Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Cultural heritage of Venezia Giulia and Istria • Visual arts • Art field • Contemporary art • Restoration • Photography • Philosophical disenfranchisement • Philosophy of art • Ouverture • Osthoff • Realm of art • Forgers • Fashion studies • Keeper • Howard Becker • Sociology • Venetian villas • Federico Pendasio • Claes Oldenburg • Art • Ulisse Aldrovandi • Entrepreneur • Curator • Cultural policy • Pierre Bourdieu • Consumer culture • Gabriele Paleotti • History of dress • Individual • Production • Grotesque • Material culture • Nature • ‘The Store’ • Caucasus • Damien Hirst • Gesture • Intermediaries • Mediations • Gatekeepers • Venetian Veduta • Academy • Antiquarians • Pragmatism • Arsenale • Early photography • Art worlds • Arthur Danto • Douglas Gordon • Fashion • Gatekeeper • Archival photographs • Michelangelo Muraro • Antonio Morassi • Opera • Pirro Ligorio • Jewish cemetery • Identity formation • Art market • Exhibition • Objects • Venice’s Lido • Venice • Giuseppe Mazzotti • Armstrong and Mitchell Cran • History • Museum • Guardi • Steve McQueen • Industrial heritage • Border crossing

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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