Vol. 25 | Dicembre 2016
a cura di
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Pubblicato: 20 Dicembre 2016
Border crossing • Guardi • Intermediaries • Mediations • Restoration • Curator • Realm of art • Gabriele Paleotti • Exhibition • Grotesque • Academy • Art worlds • Objects • Osthoff • Forgers • Philosophy of art • Federico Pendasio • ‘The Store’ • Entrepreneur • Michelangelo Muraro • Antiquarians • Cultural policy • Caucasus • Douglas Gordon • Material culture • Howard Becker • Fashion • Jewish cemetery • Fashion studies • Arsenale • Pierre Bourdieu • Damien Hirst • Ouverture • Individual • Philosophical disenfranchisement • Industrial heritage • Antonio Morassi • History • History of dress • Steve McQueen • Venetian villas • Gatekeeper • Gatekeepers • Photography • Pirro Ligorio • Arthur Danto • Venice • Art market • Opera • Claes Oldenburg • Armstrong and Mitchell Cran • Gesture • Ulisse Aldrovandi • Sociology • Museum • Venice’s Lido • Visual arts • Consumer culture • Art field • Production • Cultural heritage of Venezia Giulia and Istria • Keeper • Venetian Veduta • Archival photographs • Early photography • Contemporary art • Nature • Art • Giuseppe Mazzotti • Identity formation • Pragmatism