Series |
Storie dell’arte contemporanea
Edited book | Storie della Biennale di Venezia
Chapter | Arte relazionale alla Biennale di Venezia dal 1999 al 2017
Abstract
This essay traces the presence of Relational Art at Venice Biennale, considering ten editions from 1999 to 2017, immediately following the publication of Esthétique relationelle by the critic Nicolas Bourriaud in 1998 and covers the most recent experiences. Analysing the past two decades, a variety of approaches relations are revealed, from the theme of human to the growing interest for involving people in artistic actions. Performances, installations, multimedia projects, workshops involve a heterogeneous public.
Published Dec. 18, 2019 | Language: it
Keywords Rirkrit Tiravanija • Relational Art • Venice Biennale
Copyright © 2019 Francesca Amadi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-366-3/017
Storie della Biennale: nuove ricerche
Mapping pavilions
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3435 |
dc.contributor.author |
Amadi Francesca |
dc.title |
Arte relazionale alla Biennale di Venezia dal 1999 al 2017 |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
This essay traces the presence of Relational Art at Venice Biennale, considering ten editions from 1999 to 2017, immediately following the publication of Esthétique relationelle by the critic Nicolas Bourriaud in 1998 and covers the most recent experiences. Analysing the past two decades, a variety of approaches relations are revealed, from the theme of human to the growing interest for involving people in artistic actions. Performances, installations, multimedia projects, workshops involve a heterogeneous public. |
dc.relation.ispartof |
Storie dell’arte contemporanea |
dc.relation.ispartof |
Atlante delle Biennali |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-18 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-367-0/arte-relazionale-alla-biennale-di-venezia-dal-1999/ |
dc.identifier.doi |
10.30687/978-88-6969-366-3/017 |
dc.identifier.issn |
2610-9905 |
dc.identifier.eissn |
2610-9891 |
dc.identifier.isbn |
978-88-6969-367-0 |
dc.identifier.eisbn |
978-88-6969-366-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Relational Art |
dc.subject |
Relational Art |
dc.subject |
Rirkrit Tiravanija |
dc.subject |
Rirkrit Tiravanija |
dc.subject |
Venice Biennale |
dc.subject |
Venice Biennale |
Download data |
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