Rivista | JoLMA
Fascicolo monografico | 4 | 1 | 2023
Articolo | Camille Henrot’s Grosse Fatigue
Camille Henrot’s Grosse Fatigue
The Frame as an Ordering Element of Hyper-Enactment
Abstract
This essay aims to analyse the ordering role that the frame plays in Grosse Fatigue (2013) by French artist Camille Henrot. Presented for the first time at the 55th Venice Biennale, the work is a 'desktop documentary', which uses words and images to reconstruct the complex history of the evolution of the Universe and of humanity. With the help of some concepts taken from Object-Oriented Ontology, this article considers Grosse Fatigue as a ‘hyper-enactment’, a neologism used to describe the stage in which pre-existing images/objects (here well circumscribed by desktop frames) aggregate as both particle-weaves and event-objects, producing new narratives that prevent the punctual rediscovery of their references.
Presentato: 31 Maggio 2023 | Accettato: 03 Luglio 2023 | Pubblicato 25 Settembre 2023 | Lingua: en
Keywords Camille Henrot • Grosse Fatigue • Desktop documentary • Re-framing • Hyper-enactment
Copyright © 2023 Stefano Mudu. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2023/01/004
