Vol. 4 | October 2017
Language: it
Published: Oct. 5, 2017
Nikolay Evreinov • Luigi Rasi • Early sound cinema • Denarrativisation • Grotesque melodrama • Translation • Valerij Brjusov • Plays • Episcopo, the ridicolous man • Stage • Vanguard • Dramatist • Actor and dramatist • Gabriellino d’Annunzio • Acting techniques • Dramatic writing • Ekphrasis • Models • Symbolism • Fears • Actor • Direction • Candour • Death • Madness • Figlia di Iorio • Pirandello • Ruggeri • Changes • Eleonora Duse • Theatre production • Silent cinema • Abba • Film music • Publicity launch • Russian theatre • Career • Betrayed sentiments • Sleep • Royal School of Acting, Florence • Acting • Loves • Francesca da Rimini • Myth • Vera Komissarzhevskaya • Tragedies • D’Annunzio • French literature • Writing • Trampled dignity • Tragedy • Alexander Lensky • Dramaturgy • Valerij Brjusov • La Nave • Violence and humiliations • De Chirico • Phoné • Stage directions • Malyj Theater • Theatre • Carmelo Bene • Musical Dramaturgy