Series |
Quaderni di Venezia Arti
Edited book | Taking and Denying
Chapter | Timur Novikov. L’attualità del passato
Timur Novikov. L’attualità del passato
- Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
Abstract
This contribution focuses on the activity of Timur Novikov (1958-2002) and his dynamic approach to Western or national patterns, to classicism or avant-gardism. His artistic activity stands as the perfect case study when discussing appropriations and negations in the development of an artistic canon. The focal point for interpreting Novikov’s dynamical activity is his trademark parodic approach to his work, through the use of the so-called stiob, and in the text this aspect will be analysed on the basis of Linda Hutcheon’s theory of parody ([1985] 2000). Examining Novikov’s career, taking and denying different aesthetic canons, is essential to understand the development of Russian contemporary art.
Published Dec. 22, 2020 | Language: it
Keywords Post-soviet art • Timur Novikov • Nostalgia • Post-soviet society • Parody
Copyright © 2020 Maria Redaelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-462-2/016
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_5056 |
|
dc.contributor.author |
Redaelli Maria |
|
dc.title |
Timur Novikov. L’attualità del passato |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
This contribution focuses on the activity of Timur Novikov (1958-2002) and his dynamic approach to Western or national patterns, to classicism or avant-gardism. His artistic activity stands as the perfect case study when discussing appropriations and negations in the development of an artistic canon. The focal point for interpreting Novikov’s dynamical activity is his trademark parodic approach to his work, through the use of the so-called stiob, and in the text this aspect will be analysed on the basis of Linda Hutcheon’s theory of parody ([1985] 2000). Examining Novikov’s career, taking and denying different aesthetic canons, is essential to understand the development of Russian contemporary art. |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-22 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-463-9/timur-novikov-lattualita-del-passato/ |
|
dc.identifier.doi |
10.30687/978-88-6969-462-2/016 |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
978-88-6969-463-9 |
|
dc.identifier.eisbn |
978-88-6969-462-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Nostalgia |
|
dc.subject |
Nostalgia |
|
dc.subject |
Parody |
|
dc.subject |
Parody |
|
dc.subject |
Post-soviet art |
|
dc.subject |
Post-soviet art |
|
dc.subject |
Post-soviet society |
|
dc.subject |
Post-soviet society |
|
dc.subject |
Timur Novikov |
|
dc.subject |
Timur Novikov |
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