Journal |
Archivio d’Annunzio
Journal issue | 4 | 2017
Keywords Direction • Theatre production • Malyj Theater • Plays • Vanguard • Early sound cinema • Translation • Film music • Tragedy • Musical Dramaturgy • Theatre • Death • Alexander Lensky • Phoné • French literature • De Chirico • Episcopo, the ridicolous man • Dramaturgy • Pirandello • Symbolism • Loves • Myth • Denarrativisation • Sleep • Fears • Stage directions • Publicity launch • Tragedies • D’Annunzio • Francesca da Rimini • Valerij Brjusov • Violence and humiliations • La Nave • Actor and dramatist • Eleonora Duse • Stage • Betrayed sentiments • Gabriellino d’Annunzio • Dramatist • Acting • Figlia di Iorio • Actor • Grotesque melodrama • Madness • Nikolay Evreinov • Abba • Russian theatre • Valerij Brjusov • Dramatic writing • Writing • Ruggeri • Changes • Career • Models • Candour • Trampled dignity • Ekphrasis • Silent cinema • Luigi Rasi • Royal School of Acting, Florence • Acting techniques • Vera Komissarzhevskaya • Carmelo Bene
Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it
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Preface
Officina dannunziana
Civiltà dannunziana
Reviews
DC Field | Value |
---|---|
dc.identifier |
ECF_issue_73 |
dc.title |
Vol. 4 | October 2017 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Journal issue |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2017/1/ |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.issued |
2017-10-05 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2421-292X/AdA-4 |
dc.peer-review |
yes |
dc.subject |
Abba |
dc.subject |
Abba |
dc.subject |
Acting |
dc.subject |
Acting |
dc.subject |
Acting |
dc.subject |
Acting |
dc.subject |
Acting techniques |
dc.subject |
Acting techniques |
dc.subject |
Actor |
dc.subject |
Actor |
dc.subject |
Actor |
dc.subject |
Actor |
dc.subject |
Actor and dramatist |
dc.subject |
Actor and dramatist |
dc.subject |
Alexander Lensky |
dc.subject |
Alexander Lensky |
dc.subject |
Betrayed sentiments |
dc.subject |
Betrayed sentiments |
dc.subject |
Candour |
dc.subject |
Candour |
dc.subject |
Career |
dc.subject |
Career |
dc.subject |
Carmelo Bene |
dc.subject |
Carmelo Bene |
dc.subject |
Changes |
dc.subject |
Changes |
dc.subject |
De Chirico |
dc.subject |
De Chirico |
dc.subject |
Death |
dc.subject |
Death |
dc.subject |
Denarrativisation |
dc.subject |
Denarrativisation |
dc.subject |
Direction |
dc.subject |
Direction |
dc.subject |
Direction |
dc.subject |
Direction |
dc.subject |
Dramatic writing |
dc.subject |
Dramatic writing |
dc.subject |
Dramatist |
dc.subject |
Dramatist |
dc.subject |
Dramaturgy |
dc.subject |
Dramaturgy |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
Early sound cinema |
dc.subject |
Early sound cinema |
dc.subject |
Ekphrasis |
dc.subject |
Ekphrasis |
dc.subject |
Eleonora Duse |
dc.subject |
Eleonora Duse |
dc.subject |
Episcopo, the ridicolous man |
dc.subject |
Episcopo, the ridicolous man |
dc.subject |
Fears |
dc.subject |
Fears |
dc.subject |
Figlia di Iorio |
dc.subject |
Figlia di Iorio |
dc.subject |
Film music |
dc.subject |
Film music |
dc.subject |
Francesca da Rimini |
dc.subject |
Francesca da Rimini |
dc.subject |
French literature |
dc.subject |
French literature |
dc.subject |
Gabriellino d’Annunzio |
dc.subject |
Gabriellino d’Annunzio |
dc.subject |
Grotesque melodrama |
dc.subject |
Grotesque melodrama |
dc.subject |
La Nave |
dc.subject |
La Nave |
dc.subject |
Loves |
dc.subject |
Loves |
dc.subject |
Luigi Rasi |
dc.subject |
Luigi Rasi |
dc.subject |
Madness |
dc.subject |
Madness |
dc.subject |
Malyj Theater |
dc.subject |
Malyj Theater |
dc.subject |
Models |
dc.subject |
Models |
dc.subject |
Musical Dramaturgy |
dc.subject |
Musical Dramaturgy |
dc.subject |
Myth |
dc.subject |
Myth |
dc.subject |
Nikolay Evreinov |
dc.subject |
Nikolay Evreinov |
dc.subject |
Phoné |
dc.subject |
Phoné |
dc.subject |
Pirandello |
dc.subject |
Pirandello |
dc.subject |
Plays |
dc.subject |
Plays |
dc.subject |
Publicity launch |
dc.subject |
Publicity launch |
dc.subject |
Royal School of Acting, Florence |
dc.subject |
Royal School of Acting, Florence |
dc.subject |
Ruggeri |
dc.subject |
Ruggeri |
dc.subject |
Russian theatre |
dc.subject |
Russian theatre |
dc.subject |
Silent cinema |
dc.subject |
Silent cinema |
dc.subject |
Sleep |
dc.subject |
Sleep |
dc.subject |
Stage |
dc.subject |
Stage |
dc.subject |
Stage directions |
dc.subject |
Stage directions |
dc.subject |
Symbolism |
dc.subject |
Symbolism |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre production |
dc.subject |
Theatre production |
dc.subject |
Tragedies |
dc.subject |
Tragedies |
dc.subject |
Tragedy |
dc.subject |
Tragedy |
dc.subject |
Trampled dignity |
dc.subject |
Trampled dignity |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Valerij Brjusov |
dc.subject |
Valerij Brjusov |
dc.subject |
Vanguard |
dc.subject |
Vanguard |
dc.subject |
Vera Komissarzhevskaya |
dc.subject |
Vera Komissarzhevskaya |
dc.subject |
Violence and humiliations |
dc.subject |
Violence and humiliations |
dc.subject |
Writing |
dc.subject |
Writing |
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