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Le Orestee espanse del nuovo millennio: Antonio Latella, Anagoor, Jan Fabre

Maddalena Giovannelli    Università della Svizzera Italiana    

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abstract

The first decades of the new millennium have witnessed a new and radical re-emergence of Oresteia on the scene: Mount Olympus: To Glorify the Cult of Tragedy, by Jan Fabre (2015), Santa Estasi, directed by Antonio Latella (2018), Orestea by Anagoor (2018) are not merely works by new directors, or re-adaptations, but rather new projects addressing the very idea of trilogy and questioning the possibility of its reactualisation. All the three projects have expanded the script and are all extremely long (respectively 5, 19, 24 hours). The three productions, which force the audience to share the same space, produce a small and irregular community experience, and explore the tragedy’s potential to aggregate people in our contemporary world.

Pubblicato
13 Dicembre 2022
Accettato
15 Marzo 2022
Presentato
14 Gennaio 2022
Lingua
IT
ISBN (PRINT)
978-88-6969-633-6
ISBN (EBOOK)
978-88-6969-632-9

Keywords: Antonio LatellaContemporary sceneAnagoorJan FabreTrilogyRe-writingAdaptation

Copyright: © 2022 Maddalena Giovannelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.