Archivio d’Annunzio Rivista di Studi comparati

Rivista | Archivio d’Annunzio
Fascicolo | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Figlia di Iorio • Abba • Alexander Lensky • Betrayed sentiments • Valerij Brjusov • Russian theatre • Theatre production • Tragedy • D’Annunzio • Vanguard • Dramaturgy • Pirandello • Translation • Episcopo, the ridicolous man • Carmelo Bene • Gabriellino d’Annunzio • Eleonora Duse • Royal School of Acting, Florence • Acting • Vera Komissarzhevskaya • Symbolism • Actor • Early sound cinema • Loves • De Chirico • French literature • Models • Death • Phoné • Plays • Sleep • Luigi Rasi • Musical Dramaturgy • Stage • Nikolay Evreinov • Violence and humiliations • Direction • Publicity launch • Ekphrasis • Ruggeri • Tragedies • Writing • Acting techniques • Francesca da Rimini • Changes • Grotesque melodrama • Film music • Stage directions • Madness • Denarrativisation • Silent cinema • Career • Actor and dramatist • La Nave • Trampled dignity • Dramatist • Valerij Brjusov • Malyj Theater • Myth • Fears • Theatre • Candour • Dramatic writing

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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