Journal | magazén
Monographic journal issue | 3 | 2 | 2022
Research Article | Point Cloud to Sound Cloud
Abstract
The Space, Place, Sound, and Memory: Immersive Experiences of the Past project was led by dr James Cook, in collaboration with the Digital Documentation and Innovation team at Historic Environment Scotland, Soluis Heritage, the Binchois Consort, and scholars at the universities of Birmingham and Melbourne. It used cutting-edge technology to reconstruct the visuals and acoustics of Linlithgow Palace chapel, before situating reconstructions of liturgical music within it. Beginning with HES’ 3D scan of the chapel, the project then used archival, archaeological, and musicological research to bring to life the sights and sounds of the 16th-century chapel. This chapter explores how Digital Documentation can be harnessed in the production of innovative interpretation and research material.
Submitted: July 22, 2022 | Accepted: Oct. 18, 2022 | Published Dec. 16, 2022 | Language: en
Keywords Digital heritage • Musicological • Virtual • 16th century • Digital documentation • Virtual reality • Linlithgow Palace • Laser scanning • Acoustic • Reconstruction • Sound • Interpretation • Music • Audio • Technology • 3D • Archaeological • Chapel • 3d model
Subtags Communication Monuments Modelling Technology Visualisation Image data Preservation Audio-visual data Works of Art 3d data
Copyright © 2022 James Cook, Sophia Mirashrafi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06/001