Los gitanos como máscaras del teatro renacentista

« capitolo precedente | capitolo successivo »

Iscriviti alla newsletter

Campo DC	Valore
dc.identifier	ECF_chapter_966
dc.contributor.author	Tropé Hélène
dc.title	Los gitanos como máscaras del teatro renacentista
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	This is an analysis of the character of the gipsy in the old and Renaissance Iberian Peninsula plays. In Lope de Rueda’s Auto de la Huida a Egipto, Medora and Eufemia (1567) and in his paso La gitana ladrona; in Juan de Timoneda’s Turiana (1563) or in Gil Vicente’s plays, not leaving out other contemporary plays. We will start by showing how this characters are a highly codified projection, how are they gestated and how the same cliché serves sometimes to a humorous purpose while other times the gipsies are considered as heralds of misfortune. We will finally analyse some cases in which the playwrighters use these gipsies with a moral and satiric aim to condemn the vices and flaws of men and society.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-05-03
dc.dateSubmitted	2015-07-14
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-164-5/los-gitanos-como-mascaras-del-teatro-renacentista/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-60
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Gypsies
dc.subject	Gypsies
dc.subject	Renascence
dc.subject	Renascence
dc.subject	Satire
dc.subject	Satire
dc.subject	Theater
dc.subject	Theater

Capitolo
open access peer reviewed

Los gitanos como máscaras del teatro renacentista

Hélène Tropé Université Sorbonne Nouvelle – Paris 3, France

VIEW PDF DOWNLOAD PDF

abstract

This is an analysis of the character of the gipsy in the old and Renaissance Iberian Peninsula plays. In Lope de Rueda’s Auto de la Huida a Egipto, Medora and Eufemia (1567) and in his paso La gitana ladrona; in Juan de Timoneda’s Turiana (1563) or in Gil Vicente’s plays, not leaving out other contemporary plays. We will start by showing how this characters are a highly codified projection, how are they gestated and how the same cliché serves sometimes to a humorous purpose while other times the gipsies are considered as heralds of misfortune. We will finally analyse some cases in which the playwrighters use these gipsies with a moral and satiric aim to condemn the vices and flaws of men and society.

Accettato

03 Maggio 2016

Presentato

14 Luglio 2015

Lingua

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Renascence • Theater • Satire • Gypsies

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-60

Copyright: © 2017 Hélène Tropé. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite