Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Direction • Theatre production • Malyj Theater • Plays • Vanguard • Early sound cinema • Translation • Film music • Tragedy • Musical Dramaturgy • Theatre • Death • Alexander Lensky • Phoné • French literature • De Chirico • Episcopo, the ridicolous man • Dramaturgy • Pirandello • Symbolism • Loves • Myth • Denarrativisation • Sleep • Fears • Stage directions • Publicity launch • Tragedies • D’Annunzio • Francesca da Rimini • Valerij Brjusov • Violence and humiliations • La Nave • Actor and dramatist • Eleonora Duse • Stage • Betrayed sentiments • Gabriellino d’Annunzio • Dramatist • Acting • Figlia di Iorio • Actor • Grotesque melodrama • Madness • Nikolay Evreinov • Abba • Russian theatre • Valerij Brjusov • Dramatic writing • Writing • Ruggeri • Changes • Career • Models • Candour • Trampled dignity • Ekphrasis • Silent cinema • Luigi Rasi • Royal School of Acting, Florence • Acting techniques • Vera Komissarzhevskaya • Carmelo Bene

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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