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Campo DC	Valore
dc.identifier	ECF_chapter_2938
dc.contributor.author	Maggi Eugenio
dc.title	«Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	In the 1960s, Calderón’s Life is a Dream went through two popular audiovisual adaptations: Luis Lucia’s movie El príncipe encadenado (1960), a ‘free version’ with peplum influences, and Pedro Amalio López’s televised performance (1967). By analysing how these works trivialise or manipulate the playwright’s theological and political perspective, the article aims to question the notion of an orthodox Calderonian canon in the late Francoist period.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-07-12
dc.dateAccepted	2019-05-29
dc.dateSubmitted	2019-05-27
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/libri/978-88-6969-331-1/humano-demasiado-humano-reinterpretaciones-cinemat/
dc.identifier.doi	10.30687/978-88-6969-330-4/006
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-331-1
dc.identifier.eisbn	978-88-6969-330-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Francoism
dc.subject	Francoism
dc.subject	Golden Age Drama Studies
dc.subject	Golden Age Drama Studies
dc.subject	La vida es sueño
dc.subject	La vida es sueño
dc.subject	Pedro Calderón de la Barca
dc.subject	Pedro Calderón de la Barca
dc.subject	Reception of the Golden Age theatre heritage
dc.subject	Reception of the Golden Age theatre heritage
dc.subject	Theatre in cinema
dc.subject	Theatre in cinema

Capitolo
open access peer reviewed

«Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo

Eugenio Maggi Alma Mater Studiorum – Università di Bologna, Italia

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abstract

In the 1960s, Calderón’s Life is a Dream went through two popular audiovisual adaptations: Luis Lucia’s movie El príncipe encadenado (1960), a ‘free version’ with peplum influences, and Pedro Amalio López’s televised performance (1967). By analysing how these works trivialise or manipulate the playwright’s theological and political perspective, the article aims to question the notion of an orthodox Calderonian canon in the late Francoist period.

Pubblicato

12 Luglio 2019

Accettato

29 Maggio 2019

Presentato

27 Maggio 2019

Lingua

ISBN (PRINT)

978-88-6969-331-1

ISBN (EBOOK)

978-88-6969-330-4

Keywords: Reception of the Golden Age theatre heritage • Golden Age Drama Studies • Francoism • Pedro Calderón de la Barca • Theatre in cinema • La vida es sueño

permalink: http://doi.org/10.30687/978-88-6969-330-4/006

Copyright: © 2019 Eugenio Maggi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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