Una costante di gravitazione dantesca: da Gustave Doré a Gabriele

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Campo DC	Valore
dc.identifier	ECF_chapter_6764
dc.contributor.author	Rovere Valentina
dc.title	Una costante di gravitazione dantesca: da Gustave Doré a Gabriele Dell’Otto
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	In the mid-nineteenth century Gustave Doré fixed the imagery of Dante’s Comedy through his 136 engravings. Their expressive power is disruptive and long lasting. In order to investigate whether this modelling charge is still operating within very recent works, this essay takes into consideration two different illustrated editions of Dante’s Comedy: the one illustrated by Lorenzo Mattotti, Milton Glaser and Moebius for the Galleria Nuages, and the one still ongoing which is illustrated by Gabriele Dell’Otto.
dc.relation.ispartof	Italianistica. Nuova serie
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-11-15
dc.dateSubmitted	2021-08-24
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-566-7/una-costante-di-gravitazione-dantesca-da-gustave-d/
dc.identifier.doi	10.30687/978-88-6969-565-0/003
dc.identifier.issn	2610-9514
dc.identifier.eissn	2610-9522
dc.identifier.isbn	978-88-6969-566-7
dc.identifier.eisbn	978-88-6969-565-0
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Commedia
dc.subject	Commedia
dc.subject	Dante
dc.subject	Dante
dc.subject	Gustave Doré
dc.subject	Gustave Doré
dc.subject	Illustrations
dc.subject	Illustrations
dc.subject	Lorenzo Mattotti
dc.subject	Lorenzo Mattotti
dc.subject	Milton Glaser
dc.subject	Milton Glaser
dc.subject	Moebius
dc.subject	Moebius

Capitolo
open access

Una costante di gravitazione dantesca: da Gustave Doré a Gabriele Dell’Otto

Valentina Rovere Università degli Studi di Roma Tre, Italia

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abstract

In the mid-nineteenth century Gustave Doré fixed the imagery of Dante’s Comedy through his 136 engravings. Their expressive power is disruptive and long lasting. In order to investigate whether this modelling charge is still operating within very recent works, this essay takes into consideration two different illustrated editions of Dante’s Comedy: the one illustrated by Lorenzo Mattotti, Milton Glaser and Moebius for the Galleria Nuages, and the one still ongoing which is illustrated by Gabriele Dell’Otto.

Pubblicato

15 Novembre 2021

Presentato

24 Agosto 2021

Lingua

ISBN (PRINT)

978-88-6969-566-7

ISBN (EBOOK)

978-88-6969-565-0

Keywords: Lorenzo Mattotti • Dante • Moebius • Gustave Doré • Commedia • Illustrations • Milton Glaser

permalink: http://doi.org/10.30687/978-88-6969-565-0/003

Copyright: © 2021 Valentina Rovere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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