Dalla visionarietà didascalica dannunziana alla scena

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DC Field	Value
dc.identifier	ECF_article_1225
dc.title	Dalla visionarietà didascalica dannunziana alla scena
dc.contributor.author	De Min Silvia
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2017/1/dalla-visionarieta-didascalica-dannunziana-alla-sc/
dc.description.abstract	D’Annunzio wrote ékphrasis and stage directions with a strong literary connotation. His descriptions of paintings as well as opening scenes stress in particular the details, giving a poetic aura to the vision, at the same time hyper-realistic and elusive. The linguistic vividness of d’Annunzio is examined in these two forms of speech, the ékphrasis and the stage directions, to bring out the characteristics of a ‘pictorial’ theatre. The centre of this analysis is the tension between word and image, between the contents communicated by the first and the contents expressed or evoked by the latter. The article proposes the analysis of some theoretical writings and theatrical texts. At the end we suggest a contemporary feature of d’Annunzio’s theatre in term of “denarrativisation” of the theatrical scenes in a visual way.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 4 \| October 2017
dc.issued	2017-10-05
dc.dateAccepted	2017-05-15
dc.dateSubmitted	2017-04-12
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/AdA-4-17-9
dc.peer-review	yes
dc.subject	Denarrativisation
dc.subject	Denarrativisation
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	Ekphrasis
dc.subject	Ekphrasis
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Theatre
dc.subject	Theatre

Research Article
open access peer reviewed

Silvia De Min Università Ca’ Foscari Venezia, Italia

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abstract

D’Annunzio wrote ékphrasis and stage directions with a strong literary connotation. His descriptions of paintings as well as opening scenes stress in particular the details, giving a poetic aura to the vision, at the same time hyper-realistic and elusive. The linguistic vividness of d’Annunzio is examined in these two forms of speech, the ékphrasis and the stage directions, to bring out the characteristics of a ‘pictorial’ theatre. The centre of this analysis is the tension between word and image, between the contents communicated by the first and the contents expressed or evoked by the latter. The article proposes the analysis of some theoretical writings and theatrical texts. At the end we suggest a contemporary feature of d’Annunzio’s theatre in term of “denarrativisation” of the theatrical scenes in a visual way.

Published

Oct. 5, 2017

Accepted

May 15, 2017

Submitted

April 12, 2017

Language

Keywords: Theatre • D’Annunzio • Denarrativisation • Stage directions • Ekphrasis

permalink http://doi.org/10.14277/2421-292X/AdA-4-17-9

Copyright: © 2017 Silvia De Min. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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