Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Paradosso • Estructura social • Dialogo letterario • Editoria • Romances of Chivalry • Literature • Mujer • Publishing industry • Italo Calvino • Reticencia • Landscape • Sociologia de la llengua • Immigration • Poesía • True Crime • Libri di cavalleria • | Wilcock • Critica • Bernardo Atxaga • | Inmigración • Identity • Negritud • | Valerián de Hungría • Wilcock • | Assaig • Mise en abyme • Cuban avant-garde • Narrative perspective • Letteratura ispanoamericana • Ciència social • Mitos mapuches • Ideologia • Surrealism • Lagunas textuales • Women • Misoginia • Inmigrante • Caballero Bonald • Galdós’ novels • Poetical discourse • Essay • Castelao • Paradox • Social science • Hispano-American literature • Literary dialogues • Dibuxos grabados • García Maroto • Literatura • Nonfiction • Criticism • Negros • Rhetorical techniques • Ideology • No ficción • True crime • Desert conquest • | Deformación artística • Artistic deformation • Textual lacunas • Cinema • Miguel Ángel Hernández • Social structure • | Literatura española contemporánea • Cultural hybridity • Contemporary Spanish literature • Poetry • Discurso • Puesta en perspectiva narrativa • Borges • Misogyny • Surrealismo • Barroco • | Castelao • El dolor los demás • | Bernardo Atxaga • España • Nacionalisme • Ecología • | Italo Calvino • Mapuche myths • | Conquista del desierto • Cuba vanguardias • Reticence • Bellezza • Identidad • Aposiopesis • Paisaje • | Benito Pérez Galdós • Hibridismo cultural • Beauty • El dolor de los demás • Negrismo • Figurativización • Ecology • Baroque • Paralipsis • Einaudi editore • Nationalism • Técnicas retóricas • Valerián de Hungría • Sociology of language • Immigrant • Spanish Republic • Novelas

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, it, es

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