Rivista |
Annali di Ca’ Foscari. Serie occidentale
Fascicolo monografico | 59 | Supplemento | 2025
This volume investigates some of the ways in which literature makes use of architecture by exploring buildings, constructing spaces, and configuring structural scaffoldings in narratives. With focus on literary texts from the Nordic countries, the contributions explore themes, authors, and genres from the Middle Ages to the contemporary age along three main axes of research. The first section (“Case di carta”) investigates stories that revolve around specific buildings or architectural elements, such as Strasbourg Cathedral in Jens Baggesen’s Labyrinten (1792‑93), the connection between psyche and real or metaphorical architectures in August Strindberg’s Taklagsöl (1906) and Lars Gustafsson’s En kakelsättares eftermiddag (1991), the tension between tradition (peat houses) and modernity (concrete buildings) in Halldór Laxness’s Sjálfstætt fólk (1934‑35), architectural space as social space in Bjarte Breiteig’s urban novel Tøyeneffekten (2021). The second theme (“Castelli in aria”) involves both natural and metaphysical dimensions, such as the construction of sacred spaces by drawing on mystical models in Nitida saga, celestial structures modelled on terrestrial experience in Emanuel Swedenborg’s visions – a source of inspiration for Strindberg’s Inferno (1897) and Ockulta dagboken (1896‑1908) – and the reflection on subjectivity that takes its cue from a corner of nature in Søren Kierkegaard’s writings. The third axis (“Fucine di parole”) explores structural elements in literary genres, involving the debate on the Icelandic sagas, as in the case studies devoted to narrative structure in Finnboga saga ramma or the topos of the feasting hall in Egils saga einhenda and Kjalnesinga saga. It also takes into account the role of the city of Babylon in some versions of the medieval chivalric poem Floire et Blancheflor as well as dystopian perspectives in Niklas Natt och Dag’s historical crime novel 1793 (2017).
Keywords Íslendingasögur • Nitida saga • Dystopia • Genre • Gothic • Curator • Baroque • Riddarasögur • Dofri • Kjalnesinga saga • Egils saga einhenda • Cathedral of Notre-Dame of Strasbourg • Vernacular architecture • Identity • Edifying • Medieval translation • Parody • Halldór Laxness • Jens Baggesen • Bjarte Breiteig • Existentialism • Medieval Icelandic literature • Oslo • Iceland • Stockholm • High Middle Ages • Theory of literature • Reception Studies • Textual transmission • Construction • Architecture • Finnboga saga ramma • Troll • Aesthetics • Building • Labyrinten • Occultism • Flores och Blanzeflor • Rural architecture • Vision literature • Tøyeneffekten • Post-migration Literature • ‘Post-Classical’ Íslendingasögur • Gentrification • Subjectivity • Swedish literature • Chivalric literature • Living • Mandalic architecture • Giants • Concrete • Mysticism • Tiler • Swedish Crime Fiction • Eighteenth-century Sweden • Floire et Blancheflor
Permalink http://doi.org/10.30687/AnnOc/2499-1562/2025/13 | Pubblicato 27 Maggio 2025 | Lingua en, it
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