Journal | Rassegna iberistica
Journal issue | 39 | 106 | 2016
Research Article | Shadow of Reality
Abstract
The current stage of the observations on the relationship between the Arts allows us to move past the model of comparison between literary and visual works of art and address the inherent complexity of mixed models and cultural products that embody this difference. Such considerations send us back to the origins of the interartistic debate, to rethinking the arts’ mimetic ability in a context where the acknowledgement of cultural field is an invitation to investigate the relational dynamics. The case study is a brief video by Víctor Erice, filmed while preparing for the shooting of the documentary El sol del membrillo, on the painting of Antonio López.
Submitted: Feb. 4, 2016 | Accepted: April 6, 2016 | Published Dec. 7, 2016 | Language: es
Keywords Comparison • Mimesis • Différance • Look • Painting • Documentary cinema • Heterogeneity
Copyright © 2016 Antonio Monegal. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-39-106-16-5
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DC Field | Value |
---|---|
dc.identifier |
ECF_article_303 |
dc.title |
Shadow of Reality. The Relationship between the Arts in the Comparison of Antonio López’ Painting and the Documentary by Víctor Erice |
dc.contributor.author |
Monegal Antonio |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2016/106/sombras-de-lo-real/ |
dc.description.abstract |
The current stage of the observations on the relationship between the Arts allows us to move past the model of comparison between literary and visual works of art and address the inherent complexity of mixed models and cultural products that embody this difference. Such considerations send us back to the origins of the interartistic debate, to rethinking the arts’ mimetic ability in a context where the acknowledgement of cultural field is an invitation to investigate the relational dynamics. The case study is a brief video by Víctor Erice, filmed while preparing for the shooting of the documentary El sol del membrillo, on the painting of Antonio López. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 39 | Issue 106 | December 2016 |
dc.issued |
2016-12-07 |
dc.dateAccepted |
2016-04-06 |
dc.dateSubmitted |
2016-02-04 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2037-6588/Ri-39-106-16-5 |
dc.peer-review |
yes |
dc.subject |
Comparison |
dc.subject |
Comparison |
dc.subject |
Différance |
dc.subject |
Différance |
dc.subject |
Documentary cinema |
dc.subject |
Documentary cinema |
dc.subject |
Heterogeneity |
dc.subject |
Heterogeneity |
dc.subject |
Look |
dc.subject |
Look |
dc.subject |
Mimesis |
dc.subject |
Mimesis |
dc.subject |
Painting |
dc.subject |
Painting |
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