L’arte armena. Storia critica e nuove prospettive

« volume precedente | volume successivo »

Campo DC	Valore
dc.identifier	ECF_book_445
dc.creator	Ferrari Aldo
dc.creator	Riccioni Stefano
dc.creator	Ruffilli Marco
dc.creator	Spampinato Beatrice
dc.title	L’arte armena. Storia critica e nuove prospettive. Studies in Armenian and Eastern Christian Art 2020
dc.type	Miscellanea
dc.language.iso	en, it
dc.description.abstract	L’esplorazione dell’arte armena iniziò nel diciannovesimo secolo grazie a storici dell’arte francesi, russi, tedeschi, finlandesi, austriaci e armeni e continuò nel ventesimo secolo prevalentemente con studiosi russi, armeni, ucraini, americani e italiani, che hanno portato all’attenzione del largo pubblico, non solo dei ricercatori, il patrimonio artistico di un territorio che supera i confini dell’attuale Armenia, e investe un’area definita Subcaucasia, termine con il quale si intende il territorio che dal Caucaso meridionale trapassa negli altopiani iranico e anatolico. L’interesse per l’arte armena, dai manoscritti miniati, ai khachkar, alle architetture, è cresciuto negli ultimi vent’anni conferendo a queste testimonianze una dimensione globale. Il volume illustra le caratteristiche, i temi e i metodi dei vari percorsi di ricerca emergenti dalle diverse tradizioni storiografiche tracciando così una mappa che aiuta ad orientarsi tra i fenomeni artistici e culturali di questo complesso territorio, fornendo diverse chiavi per comprenderli e ragionamenti utili per le future indagini scientifiche.
dc.relation.ispartof	Eurasiatica
dc.identifier.doi	10.30687/978-88-6969-469-1
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-21
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-469-1/
dc.identifier.issn	2610-8879
dc.identifier.eissn	2610-9433
dc.identifier.isbn	978-88-6969-495-0
dc.identifier.eisbn	978-88-6969-469-1
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Adriano Alpago Novello
dc.subject	Adriano Alpago Novello
dc.subject	Adriano Alpago Novello
dc.subject	Adriano Alpago Novello
dc.subject	Adriano Alpago Novello
dc.subject	Aleksej Nekrasov
dc.subject	Aleksej Nekrasov
dc.subject	Aleksej Nekrasov
dc.subject	Alexey Lidov
dc.subject	Alexey Lidov
dc.subject	Alexey Lidov
dc.subject	Anatolia
dc.subject	Anatolia
dc.subject	Anatolia
dc.subject	Architecture
dc.subject	Architecture
dc.subject	Architecture
dc.subject	Architecture
dc.subject	Architecture
dc.subject	Armenia
dc.subject	Armenia
dc.subject	Armenia
dc.subject	Armenia
dc.subject	Armenia
dc.subject	Armenian architecture
dc.subject	Armenian architecture
dc.subject	Armenian architecture
dc.subject	Armenian architecture
dc.subject	Armenian architecture
dc.subject	Armenian art
dc.subject	Armenian art
dc.subject	Armenian art
dc.subject	Armenian history
dc.subject	Armenian history
dc.subject	Armenian history
dc.subject	Armenian prehistory
dc.subject	Armenian prehistory
dc.subject	Armenian prehistory
dc.subject	Armenian-Georgian architectural relationship
dc.subject	Armenian-Georgian architectural relationship
dc.subject	Armenian-Georgian architectural relationship
dc.subject	Armenian-Georgian cultural ties
dc.subject	Armenian-Georgian cultural ties
dc.subject	Armenian-Georgian cultural ties
dc.subject	Armenian-Islamic ‘syncretism’
dc.subject	Armenian-Islamic ‘syncretism’
dc.subject	Armenian-Islamic ‘syncretism’
dc.subject	Bronze Age archaeology
dc.subject	Bronze Age archaeology
dc.subject	Bronze Age archaeology
dc.subject	CSDCA - Centro Studi e Documentazione Cultura Arme
