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La construcción cinematográfica del espacio en la alegoría política

Alicia en la España de las maravillas

Alfredo Martínez-Expósito    University of Melbourne, Australia    

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abstract

The film Alice in Spanish Wonderland / Alicia en la España de las maravillas, directed by Jordi Feliu in 1978, was saluted by international critics as the first open questioning of Franco’s dictatorship on screen. The film was well received in the festival circuit before being dubbed into Catalan in the early 1980s. Yet, it soon fell into relative oblivion due to its demanding visual language and political content. Like other political allegories of Spain’s Transición, this film makes a complex use of cinematic space. Visual rhetoric of space includes instances of realistic, symbolic, and allegorical compositions. Intertextual allusions to Lewis Carroll’s Alice books further compound the construction of spaces in the film. The film makes use of four main strategies for the composition of space: discontinuity, incongruity, over-signification, and symbolism. Furthermore, the film’s powerful Catalan subtext generates a particularly complex set of hybrid spaces in which Spanishness and Catalanness are ambiguously expressed.

Pubblicato
09 Luglio 2020
Presentato
14 Aprile 2020
Lingua
ES
ISBN (PRINT)
978-88-6969-433-2
ISBN (EBOOK)
978-88-6969-432-5

Keywords: SurrealismSpace in filmCountry imageCatalan cinemaSpanish cinema

Copyright: © 2020 Alfredo Martínez-Expósito. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.