Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Female • Device • Devotion • Nijinsky • Ornamentation • Cult • Fruition • Puer mingens • Nicoletto da Modena • Performance • 1960s radicalism • Illusion • Galindo • Iconography • La Salpêtrière • Models • Russian ballet • Skin • Vanessa Beecroft • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Neo-avant-garde • Symbolism • Marcantonio Magno • Andrea Mantegna • Avant-garde • Prospero Clemente • Revolutionary avant-garde • Printmaking • Aesthetics and politics • Opera • Television • Dance • Padua • Body movements • Costume • Theatre • Drawing • Dance notations • Film • Casts • Gothic • Pordenone • Theatre and performance • Biopolitic • Body • Soprano • Performer • Emilia, Veneto • Louvre • Agamben • Plague • Performance Art • Stage • Anna Moffo • Abramović • Franciscan saints • Saint Sebastian • Iconology

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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