dc.subject	CSDCA - Centro Studi e Documentazione Cultura Arme
dc.subject	CSDCA - Centro Studi e Documentazione Cultura Arme
dc.subject	CSDCA Centro Studi e Documentazione sulla Cultura
dc.subject	CSDCA Centro Studi e Documentazione sulla Cultura
dc.subject	CSDCA Centro Studi e Documentazione sulla Cultura
dc.subject	Caucasus
dc.subject	Caucasus
dc.subject	Caucasus
dc.subject	Cross-stones
dc.subject	Cross-stones
dc.subject	Cross-stones
dc.subject	Cultural Ecology
dc.subject	Cultural Ecology
dc.subject	Cultural Ecology
dc.subject	Destruction
dc.subject	Destruction
dc.subject	Destruction
dc.subject	Destruction
dc.subject	Destruction
dc.subject	Dragon-stones
dc.subject	Dragon-stones
dc.subject	Dragon-stones
dc.subject	Early Modern Armenian Studies
dc.subject	Early Modern Armenian Studies
dc.subject	Early Modern Armenian Studies
dc.subject	Etchmiadzin cathedral
dc.subject	Etchmiadzin cathedral
dc.subject	Etchmiadzin cathedral
dc.subject	Heritage
dc.subject	Heritage
dc.subject	Heritage
dc.subject	Historiograhy
dc.subject	Historiograhy
dc.subject	Historiograhy
dc.subject	Historiography
dc.subject	Historiography
dc.subject	Historiography
dc.subject	History of art
dc.subject	History of art
dc.subject	History of art
dc.subject	Icons
dc.subject	Icons
dc.subject	Icons
dc.subject	Illustrated manuscripts
dc.subject	Illustrated manuscripts
dc.subject	Illustrated manuscripts
dc.subject	Iran
dc.subject	Iran
dc.subject	Iran
dc.subject	Julfa
dc.subject	Julfa
dc.subject	Julfa
dc.subject	Khachkar
dc.subject	Khachkar
dc.subject	Khachkar
dc.subject	Medieval Armenian art and Soviet Union
dc.subject	Medieval Armenian art and Soviet Union
dc.subject	Medieval Armenian art and Soviet Union
dc.subject	Medieval architecture
dc.subject	Medieval architecture
dc.subject	Medieval architecture
dc.subject	Medieval art
dc.subject	Medieval art
dc.subject	Medieval art
dc.subject	Megalithic art
dc.subject	Megalithic art
dc.subject	Megalithic art
dc.subject	Middle Ages
dc.subject	Middle Ages
dc.subject	Middle Ages
dc.subject	Mikhail Babentchikov
dc.subject	Mikhail Babentchikov
dc.subject	Mikhail Babentchikov
dc.subject	Milan Polytechnic University
dc.subject	Milan Polytechnic University
dc.subject	Milan Polytechnic University
dc.subject	Monumentality
dc.subject	Monumentality
dc.subject	Monumentality
dc.subject	Nakhchivan
dc.subject	Nakhchivan
dc.subject	Nakhchivan
dc.subject	Nikolay Brunov
dc.subject	Nikolay Brunov
dc.subject	Nikolay Brunov
dc.subject	Photography
dc.subject	Photography
dc.subject	Photography
dc.subject	Preservation
dc.subject	Preservation
dc.subject	Preservation
dc.subject	Repatriation movement
dc.subject	Repatriation movement
dc.subject	Repatriation movement
dc.subject	Replica
dc.subject	Replica
dc.subject	Replica
dc.subject	Research
dc.subject	Research
dc.subject	Research
dc.subject	Romania
dc.subject	Romania
dc.subject	Romania
dc.subject	Seljuk and Ilkhanid architecture
dc.subject	Seljuk and Ilkhanid architecture
dc.subject	Seljuk and Ilkhanid architecture
dc.subject	Silverwork
dc.subject	Silverwork
dc.subject	Silverwork
dc.subject	South Caucasus archaeology
dc.subject	South Caucasus archaeology
dc.subject	South Caucasus archaeology
dc.subject	Study trips
dc.subject	Study trips
dc.subject	Study trips
dc.subject	Textiles
dc.subject	Textiles
dc.subject	Textiles
dc.subject	Varazdat Harutyunyan
dc.subject	Varazdat Harutyunyan
dc.subject	Varazdat Harutyunyan
dc.subject	Wall paintings
dc.subject	Wall paintings
dc.subject	Wall paintings
dc.subject	Yovnatʽanean family
dc.subject	Yovnatʽanean family
dc.subject	Yovnatʽanean family

