La irrupción de la subjetividad en las acotaciones escénicas de…

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Campo DC	Valore
dc.identifier	ECF_article_5527
dc.title	La irrupción de la subjetividad en las acotaciones escénicas de Jardiel Poncela. Un análisis del fenómeno en cinco comedias del autor (1927-1940)
dc.contributor.author	Paratore Carlotta
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/riviste/rassegna-iberistica/2021/115/la-irrupcion-de-la-subjetividad-en-las-acotaciones/
dc.description.abstract	Jardiel Poncela devoted a part of his literary efforts to compose his stage directions, a fundamental component of his theatre. Stage directions are endowed with so peculiar characteristics that they often became decisive pieces in the interpretation of the author’s dramatic writing. Although critics have occasionally highlighted this factor, detailed studies have been lacking, therefore this is the scope of this article. We will analyze some examples from five playwrights, and we will highlight some rhetorical, linguistic, stylistic mechanisms with which Jardiel seems to make one’s presence felt in his stage directions writing.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 44 \| Num. 115 \| Giugno 2021
dc.issued	2021-06-29
dc.dateAccepted	2021-04-22
dc.dateSubmitted	2020-04-21
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2021/16/004
dc.peer-review	yes
dc.subject	Acotaciones escénicas
dc.subject	Acotaciones escénicas
dc.subject	Dramatic writing
dc.subject	Dramatic writing
dc.subject	Escritura dramática
dc.subject	Escritura dramática
dc.subject	\| Jardiel Poncela
dc.subject	\| Jardiel Poncela
dc.subject	Jardiel Poncela
dc.subject	Jardiel Poncela
dc.subject	Literatura española del siglo XX
dc.subject	Literatura española del siglo XX
dc.subject	Spanish literature of the 20th century
dc.subject	Spanish literature of the 20th century
dc.subject	Spanish theatre
dc.subject	Spanish theatre
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Teatro español
dc.subject	Teatro español

Articolo
open access peer reviewed

La irrupción de la subjetividad en las acotaciones escénicas de Jardiel Poncela

Un análisis del fenómeno en cinco comedias del autor (1927-1940)

Carlotta Paratore Università degli Studi Roma Tre, Italia

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abstract

Jardiel Poncela devoted a part of his literary efforts to compose his stage directions, a fundamental component of his theatre. Stage directions are endowed with so peculiar characteristics that they often became decisive pieces in the interpretation of the author’s dramatic writing. Although critics have occasionally highlighted this factor, detailed studies have been lacking, therefore this is the scope of this article. We will analyze some examples from five playwrights, and we will highlight some rhetorical, linguistic, stylistic mechanisms with which Jardiel seems to make one’s presence felt in his stage directions writing.

Pubblicato

29 Giugno 2021

Accettato

22 Aprile 2021

Presentato

21 Aprile 2020

Lingua

Keywords: | Jardiel Poncela • Spanish theatre • Stage directions • Literatura española del siglo XX • Spanish literature of the 20th century • Acotaciones escénicas • Escritura dramática • Dramatic writing • Jardiel Poncela • Teatro español

permalink http://doi.org/10.30687/Ri/2037-6588/2021/16/004

Copyright: © 2021 Carlotta Paratore. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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