America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

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chevron_rightStudi linguistici

Lingua
es

ISBN (print)
978-88-6969-320-5

ISBN (ebook)
978-88-6969-319-9

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Data pubblicazione
14 Mag 2019

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Biblioteca di Rassegna iberistica

La poesía móvil y plural de Belice
Amado Chan y el cruce de fronteras

Michela Craveri
Università Cattolica di Milano, Italia
michela.craveri@gmail.com

DOI 10.30687/978-88-6969-319-9/009

Submitted 06 Feb 2019
Accepted 26 Feb 2019

Abstract

The Maya culture of Belize had an exceptional continuity and vitality throughout its history. Despite the difficult publishing situation in Belize and its complex social condition, its literature is trying to get out of its isolation and be known thanks to bilingual editions in English and Spanish. An interesting example of this literary production is the poetry of Amado Chan, an intellectual from Orange Walk District, in the Northern part of the country. This paper analyses his poetic production in the context of contemporary Belizean culture and its multiple linguistic, social and literary identities.

Keywords
Amado Chan. Maya poetry. Belizean literature. Belizean Maya culture. Multiculturality of Belize.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Sommario
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Campo DC Valore

dc.contributor.author

Craveri Michela

dc.title

La poesía móvil y plural de Belice

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

The Maya culture of Belize had an exceptional continuity and vitality throughout its history. Despite the difficult publishing situation in Belize and its complex social condition, its literature is trying to get out of its isolation and be known thanks to bilingual editions in English and Spanish. An interesting example of this literary production is the poetry of Amado Chan, an intellectual from Orange Walk District, in the Northern part of the country. This paper analyses his poetic production in the context of contemporary Belizean culture and its multiple linguistic, social and literary identities.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-05-14

dc.dateAccepted

2019-02-06

dc.dateSubmitted

2019-02-26

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-319-9/009

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-320-5

dc.identifier.eisbn

978-88-6969-319-9

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Amado Chan

dc.subject

Maya poetry

dc.subject

Belizean literature

dc.subject

Belizean Maya culture

dc.subject

Multiculturality of Belize

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America: il racconto di un continente | América: el relato de un continente

Sommario