Rivista | Rassegna iberistica
Fascicolo | 39 | 106 | 2016
Articolo | Sombras de lo real
Abstract
The current stage of the observations on the relationship between the Arts allows us to move past the model of comparison between literary and visual works of art and address the inherent complexity of mixed models and cultural products that embody this difference. Such considerations send us back to the origins of the interartistic debate, to rethinking the arts’ mimetic ability in a context where the acknowledgement of cultural field is an invitation to investigate the relational dynamics. The case study is a brief video by Víctor Erice, filmed while preparing for the shooting of the documentary El sol del membrillo, on the painting of Antonio López.
Presentato: 04 Febbraio 2016 | Accettato: 06 Aprile 2016 | Pubblicato 07 Dicembre 2016 | Lingua: es
Keywords Look • Différance • Comparison • Mimesis • Heterogeneity • Painting • Documentary cinema
Copyright © 2016 Antonio Monegal. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-39-106-16-5
Articoli
Note
Recensioni
Pubblicazioni ricevute
DC Field | Value |
---|---|
dc.identifier |
ECF_article_303 |
dc.title |
Sombras de lo real. La relación entre las artes en el diálogo entre la pintura de Antonio López y el documental de Víctor Erice |
dc.contributor.author |
Monegal Antonio |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Articolo |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2016/106/sombras-de-lo-real/ |
dc.description.abstract |
The current stage of the observations on the relationship between the Arts allows us to move past the model of comparison between literary and visual works of art and address the inherent complexity of mixed models and cultural products that embody this difference. Such considerations send us back to the origins of the interartistic debate, to rethinking the arts’ mimetic ability in a context where the acknowledgement of cultural field is an invitation to investigate the relational dynamics. The case study is a brief video by Víctor Erice, filmed while preparing for the shooting of the documentary El sol del membrillo, on the painting of Antonio López. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 39 | Num. 106 | Dicembre 2016 |
dc.issued |
2016-12-07 |
dc.dateAccepted |
2016-04-06 |
dc.dateSubmitted |
2016-02-04 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2037-6588/Ri-39-106-16-5 |
dc.peer-review |
yes |
dc.subject |
Comparison |
dc.subject |
Comparison |
dc.subject |
Différance |
dc.subject |
Différance |
dc.subject |
Documentary cinema |
dc.subject |
Documentary cinema |
dc.subject |
Heterogeneity |
dc.subject |
Heterogeneity |
dc.subject |
Look |
dc.subject |
Look |
dc.subject |
Mimesis |
dc.subject |
Mimesis |
dc.subject |
Painting |
dc.subject |
Painting |
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