Miscellanea
open access peer reviewed

Studies in Armenian and Eastern Christian Art 2020

a cura di

Aldo Ferrari Università Ca’ Foscari Venezia, Italia

Stefano Riccioni Università Ca’ Foscari Venezia, Italia

Marco Ruffilli Université de Genève, Suisse

Beatrice Spampinato Università Ca’ Foscari Venezia, Italia

VIEW PDF DOWNLOAD PDF

abstract

L’esplorazione dell’arte armena iniziò nel diciannovesimo secolo grazie a storici dell’arte francesi, russi, tedeschi, finlandesi, austriaci e armeni e continuò nel ventesimo secolo prevalentemente con studiosi russi, armeni, ucraini, americani e italiani, che hanno portato all’attenzione del largo pubblico, non solo dei ricercatori, il patrimonio artistico di un territorio che supera i confini dell’attuale Armenia, e investe un’area definita Subcaucasia, termine con il quale si intende il territorio che dal Caucaso meridionale trapassa negli altopiani iranico e anatolico. L’interesse per l’arte armena, dai manoscritti miniati, ai khachkar, alle architetture, è cresciuto negli ultimi vent’anni conferendo a queste testimonianze una dimensione globale. Il volume illustra le caratteristiche, i temi e i metodi dei vari percorsi di ricerca emergenti dalle diverse tradizioni storiografiche tracciando così una mappa che aiuta ad orientarsi tra i fenomeni artistici e culturali di questo complesso territorio, fornendo diverse chiavi per comprenderli e ragionamenti utili per le future indagini scientifiche.

Pubblicato

21 Dicembre 2020

Lingua

EN, IT

ISBN (PRINT)

978-88-6969-495-0

ISBN (EBOOK)

978-88-6969-469-1

Keywords

Anatolia • Historiography • Medieval art • Armenian prehistory • History of art • Armenian architecture • Bronze Age archaeology • Julfa • Megalithic art • CSDCA - Centro Studi e Documentazione Cultura Arme • Etchmiadzin cathedral • Adriano Alpago Novello • Iran • Research • Nakhchivan • Destruction • Armenian history • Armenian-Georgian cultural ties • Wall paintings • Seljuk and Ilkhanid architecture • Nikolay Brunov • Medieval architecture • Silverwork • Early Modern Armenian Studies • Cultural Ecology • Armenia • Armenian-Islamic ‘syncretism’ • Heritage • Medieval Armenian art and Soviet Union • Icons • Photography • Armenian art • Yovnatʽanean family • Illustrated manuscripts • Study trips • CSDCA Centro Studi e Documentazione sulla Cultura • Dragon-stones • Middle Ages • Monumentality • Repatriation movement • Architecture • Varazdat Harutyunyan • Aleksej Nekrasov • South Caucasus archaeology • Armenian-Georgian architectural relationship • Replica • Romania • Cross-stones • Khachkar • Mikhail Babentchikov • Milan Polytechnic University • Textiles • Preservation • Caucasus • Historiograhy • Alexey Lidov

permalink http://doi.org/10.30687/978-88-6969-469-1

Copyright: © 2020 Aldo Ferrari, Stefano Riccioni, Marco Ruffilli, Beatrice Spampinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.