Vol. 4 | October 2017
Language: it
Published: Oct. 5, 2017
D’Annunzio • Changes • Episcopo, the ridicolous man • Tragedies • Translation • Stage • De Chirico • Royal School of Acting, Florence • Fears • French literature • Vanguard • Silent cinema • Violence and humiliations • Dramatic writing • La Nave • Theatre production • Actor • Musical Dramaturgy • Film music • Writing • Acting • Pirandello • Phoné • Plays • Sleep • Dramaturgy • Trampled dignity • Alexander Lensky • Symbolism • Abba • Francesca da Rimini • Ekphrasis • Publicity launch • Actor and dramatist • Denarrativisation • Betrayed sentiments • Luigi Rasi • Models • Valerij Brjusov • Malyj Theater • Career • Madness • Myth • Stage directions • Ruggeri • Gabriellino d’Annunzio • Early sound cinema • Valerij Brjusov • Direction • Eleonora Duse • Russian theatre • Theatre • Nikolay Evreinov • Grotesque melodrama • Loves • Tragedy • Candour • Acting techniques • Vera Komissarzhevskaya • Death • Dramatist • Carmelo Bene • Figlia di Iorio