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Arte relazionale alla Biennale di Venezia dal 1999 al 2017

Francesca Amadi    

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abstract

This essay traces the presence of Relational Art at Venice Biennale, considering ten editions from 1999 to 2017, immediately following the publication of Esthétique relationelle by the critic Nicolas Bourriaud in 1998 and covers the most recent experiences. Analysing the past two decades, a variety of approaches relations are revealed, from the theme of human to the growing interest for involving people in artistic actions. Performances, installations, multimedia projects, workshops involve a heterogeneous public.

Published
Dec. 18, 2019
Language
IT
ISBN (PRINT)
978-88-6969-367-0
ISBN (EBOOK)
978-88-6969-366-3

Keywords: Relational ArtVenice BiennaleRirkrit Tiravanija

Copyright: © 2019 Francesca Amadi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.