Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Anna Moffo • Costume • Russian ballet • Dance notations • Nicoletto da Modena • Theatre and performance • Devotion • Emilia, Veneto • Marcantonio Magno • Plague • Fruition • Franciscan saints • Galindo • Performance • Abramović • Printmaking • Soprano • Cult • Body movements • Drawing • Iconology • Theatre • Agamben • Body • Models • Nijinsky • Padua • Device • Performance Art • Symbolism • Biopolitic • Avant-garde • Neo-avant-garde • Female • Skin • Gothic • Performer • Louvre • Prospero Clemente • Andrea Mantegna • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Film • Stage • Illusion • Vanessa Beecroft • Puer mingens • Dance • Television • Revolutionary avant-garde • Saint Sebastian • 1960s radicalism • Casts • Iconography • Pordenone • Ornamentation • Opera • Aesthetics and politics • La Salpêtrière

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 63
  • search 96
  • format_quote 0

Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.

x

Newsletter