Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

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Keywords Ornamentation • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Costume • Nijinsky • Nicoletto da Modena • Franciscan saints • Models • Padua • Stage • Emilia, Veneto • Louvre • Theatre and performance • Biopolitic • Aesthetics and politics • Marcantonio Magno • Agamben • Body • La Salpêtrière • Vanessa Beecroft • Prospero Clemente • Cult • Performer • Devotion • Drawing • Revolutionary avant-garde • Dance • Plague • Neo-avant-garde • Performance • Device • Saint Sebastian • Symbolism • Fruition • Body movements • Opera • Soprano • Gothic • Puer mingens • Female • Television • Illusion • Casts • Performance Art • Printmaking • Russian ballet • Film • Abramović • Galindo • Pordenone • Iconology • Iconography • 1960s radicalism • Anna Moffo • Skin • Theatre • Dance notations • Avant-garde • Andrea Mantegna

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

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