«Colla speranza di combattere insieme a Ca’ Pesaro più aspre battaglie»
Gino Rossi alla collettiva della Bevilacqua La Masa del 1913
abstract
This contribution analyses Gino Rossi’s poetics, from his training to later developments, before and after the famous exhibition held at Ca’ Pesaro palace in 1913. It shows the artist’s international taste and the originality of his choices (also through his relationships with lesser-known names and events), as well as the relevance that that special year and exhibition had on his artistic career. This essay also suggests a reconstruction of which works of art were actually exhibited on that occasion.
Keywords: Ca’ Pesaro • Biennale di Venezia • Gino Rossi • 1913 • Charles Cottet • Paris
permalink: http://doi.org/10.14277/6969-197-3/SAC-1-2