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Venecia prosaica y literaria, entre Eduardo Mendoza y Pere Gimferrer

Lídia Carol Geronès    Università degli Studi di Verona, Italia    

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abstract

Considering two very different novels, Fortuny by Pere Gimferrer and La isla inaudita by Eduardo Mendoza, which indicated a clear recovery of Venice as a narrative space in the 1980s, this essay proposes to contextualise this renewed interest in Spanish Peninsular literature, including, due to his direct relationship with Pere Gimferrer, also some examples from Spanish-American literature and Italian cinema.

Pubblicato
09 Luglio 2020
Presentato
14 Aprile 2020
Lingua
ES
ISBN (PRINT)
978-88-6969-433-2
ISBN (EBOOK)
978-88-6969-432-5

Keywords: Pere GimferrerNarrative spaceSpanish and Hipano-American narrativeVeniceEduardo Mendoza

Copyright: © 2020 Lídia Carol Geronès. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.