Padiglioni che denunciano, riflettono e astraggono

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Campo DC	Valore
dc.identifier	ECF_chapter_3366
dc.contributor.author	Orzes Anita
dc.title	Padiglioni che denunciano, riflettono e astraggono. Un’analisi critica e trasversale della partecipazione spagnola alla Biennale di Venezia (2003-2011)
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	Studying the national participations at the Venice Biennale means studying part of the spine of the exhibition as the creation of national pavilions is generated at a time when the Biennale was still defining its structure. Through an in-depth analysis of national participations it is possible to study the foreign cultural policy of the various countries, the evolution of a supposedly national art and the local-global contradictions of the contemporary art system. This essay aims to present and analyze some of the projects exhibited in the Spanish pavilion in the first editions of 21 century to demonstrate its utility to discuss the obsolescence or topicality of the national pavilions in Venice and also to treat the ‘biennial phenomenon’, its apparent unstoppability and the trend of the ‘discursive biennials’.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.relation.ispartof	Atlante delle Biennali
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-18
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-367-0/padiglioni-che-denunciano-riflettono-e-astraggono/
dc.identifier.doi	10.30687/978-88-6969-366-3/022
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-367-0
dc.identifier.eisbn	978-88-6969-366-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Discursive biennials
dc.subject	Discursive biennials
dc.subject	Nazional pavilions
dc.subject	Nazional pavilions
dc.subject	On Translation
dc.subject	On Translation
dc.subject	Spanish Pavilion
dc.subject	Spanish Pavilion
dc.subject	Venice Biennale
dc.subject	Venice Biennale

Capitolo
open access

Padiglioni che denunciano, riflettono e astraggono

Un’analisi critica e trasversale della partecipazione spagnola alla Biennale di Venezia (2003-2011)

Anita Orzes Universitat de Barcelona, Espanya

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abstract

Studying the national participations at the Venice Biennale means studying part of the spine of the exhibition as the creation of national pavilions is generated at a time when the Biennale was still defining its structure. Through an in-depth analysis of national participations it is possible to study the foreign cultural policy of the various countries, the evolution of a supposedly national art and the local-global contradictions of the contemporary art system. This essay aims to present and analyze some of the projects exhibited in the Spanish pavilion in the first editions of 21 century to demonstrate its utility to discuss the obsolescence or topicality of the national pavilions in Venice and also to treat the ‘biennial phenomenon’, its apparent unstoppability and the trend of the ‘discursive biennials’.

Pubblicato

18 Dicembre 2019

Lingua

ISBN (PRINT)

978-88-6969-367-0

ISBN (EBOOK)

978-88-6969-366-3

Keywords: Venice Biennale • On Translation • Spanish Pavilion • Discursive biennials • Nazional pavilions

permalink: http://doi.org/10.30687/978-88-6969-366-3/022

Copyright: © 2019 Anita Orzes. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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