Antiquity Studies

Series | Antiquity Studies
Volume 32 | Edited book | Paulo maiora canamus

Paulo maiora canamus

Collection of Studies for Paolo Mastandrea
open access | peer reviewed
    edited by
  • Massimo Manca - Università degli Studi di Torino, Italia - email
  • Martina Venuti - Università Ca’ Foscari Venezia, Italia - email

Abstract

This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».

Keywords Neo-Latin elegy • Style • Corippus • Ausonius • Digital Humanities • Diomedes • Laudatio puellae • Monologue • Phaedrus • Machiavelli • Classical literature • Latin Language • Propertius • Griphus • Hymn • Lucretius • Tales • Textual criticism • Hymnodic formulas • Macrobe • Lucan • Examinatio • Misplacements • Narratology • Vergilian tradition • Saturnalia • John Lydus • Critical edition • Epos • Roman Senate • Conjectures • Bacchus • Intertextuality • Nicolò d’Arco • Farewell from elegiac poetry • Metamorphoses • Inscriptions • Aeneid • Visuality • Dramaturgy • Sidonius • Religion • Pupienus • Zodiac dish • Alcimus Avitus • Cerberus • 12 • Optatianus Porfyrius • Metellus • Catabasis • Claudian • De magistratibus • Fortuna • Book circulation • Book circulation • Sidonius Apollinaris • ‘Doge’ of Venice • Fortleben of Classics • Characters • Book 3 • Carmen 9 • Things • Sallust • Princeps • Hexameter • Tibullus • Venice Ducal palace • Italian Reinassance • Latin poetry • Late Latin literature • Peleus • Formulas • Religious identity • Remigius of Reims • Roman Republic • Portraits • Tacitus (Emperor) • Catullus • Ovid • Historia Augusta • Aratus • Bucolics • Christian Afterlife • Epistulae • Epigrammata Bobiensia • Florentine Renaissance • Martial • Ancient roman epic • Fortuna Catulli • Carmina minora • Book of Daniel • Cicero • Medea • 3 • Experimentalism • Virgil • Orality • Latin historiography • Propertian intertextuality • Roman Empire • Late Latin poetry • Clinamen • Manuscript tradition • Philology • Servius auctus • Late antiquity • am • Epic poetry • Rusticitas • Musisque Deoque • Scholar exercise • Objects • Eratosthenes of Cyrene • Maximinus • Vergil • Declamationes • Christian literature • Republicanism • Pliny the Elder • Principate • Balbinus • FAIR principles • Laocoon • Neo-Latin poetry • Roman aristocracy • Classical philology • Animus • Latin philology • Open data • Symposius • Variatio • Seneca • Fables • Roman consulate • Auienus

Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language it, en, fr

Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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