El perro del hortelano: de espacio escénico a espacio cinematográfico

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Campo DC	Valore
dc.identifier	ECF_chapter_2658
dc.contributor.author	Garrot Zambrana Juan Carlos
dc.title	El perro del hortelano: de espacio escénico a espacio cinematográfico
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	In 1996, the movie El perro del hortelano, a film version of the homonymous comedy by Lope de Vega due to Pilar Miró, premiered in Spain. This essay aims to study how the rather vague and reduced space of the piece becomes a filmic space characterised by realism, as well as abundance. Attention is also paid to some omission of dialogue, very important to understand the character of Teodoro; they can be compensated by the silent image. Finally, the consequences of having shot the film in different parts of Portugal, easily recognisable to the Spanish spectator, are analysed.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-07-12
dc.dateAccepted	2019-05-02
dc.dateSubmitted	2019-02-19
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-331-1/el-perro-del-hortelano-de-espacio-escenico-a-espac/
dc.identifier.doi	10.30687/978-88-6969-330-4/009
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-331-1
dc.identifier.eisbn	978-88-6969-330-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Cinematic space
dc.subject	Cinematic space
dc.subject	El perro del hortelano
dc.subject	El perro del hortelano
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Naples
dc.subject	Naples
dc.subject	Pilar Miró
dc.subject	Pilar Miró
dc.subject	Portugal
dc.subject	Portugal
dc.subject	Spain
dc.subject	Spain
dc.subject	Theatrical space
dc.subject	Theatrical space

Capitolo
open access peer reviewed

El perro del hortelano: de espacio escénico a espacio cinematográfico

Juan Carlos Garrot Zambrana Université de Tours, France

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abstract

In 1996, the movie El perro del hortelano, a film version of the homonymous comedy by Lope de Vega due to Pilar Miró, premiered in Spain. This essay aims to study how the rather vague and reduced space of the piece becomes a filmic space characterised by realism, as well as abundance. Attention is also paid to some omission of dialogue, very important to understand the character of Teodoro; they can be compensated by the silent image. Finally, the consequences of having shot the film in different parts of Portugal, easily recognisable to the Spanish spectator, are analysed.

Pubblicato

12 Luglio 2019

Accettato

02 Maggio 2019

Presentato

19 Febbraio 2019

Lingua

ISBN (PRINT)

978-88-6969-331-1

ISBN (EBOOK)

978-88-6969-330-4

Keywords: El perro del hortelano • Portugal • Naples • Spain • Pilar Miró • Lope de Vega • Cinematic space • Theatrical space

permalink: http://doi.org/10.30687/978-88-6969-330-4/009

Copyright: © 2019 Juan Carlos Garrot Zambrana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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