[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
- Barbara Tramelli - Libera Università di Bolzano, Italia - email orcid profile
Keywords Middle ages • Digital cultural heritage • 17th century • Chapel • Sound • Interpretation • War damage • Digital humanities • 3D • Augmented reality • Knowledge organisation • University museum • Audience-centred • Public humanities • Audio • Linlithgow Palace • Lebanon • Digital art history • 3d model • Virtual • Virtual reality • Music • Irony • Archaeological • Visual arts • Storytelling • Urban space • Technology • Social network • Ontology • Experience design • Laser scanning • City • Database • 16th century • Timing • Reconstruction • Modern art • Digital documentation • 3D modeling • Semantic web • Digital archiving • Digital heritage • Museum • Musicological • New normal • Acoustic • Controlled vocabularies
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language en, it
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.