La música en el auto de La Maya de Lope

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Campo DC	Valore
dc.identifier	ECF_chapter_997
dc.contributor.author	Flórez Asensio María Asunción
dc.title	La música en el auto de La Maya de Lope de Vega
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	Music, and especially songs, plays a fundamental role in the autos (religious plays) of El peregrino en su patria by Lope de Vega, since they form part of the structure supporting the plot of each auto. The songs included in these religious plays reveal that vocal music is not merely another structural element of the play: it is also persuasive and seeks to generate emotions, while pursuing the fulfillment of ideological, didactic and propagandist aims, for which Lope creates an association of musical sounds with specific visual images. The present study analyzes how, by reusing pre-existing songs that were well known by the audience in the auto La Maya, Lope took advantage of the enormous evocative power of music in order to transmit ideas and messages of political, moral and religious nature.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-11-07
dc.dateSubmitted	2015-07-26
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-164-5/la-musica-en-el-auto-de-la-maya-de-lope-de-vega/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-42
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Auto
dc.subject	Auto
dc.subject	La Maya
dc.subject	La Maya
dc.subject	Lope
dc.subject	Lope
dc.subject	Music
dc.subject	Music

Capitolo
open access peer reviewed

La música en el auto de La Maya de Lope de Vega

María Asunción Flórez Asensio IES Salvador Dalí, Madrid, España

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abstract

Music, and especially songs, plays a fundamental role in the autos (religious plays) of El peregrino en su patria by Lope de Vega, since they form part of the structure supporting the plot of each auto. The songs included in these religious plays reveal that vocal music is not merely another structural element of the play: it is also persuasive and seeks to generate emotions, while pursuing the fulfillment of ideological, didactic and propagandist aims, for which Lope creates an association of musical sounds with specific visual images. The present study analyzes how, by reusing pre-existing songs that were well known by the audience in the auto La Maya, Lope took advantage of the enormous evocative power of music in order to transmit ideas and messages of political, moral and religious nature.

Accettato

07 Novembre 2016

Presentato

26 Luglio 2015

Lingua

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Lope • Music • Auto • La Maya

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-42

Copyright: © 2017 María Asunción Flórez Asensio. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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