Rivista |
Venezia Arti
Fascicolo monografico | 29 | 2020
Articolo | Cornelis De Bie, il Gulden Cabinet e la pittura di natura morta e di genere in Italia
I casi di Francesco Noletti detto il Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi e una riflessione su Pieter Boel e David De Coninck
Abstract
This article spotlights the lives of Italian still life painters in one of the most important seventeenth-century Flemish source texts: Het Gulden Cabinet van de edel vry schilder-const by Cornelius De Bie (1662). This essay offers the first Italian translations of texts dedicated to these painters and examines the intrinsic motivations that led De Bie to choose them as the subject of his panegyrics. The writing underscores the connections De Bie must have had with information brought home by his father (who lived in Rome for years), with Gaspar Roomer and his collections, and with Italian art literature, to which he owed a debt as for information obtained and source documents. In addition, the article discusses the life of Pieter Boel, who spent many years in Italy, and of one of his best pupils, David De Coninck.
Presentato: 03 Settembre 2020 | Accettato: 07 Ottobre 2020 | Pubblicato 11 Dicembre 2020 | Lingua: it
Keywords Neapolitan Collections • Francesco Noletti • Michelangelo Cerquozzi • Biographical Cameos • Grechetto • Still Life in Italy • Cornelis De Bie • Mario dei Fiori • David De Coninck • Het Gulden Cabinet • Paintings • Italian Art Literature • Pieter Boel • Flemish Sources • Science Treatises
Copyright © 2020 Luca Fiorentino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06/004
Medioevo e età moderna
Contemporaneo
Alia itinera
DC Field | Value |
---|---|
dc.identifier |
ECF_article_3621 |
dc.title |
Cornelis De Bie, il Gulden Cabinet e la pittura di natura morta e di genere in Italia. I casi di Francesco Noletti detto il Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi e una riflessione su Pieter Boel e David De Coninck |
dc.contributor.author |
Fiorentino Luca |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2020/1/cornelis-de-bie-il-gulden-cabinet-e-la-pittura-di/ |
dc.description.abstract |
This article spotlights the lives of Italian still life painters in one of the most important seventeenth-century Flemish source texts: Het Gulden Cabinet van de edel vry schilder-const by Cornelius De Bie (1662). This essay offers the first Italian translations of texts dedicated to these painters and examines the intrinsic motivations that led De Bie to choose them as the subject of his panegyrics. The writing underscores the connections De Bie must have had with information brought home by his father (who lived in Rome for years), with Gaspar Roomer and his collections, and with Italian art literature, to which he owed a debt as for information obtained and source documents. In addition, the article discusses the life of Pieter Boel, who spent many years in Italy, and of one of his best pupils, David De Coninck. |
dc.relation.ispartof |
Venezia Arti |
dc.relation.ispartof |
Vol. 29 | Dicembre 2020 |
dc.issued |
2020-12-11 |
dc.dateAccepted |
2020-10-07 |
dc.dateSubmitted |
2020-09-03 |
dc.identifier.issn |
|
dc.identifier.eissn |
2385-2720 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/VA/2385-2720/2020/06/004 |
dc.peer-review |
yes |
dc.subject |
Biographical Cameos |
dc.subject |
Biographical Cameos |
dc.subject |
Cornelis De Bie |
dc.subject |
Cornelis De Bie |
dc.subject |
David De Coninck |
dc.subject |
David De Coninck |
dc.subject |
Flemish Sources |
dc.subject |
Flemish Sources |
dc.subject |
Francesco Noletti |
dc.subject |
Francesco Noletti |
dc.subject |
Grechetto |
dc.subject |
Grechetto |
dc.subject |
Het Gulden Cabinet |
dc.subject |
Het Gulden Cabinet |
dc.subject |
Italian Art Literature |
dc.subject |
Italian Art Literature |
dc.subject |
Mario dei Fiori |
dc.subject |
Mario dei Fiori |
dc.subject |
Michelangelo Cerquozzi |
dc.subject |
Michelangelo Cerquozzi |
dc.subject |
Neapolitan Collections |
dc.subject |
Neapolitan Collections |
dc.subject |
Paintings |
dc.subject |
Paintings |
dc.subject |
Pieter Boel |
dc.subject |
Pieter Boel |
dc.subject |
Science Treatises |
dc.subject |
Science Treatises |
dc.subject |
Still Life in Italy |
dc.subject |
Still Life in Italy |
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