Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Antiquarians • Claes Oldenburg • Venetian Veduta • Early photography • Fashion • Curator • Pragmatism • Gatekeepers • Ulisse Aldrovandi • Art field • Museum • ‘The Store’ • Art market • Michelangelo Muraro • Federico Pendasio • Cultural heritage of Venezia Giulia and Istria • Douglas Gordon • Individual • Restoration • Contemporary art • Sociology • Armstrong and Mitchell Cran • Material culture • Grotesque • Ouverture • Gabriele Paleotti • Industrial heritage • Damien Hirst • History • Osthoff • Intermediaries • Identity formation • Archival photographs • Keeper • Gatekeeper • Howard Becker • Fashion studies • Pierre Bourdieu • Mediations • Philosophy of art • Art worlds • Venice’s Lido • Cultural policy • Exhibition • Caucasus • Gesture • Nature • Guardi • Philosophical disenfranchisement • Giuseppe Mazzotti • Border crossing • Arthur Danto • Entrepreneur • History of dress • Venice • Realm of art • Visual arts • Art • Antonio Morassi • Pirro Ligorio • Academy • Forgers • Objects • Production • Steve McQueen • Photography • Jewish cemetery • Venetian villas • Arsenale • Opera • Consumer culture

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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