Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Abramović • Theatre • Casts • Body movements • Film • Ornamentation • Russian ballet • Plague • Symbolism • Models • Biopolitic • Aesthetics and politics • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Gothic • Prospero Clemente • Performance Art • Drawing • Puer mingens • Soprano • La Salpêtrière • Pordenone • Saint Sebastian • Marcantonio Magno • Performer • Body • Costume • Theatre and performance • Printmaking • Skin • Dance notations • Franciscan saints • Female • Dance • Agamben • Device • Emilia, Veneto • Cult • Nijinsky • Anna Moffo • Nicoletto da Modena • Vanessa Beecroft • Performance • Iconology • Neo-avant-garde • Andrea Mantegna • Opera • 1960s radicalism • Illusion • Revolutionary avant-garde • Avant-garde • Television • Fruition • Galindo • Louvre • Iconography • Stage • Devotion • Padua

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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