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La irrupción de la subjetividad en las acotaciones escénicas de Jardiel Poncela

Un análisis del fenómeno en cinco comedias del autor (1927-1940)

Carlotta Paratore    Università degli Studi Roma Tre, Italia    



Jardiel Poncela devoted a part of his literary efforts to compose his stage directions, a fundamental component of his theatre. Stage directions are endowed with so peculiar characteristics that they often became decisive pieces in the interpretation of the author’s dramatic writing. Although critics have occasionally highlighted this factor, detailed studies have been lacking, therefore this is the scope of this article. We will analyze some examples from five playwrights, and we will highlight some rhetorical, linguistic, stylistic mechanisms with which Jardiel seems to make one’s presence felt in his stage directions writing.

29 Giugno 2021
22 Aprile 2021
21 Aprile 2020

Keywords: | Jardiel PoncelaSpanish theatreStage directionsLiteratura española del siglo XXSpanish literature of the 20th centuryAcotaciones escénicasEscritura dramáticaDramatic writingJardiel PoncelaTeatro español

Copyright: © 2021 Carlotta Paratore. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.