Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Grotesque • Mediations • Giuseppe Mazzotti • Forgers • Antonio Morassi • Philosophy of art • Curator • Venetian villas • Douglas Gordon • Art field • Howard Becker • Keeper • Philosophical disenfranchisement • Early photography • Exhibition • Gatekeeper • Photography • Art worlds • Visual arts • History • Industrial heritage • Archival photographs • Border crossing • Entrepreneur • Opera • Federico Pendasio • Pierre Bourdieu • Venice’s Lido • Claes Oldenburg • Restoration • Cultural policy • Caucasus • Museum • Identity formation • Gatekeepers • Antiquarians • Damien Hirst • Cultural heritage of Venezia Giulia and Istria • Realm of art • Art market • Ouverture • Individual • Armstrong and Mitchell Cran • Intermediaries • Nature • Guardi • Fashion studies • Steve McQueen • Ulisse Aldrovandi • Osthoff • Pragmatism • Arsenale • Academy • Gesture • Pirro Ligorio • Production • ‘The Store’ • Consumer culture • Material culture • Objects • Arthur Danto • Venice • Gabriele Paleotti • History of dress • Fashion • Michelangelo Muraro • Sociology • Art • Venetian Veduta • Contemporary art • Jewish cemetery

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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