzio |
dc.subject |
Gabriellino d’Annunzio |
dc.subject |
Grotesque melodrama |
dc.subject |
Grotesque melodrama |
dc.subject |
La Nave |
dc.subject |
La Nave |
dc.subject |
Loves |
dc.subject |
Loves |
dc.subject |
Luigi Rasi |
dc.subject |
Luigi Rasi |
dc.subject |
Madness |
dc.subject |
Madness |
dc.subject |
Malyj Theater |
dc.subject |
Malyj Theater |
dc.subject |
Models |
dc.subject |
Models |
dc.subject |
Musical Dramaturgy |
dc.subject |
Musical Dramaturgy |
dc.subject |
Myth |
dc.subject |
Myth |
dc.subject |
Nikolay Evreinov |
dc.subject |
Nikolay Evreinov |
dc.subject |
Phoné |
dc.subject |
Phoné |
dc.subject |
Pirandello |
dc.subject |
Pirandello |
dc.subject |
Plays |
dc.subject |
Plays |
dc.subject |
Publicity launch |
dc.subject |
Publicity launch |
dc.subject |
Royal School of Acting, Florence |
dc.subject |
Royal School of Acting, Florence |
dc.subject |
Ruggeri |
dc.subject |
Ruggeri |
dc.subject |
Russian theatre |
dc.subject |
Russian theatre |
dc.subject |
Silent cinema |
dc.subject |
Silent cinema |
dc.subject |
Sleep |
dc.subject |
Sleep |
dc.subject |
Stage |
dc.subject |
Stage |
dc.subject |
Stage directions |
dc.subject |
Stage directions |
dc.subject |
Symbolism |
dc.subject |
Symbolism |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre production |
dc.subject |
Theatre production |
dc.subject |
Tragedies |
dc.subject |
Tragedies |
dc.subject |
Tragedy |
dc.subject |
Tragedy |
dc.subject |
Trampled dignity |
dc.subject |
Trampled dignity |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Valerij Brjusov |
dc.subject |
Valerij Brjusov |
dc.subject |
Vanguard |
dc.subject |
Vanguard |
dc.subject |
Vera Komissarzhevskaya |
dc.subject |
Vera Komissarzhevskaya |
dc.subject |
Violence and humiliations |
dc.subject |
Violence and humiliations |
dc.subject |
Writing |
dc.subject |
Writing |
Edizioni Ca’ Foscari
Dorsoduro 3246
30123 Venezia
ecf@unive.it
T +39 041 234 8250