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Venezia Arti
Fascicolo monografico | 28 | 2019
Keywords Cult • Performance • Saint Sebastian • Pordenone • Skin • Nicoletto da Modena • Stage • Female • Plague • Gothic • Dance notations • Anna Moffo • Performance Art • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Agamben • Iconology • Opera • Symbolism • Theatre • Puer mingens • Casts • Performer • La Salpêtrière • Andrea Mantegna • Drawing • Vanessa Beecroft • Revolutionary avant-garde • Biopolitic • Soprano • Television • Theatre and performance • Galindo • Emilia, Veneto • Padua • Prospero Clemente • Russian ballet • Dance • Neo-avant-garde • Body movements • Device • Costume • Illusion • Models • Nijinsky • 1960s radicalism • Ornamentation • Avant-garde • Franciscan saints • Iconography • Fruition • Abramović • Louvre • Aesthetics and politics • Marcantonio Magno • Printmaking • Film • Devotion • Body
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en
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