John Ruskin’s Europe. A Collection of Cross-Cultural Essays

With an Introductory Lecture by Salvatore Settis

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    a cura di
  • Emma Sdegno - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Martina Frank - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Myriam Pilutti Namer - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Pierre-Henry Frangne - Université Rennes 2, France - email

Abstract

L’opera di Ruskin s’inscrive con forza nel grande contesto europeo, segnando un momento importante del movimento di costituzione di una cultura e di uno spirito comunitari. I saggi qui raccolti intendono porre al centro della riflessione critica il tema del rapporto fecondo e imprescindibile di Ruskin con l’Europa, presentandosi come occasioni di approfondimento e di confronto su questioni attinenti all’estetica, alla tutela del patrimonio materiale e immateriale, alla memoria culturale e letteraria. Portando all’attenzione della comunità scientifica i molteplici aspetti – geografici, storico-artistici, critico-estetici, letterari, socio-politici – dell’opera di Ruskin secondo prospettive inter- e transculturali, il volume si propone di (ri)scoprire un Ruskin deliberatamente europeo e di stimolare nuove rotte di ricerca.

Keywords Medieval Monuments in Italy • Anglo-Austrian Cultural Relationship • Architecture • Archival documents • Rasu Chijin Kyōkai (Rasu Farmers Association) • Memory • Lady Gregory • Reception of Ancient Greek Art • Transcultural history • Arts and Crafts Movement • Queen of the Air • Museums of Venice • Yule family • Francesca Alexander • Bridges • Degrowth • Optical thinker • Charlotte Broicher • Europe • Klosterhof Glienicke • Dwelling in • Cultural heritage • Robert de la Sizeranne • Aesthetics of the 19th and 20th century • Arts and Crafts Schools • Composition • Legacy • Interpretation • Samuel Taylor Coleridge • Taishō Era • Aratra Pentelici • Fioretti di San Francesco • Palermo • Czech • Humanity • Christian socialism • Disorientation • Anglo-Italian Cultural Relationship • Russia • Working Men’s College • Imaginary geography • La Bible d’Amiens • Design • Sketching • Unto this Last • Social change • Gothic cathedrals • Nōmin-Geijutsu (Peasant Art) • Abandonment • Roadside Songs of Tuscany • Religious monuments • Poland • Italian Folk poetry • Liberal Italy • Ornament • National heritage • Anti-capitalism • Democratic Liberal • Modern Japan • “Grand contexte” • Cardinal Manning • François-René de Chateaubriand • Europe awareness • Magazine “The Studio” • Turner • John Ruskin • Anti-machinism • Political economy • Potsdam Friedenskirche • Dante Alighieri • Ruskin’s reception • Phenomenology • Translation • Viollet-le-Duc • Orient • Roads • Leo Tolstoy • Amelia Sarah Levetus • Version • Drawing • Marcel Proust • Novelty • Nationalism • Hungary • Il Marzocco • Lady Layard • Reception of Classical Antiquity • Venice • Ruins • Calais’ experience • Social reform • Perception • Art Market • Socialism • Medieval Art • Johan Joachim Winckelmann • Travel writing • Liberalism • Ruskin • Islam • Restoration • Byzantine Sculptures • Cultural Heritage Conservation • Guild of St George • Sicily • Tourism • Gustav von Waagen • Shelter • Kenji Miyazawa • Gothic • The Bible of Amiens • Travel • William Wordsworth • The Story of Ida • Spuybroek • Adult Education • Frédéric Ozanam • Marx • Marxism • Francesco Pajaro • European aesthetics • State Museum Berlin • Comparatism • Old Road • Carl Justi • Intentionality • Aesthetics • Lev Tolstoj’s reception in Italy • Observation • French Gothic architecture • Anti-industrialism • Giacomo Leopardi • Radicalism • Photography

Permalink http://doi.org/10.30687/978-88-6969-487-5 | e-ISBN 978-88-6969-487-5 | ISBN (PRINT) 978-88-6969-488-2 | Numero pagine 448 | Dimensioni 24x22cm | Pubblicato 15 Dicembre 2020 | Lingua fr, it, en

Copyright © 2020 Emma Sdegno, Martina Frank, Myriam Pilutti Namer, Pierre-Henry Frangne. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND). The use, distribution or reproduction is permitted in unadapted form only and provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. You may not use the material for commercial purposes. No use, distribution or reproduction is permitted which does not comply with these terms.