[Ri]costruire il patrimonio culturale medievale

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Campo DC	Valore
dc.identifier	ECF_article_10232
dc.title	[Ri]costruire il patrimonio culturale medievale. Il caso delle [ri]costruzioni 3D nella ricerca accademica e nelle GLAMS
dc.contributor.author	Federici Angelica
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/riviste/magazen/2022/2/ricostruire-il-patrimonio-culturale-medievale/
dc.description.abstract	Digital visualisation technologies including 3D modelling and virtual/augmented reality have revolutionised our critical engagement with the visual arts. The possibility of virtually [re]constructing highly fragmented contexts has opened infinite possibilities and new agendas for research. While the sustainability of Digital Humanities research is at the forefront of current debates, through specific case studies, with a particular focus on medieval historical heritage, this paper aims to critically engage with methodological aspects employed in the creation of digital reconstructions. These models need to balance the need for accuracy and academic certitude with the aesthetic quality of the objects themselves. Through an interdisciplinary and multifaceted approach, it will offer a commentary and a reassessment of the common notion that digital conservation as a discipline needs to offer a curative response in the fields of historical preservation, cultural heritage and archaeology.
dc.relation.ispartof	magazén
dc.relation.ispartof	Vol. 3 \| Num. 2 \| Dicembre 2022
dc.issued	2022-12-16
dc.dateAccepted	2022-10-26
dc.dateSubmitted	2022-07-15
dc.identifier.issn
dc.identifier.eissn	2724-3923
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/mag/2724-3923/2022/06/003
dc.peer-review	yes
dc.subject	3D modeling
dc.subject	Augmented reality
dc.subject	Digital humanities
dc.subject	Middle ages
dc.subject	Virtual reality
dc.subject	Visual arts

Articolo
open access peer reviewed

Il caso delle [ri]costruzioni 3D nella ricerca accademica e nelle GLAMS

Angelica Federici Università degli Studi Roma Tre, Italia

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abstract

Digital visualisation technologies including 3D modelling and virtual/augmented reality have revolutionised our critical engagement with the visual arts. The possibility of virtually [re]constructing highly fragmented contexts has opened infinite possibilities and new agendas for research. While the sustainability of Digital Humanities research is at the forefront of current debates, through specific case studies, with a particular focus on medieval historical heritage, this paper aims to critically engage with methodological aspects employed in the creation of digital reconstructions. These models need to balance the need for accuracy and academic certitude with the aesthetic quality of the objects themselves. Through an interdisciplinary and multifaceted approach, it will offer a commentary and a reassessment of the common notion that digital conservation as a discipline needs to offer a curative response in the fields of historical preservation, cultural heritage and archaeology.

Subtags: Visualisation 3d data Documents Modelling Technology Publication Monuments

Pubblicato

16 Dicembre 2022

Accettato

26 Ottobre 2022

Presentato

15 Luglio 2022

Lingua

Keywords: Visual arts • Augmented reality • Digital humanities • Middle ages • Virtual reality • 3D modeling

permalink http://doi.org/10.30687/mag/2724-3923/2022/06/003

Copyright: © 2022 Angelica Federici. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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