Storie dell’arte contemporanea

«Colla speranza di combattere insieme a Ca’ Pesaro più aspre battaglie»

Gino Rossi alla collettiva della Bevilacqua La Masa del 1913

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Abstract

This contribution analyses Gino Rossi’s poetics, from his training to later developments, before and after the famous exhibition held at Ca’ Pesaro palace in 1913. It shows the artist’s international taste and the originality of his choices (also through his relationships with lesser-known names and events), as well as the relevance that that special year and exhibition had on his artistic career. This essay also suggests a reconstruction of which works of art were actually exhibited on that occasion.


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Published Dec. 16, 2017 | Language: it

Keywords Biennale di Venezia • Paris • Charles Cottet • Ca’ Pesaro • Gino Rossi • 1913

Copyright © 2017 Pierpaolo Luderin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/6969-197-3/SAC-1-2


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