Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords Cinema • Literature • No ficción • Surrealism • | Valerián de Hungría • Miguel Ángel Hernández • Novelas • Editoria • Misoginia • | Wilcock • Cuba vanguardias • Nationalism • Sociologia de la llengua • Valerián de Hungría • Letteratura ispanoamericana • Libri di cavalleria • Cuban avant-garde • Cultural hybridity • Paisaje • Aposiopesis • | Deformación artística • Artistic deformation • Literary dialogues • Baroque • Borges • Rhetorical techniques • | Conquista del desierto • Sociology of language • Negrismo • Paralipsis • Castelao • Identidad • Paradosso • | Bernardo Atxaga • Galdós’ novels • García Maroto • Surrealismo • España • Mujer • Poetical discourse • Wilcock • Bernardo Atxaga • Barroco • El dolor los demás • El dolor de los demás • Italo Calvino • Hispano-American literature • Poetry • Mitos mapuches • Dibuxos grabados • Publishing industry • Mapuche myths • True Crime • Paradox • Romances of Chivalry • Desert conquest • Beauty • Ecología • Negros • Discurso • Literatura • Estructura social • Critica • Social structure • Identity • Women • Misogyny • Lagunas textuales • Negritud • | Castelao • Spanish Republic • Dialogo letterario • Textual lacunas • Ecology • Landscape • Hibridismo cultural • Criticism • Nonfiction • Narrative perspective • | Benito Pérez Galdós • Puesta en perspectiva narrativa • Einaudi editore • | Inmigración • Poesía • | Assaig • Técnicas retóricas • Ciència social • Ideology • Essay • | Italo Calvino • | Literatura española contemporánea • Reticence • Reticencia • Immigration • Social science • Contemporary Spanish literature • Nacionalisme • True crime • Inmigrante • Ideologia • Mise en abyme • Caballero Bonald • Immigrant • Figurativización • Bellezza

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, es, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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