Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019
Keywords Women • El dolor los demás • | Literatura española contemporánea • Identity • | Italo Calvino • Novelas • Narrative perspective • Cultural hybridity • Beauty • Italo Calvino • Mapuche myths • Social science • Surrealism • Identidad • | Inmigración • Reticence • Landscape • Hibridismo cultural • Essay • | Castelao • Romances of Chivalry • Hispano-American literature • Puesta en perspectiva narrativa • Estructura social • | Assaig • Wilcock • Spanish Republic • Immigrant • Contemporary Spanish literature • Figurativización • Mitos mapuches • Valerián de Hungría • | Wilcock • Libri di cavalleria • Dialogo letterario • Artistic deformation • Misoginia • | Deformación artística • Textual lacunas • Miguel Ángel Hernández • Lagunas textuales • Poetry • | Benito Pérez Galdós • Literatura • Rhetorical techniques • Ideology • Critica • Nacionalisme • Mise en abyme • Ideologia • | Bernardo Atxaga • No ficción • Editoria • Misogyny • Mujer • | Conquista del desierto • Caballero Bonald • García Maroto • Técnicas retóricas • Ecology • Cuba vanguardias • Negros • Inmigrante • Bernardo Atxaga • True crime • Ecología • Cinema • Baroque • Nationalism • Einaudi editore • Literature • Paisaje • True Crime • Criticism • Dibuxos grabados • Barroco • Negrismo • Poetical discourse • España • Social structure • Cuban avant-garde • Literary dialogues • Desert conquest • Negritud • Publishing industry • Borges • El dolor de los demás • Galdós’ novels • Reticencia • Letteratura ispanoamericana • Castelao • Sociology of language • Paradox • Discurso • Poesía • Bellezza • Paralipsis • Aposiopesis • Ciència social • Sociologia de la llengua • Paradosso • Immigration • Surrealismo • Nonfiction • | Valerián de Hungría
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, es, ca
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