Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Opera • Fruition • Dance • Anna Moffo • Louvre • Performance Art • Symbolism • Iconology • Printmaking • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Device • Ornamentation • Vanessa Beecroft • Performer • Saint Sebastian • Skin • Body • Illusion • Marcantonio Magno • Devotion • Revolutionary avant-garde • Performance • Body movements • Costume • Cult • Dance notations • Soprano • Television • Franciscan saints • Casts • Puer mingens • Plague • Prospero Clemente • La Salpêtrière • Nicoletto da Modena • Drawing • Female • Iconography • Padua • Avant-garde • Theatre and performance • Andrea Mantegna • Gothic • Abramović • Models • Pordenone • Emilia, Veneto • Stage • Agamben • Film • Nijinsky • Galindo • Biopolitic • Aesthetics and politics • Neo-avant-garde • Russian ballet • Theatre • 1960s radicalism

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.