Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Contemporary Spanish literature • Narrative perspective • Nonfiction • Cinema • Surrealism • Puesta en perspectiva narrativa • Libri di cavalleria • Social science • | Wilcock • Sociology of language • | Assaig • | Inmigración • Miguel Ángel Hernández • No ficción • Publishing industry • Barroco • Artistic deformation • | Literatura española contemporánea • Rhetorical techniques • Aposiopesis • Paradosso • Técnicas retóricas • | Valerián de Hungría • Romances of Chivalry • Bernardo Atxaga • | Benito Pérez Galdós • Mapuche myths • Lagunas textuales • Ideology • Immigrant • Letteratura ispanoamericana • Cultural hybridity • | Bernardo Atxaga • Landscape • Caballero Bonald • Paradox • España • Italo Calvino • Baroque • El dolor de los demás • Literary dialogues • Women • Ideologia • Cuba vanguardias • Literature • Reticencia • Immigration • Borges • | Deformación artística • Spanish Republic • Textual lacunas • Dibuxos grabados • Ciència social • Critica • Castelao • | Castelao • Poetical discourse • Figurativización • Nationalism • Surrealismo • Reticence • Poesía • Mise en abyme • Beauty • García Maroto • Hibridismo cultural • Novelas • Identidad • Inmigrante • Galdós’ novels • Ecología • Nacionalisme • Wilcock • Negritud • Criticism • Literatura • Mitos mapuches • Ecology • Dialogo letterario • Cuban avant-garde • Paisaje • Paralipsis • Poetry • Social structure • | Conquista del desierto • Misoginia • Mujer • | Italo Calvino • Discurso • True crime • True Crime • Estructura social • Hispano-American literature • Valerián de Hungría • Einaudi editore • Negrismo • Essay • Desert conquest • El dolor los demás • Editoria • Negros • Identity • Bellezza • Misogyny • Sociologia de la llengua

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, es, it

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