Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Death • De Chirico • Luigi Rasi • Eleonora Duse • Musical Dramaturgy • Nikolay Evreinov • Changes • Alexander Lensky • Fears • Translation • Figlia di Iorio • Acting • D’Annunzio • Malyj Theater • Betrayed sentiments • Phoné • Dramatic writing • Writing • Francesca da Rimini • Publicity launch • Silent cinema • Symbolism • Russian theatre • Loves • French literature • Ruggeri • Theatre • Tragedies • La Nave • Grotesque melodrama • Ekphrasis • Career • Pirandello • Stage directions • Trampled dignity • Plays • Episcopo, the ridicolous man • Acting techniques • Models • Denarrativisation • Sleep • Violence and humiliations • Valerij Brjusov • Direction • Actor and dramatist • Abba • Tragedy • Valerij Brjusov • Actor • Candour • Royal School of Acting, Florence • Stage • Vanguard • Gabriellino d’Annunzio • Dramaturgy • Theatre production • Early sound cinema • Vera Komissarzhevskaya • Film music • Myth • Dramatist • Carmelo Bene • Madness

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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