Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Skin • Plague • Opera • Russian ballet • Symbolism • Iconography • Saint Sebastian • Illusion • Dance • 1960s radicalism • Prospero Clemente • Agamben • Biopolitic • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Performer • Soprano • Theatre • Female • Aesthetics and politics • Avant-garde • Nicoletto da Modena • Body movements • Puer mingens • Marcantonio Magno • Neo-avant-garde • Device • Franciscan saints • Dance notations • Cult • Body • Pordenone • Revolutionary avant-garde • Stage • Louvre • Vanessa Beecroft • Galindo • Ornamentation • Performance Art • Theatre and performance • Gothic • Abramović • Nijinsky • Andrea Mantegna • Models • Television • La Salpêtrière • Performance • Costume • Casts • Padua • Drawing • Fruition • Anna Moffo • Devotion • Film • Printmaking • Iconology • Emilia, Veneto

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

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