Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Film • Gothic • Nicoletto da Modena • Stage • Marcantonio Magno • Biopolitic • Performance Art • Abramović • Models • Performer • Saint Sebastian • Louvre • Soprano • La Salpêtrière • Prospero Clemente • Revolutionary avant-garde • 1960s radicalism • Casts • Ornamentation • Theatre and performance • Performance • Theatre • Nijinsky • Franciscan saints • Aesthetics and politics • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Vanessa Beecroft • Andrea Mantegna • Agamben • Body • Neo-avant-garde • Iconology • Iconography • Puer mingens • Dance • Drawing • Opera • Cult • Pordenone • Printmaking • Skin • Dance notations • Body movements • Emilia, Veneto • Plague • Fruition • Avant-garde • Symbolism • Costume • Russian ballet • Anna Moffo • Devotion • Device • Galindo • Television • Illusion • Padua • Female

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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