Series |
Quaderni di Venezia Arti
Edited book | Taking and Denying
Chapter | La pittura neorinascimentale di Dmitrij Žilinskij
La pittura neorinascimentale di Dmitrij Žilinskij
- Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
Abstract
Dmitry Zhilinsky establishes himself as an artist in the first half of the 1960s by creating a series of paintings which differ distinctly, in their form and content, both from the canons of the Socialist Realism and from those of the ‘severe style’. Zhilinsky’s artistic style was unique because he was inspired more than by the classical Russian and Soviet figurative tradition by the Renaissance art. While art critics and art historians often mention a strong influence of the Renaissance art on Zhilinsky, a truly in-depth and systematic study on this subject has not yet been conducted. In this paper, we analyse some of his most significant works in order to identify stylistic and compositional quotes from Renaissance masterpieces in them and to propose new interpretations of their subjects.
Published Dec. 22, 2020 | Language: it
Keywords Contemporary Soviet Art • Russian art • Дмитрий Жилинский • Soviet painting • Soviet painter • Dmitry Zhilinsky
Copyright © 2020 Giovanni Argan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-462-2/009
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_5049 |
|
dc.contributor.author |
Argan Giovanni |
|
dc.title |
La pittura neorinascimentale di Dmitrij Žilinskij |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
Dmitry Zhilinsky establishes himself as an artist in the first half of the 1960s by creating a series of paintings which differ distinctly, in their form and content, both from the canons of the Socialist Realism and from those of the ‘severe style’. Zhilinsky’s artistic style was unique because he was inspired more than by the classical Russian and Soviet figurative tradition by the Renaissance art. While art critics and art historians often mention a strong influence of the Renaissance art on Zhilinsky, a truly in-depth and systematic study on this subject has not yet been conducted. In this paper, we analyse some of his most significant works in order to identify stylistic and compositional quotes from Renaissance masterpieces in them and to propose new interpretations of their subjects. |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-22 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-463-9/la-pittura-neorinascimentale-di-dmitrij-zilinskij/ |
|
dc.identifier.doi |
10.30687/978-88-6969-462-2/009 |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
978-88-6969-463-9 |
|
dc.identifier.eisbn |
978-88-6969-462-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Contemporary Soviet Art |
|
dc.subject |
Contemporary Soviet Art |
|
dc.subject |
Dmitry Zhilinsky |
|
dc.subject |
Dmitry Zhilinsky |
|
dc.subject |
Russian art |
|
dc.subject |
Russian art |
|
dc.subject |
Soviet painter |
|
dc.subject |
Soviet painter |
|
dc.subject |
Soviet painting |
|
dc.subject |
Soviet painting |
|
dc.subject |
Дмитрий Жилинский |
|
dc.subject |
Дмитрий Жилинский |
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