Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019
Keywords Russian ballet • Louvre • Aesthetics and politics • Revolutionary avant-garde • Agamben • Models • Television • Vanessa Beecroft • Performance Art • Marcantonio Magno • Casts • Abramović • Fruition • Female • Saint Sebastian • Symbolism • Drawing • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Device • Stage • Cult • Theatre and performance • Costume • Plague • Pordenone • Franciscan saints • Prospero Clemente • Nijinsky • Emilia, Veneto • Iconography • Performance • Performer • Padua • Anna Moffo • Theatre • Devotion • Skin • Soprano • Opera • Printmaking • Body movements • Biopolitic • Body • La Salpêtrière • 1960s radicalism • Illusion • Ornamentation • Galindo • Film • Gothic • Neo-avant-garde • Nicoletto da Modena • Andrea Mantegna • Avant-garde • Puer mingens • Dance notations • Iconology • Dance
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it
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