Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Cuba vanguardias • El dolor los demás • No ficción • Surrealismo • Miguel Ángel Hernández • | Bernardo Atxaga • Artistic deformation • Aposiopesis • Reticence • España • Ecología • Castelao • Mitos mapuches • Poetry • Spanish Republic • | Assaig • Einaudi editore • Literatura • Narrative perspective • Textual lacunas • Social science • Caballero Bonald • | Italo Calvino • Criticism • Essay • Misogyny • El dolor de los demás • Poesía • Poetical discourse • Immigration • Mapuche myths • Galdós’ novels • Italo Calvino • Cinema • Inmigrante • Hispano-American literature • Desert conquest • Negros • | Castelao • Ecology • | Wilcock • Nationalism • Negritud • Hibridismo cultural • Paralipsis • Publishing industry • Paradox • Estructura social • Paisaje • Identity • Libri di cavalleria • Ciència social • Novelas • Borges • Literary dialogues • Sociology of language • Surrealism • Puesta en perspectiva narrativa • García Maroto • | Conquista del desierto • Editoria • True crime • Paradosso • | Valerián de Hungría • Landscape • True Crime • Cultural hybridity • | Inmigración • Dibuxos grabados • | Benito Pérez Galdós • Figurativización • Negrismo • Nacionalisme • Social structure • Valerián de Hungría • Nonfiction • Contemporary Spanish literature • | Literatura española contemporánea • Literature • Lagunas textuales • Sociologia de la llengua • Baroque • | Deformación artística • Ideology • Misoginia • Barroco • Critica • Women • Mujer • Mise en abyme • Bernardo Atxaga • Identidad • Letteratura ispanoamericana • Bellezza • Immigrant • Romances of Chivalry • Rhetorical techniques • Cuban avant-garde • Beauty • Técnicas retóricas • Reticencia • Discurso • Wilcock • Dialogo letterario • Ideologia

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, es, it

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