Nell'avventura del teatro francese dannunziano

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DC Field	Value
dc.identifier	ECF_article_1221
dc.title	Nell'avventura del teatro francese dannunziano. Note su Le Chèvrefeuille
dc.contributor.author	Martinuzzi Paola
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2017/1/nellavventura-del-teatro-francese-dannunziano/
dc.description.abstract	This paper focuses on the literary and dramaturgical variants existing between Le Chèvrefeuille and Il ferro, whose subjects are identical. As a matter of fact, d’Annunzio wrote the two tragedies in parallel, helped by Casa Fuerte for the French version. The title Le Chèvrefeuille is the crossing point of a semantic net formed by the French variants; the long stage directions that characterise this work deepen the dramatist’s attention for the actors’ interpretation in symbolist terms.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 4 \| October 2017
dc.issued	2017-10-05
dc.dateAccepted	2017-05-03
dc.dateSubmitted	2017-01-14
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/AdA-4-17-7
dc.peer-review	yes
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	French literature
dc.subject	French literature
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Tragedy
dc.subject	Tragedy
dc.subject	Translation
dc.subject	Translation

Research Article
open access peer reviewed

Note su Le Chèvrefeuille

Paola Martinuzzi Università Ca’ Foscari Venezia, Italia

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abstract

This paper focuses on the literary and dramaturgical variants existing between Le Chèvrefeuille and Il ferro, whose subjects are identical. As a matter of fact, d’Annunzio wrote the two tragedies in parallel, helped by Casa Fuerte for the French version. The title Le Chèvrefeuille is the crossing point of a semantic net formed by the French variants; the long stage directions that characterise this work deepen the dramatist’s attention for the actors’ interpretation in symbolist terms.

Published

Oct. 5, 2017

Accepted

May 3, 2017

Submitted

Jan. 14, 2017

Language

Keywords: Theatre • D’Annunzio • Translation • French literature • Tragedy

permalink http://doi.org/10.14277/2421-292X/AdA-4-17-7

Copyright: © 2017 Paola Martinuzzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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