Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Neo-avant-garde • Nicoletto da Modena • Devotion • Nijinsky • Device • Abramović • Opera • Drawing • Emilia, Veneto • Printmaking • Television • Theatre • Anna Moffo • Avant-garde • Vanessa Beecroft • Stage • Russian ballet • Franciscan saints • Film • Skin • 1960s radicalism • Symbolism • Aesthetics and politics • Cult • Fruition • Iconology • Performer • Biopolitic • Gothic • Performance • Casts • Puer mingens • Saint Sebastian • Dance notations • Body movements • Costume • Prospero Clemente • Body • Theatre and performance • Pordenone • La Salpêtrière • Illusion • Female • Revolutionary avant-garde • Models • Plague • Louvre • Marcantonio Magno • Soprano • Andrea Mantegna • Iconography • Galindo • Padua • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Dance • Ornamentation • Agamben • Performance Art

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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