[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
- Barbara Tramelli - Libera Università di Bolzano, Italia - email orcid profile
Keywords Digital archiving • Digital heritage • 16th century • 3D modeling • Social network • Timing • University museum • Museum • Knowledge organisation • 3D • Digital humanities • Sound • Laser scanning • Audience-centred • Musicological • Modern art • Database • Storytelling • Virtual reality • Linlithgow Palace • 17th century • Archaeological • Urban space • Virtual • 3d model • Semantic web • Acoustic • Irony • Digital cultural heritage • Experience design • Reconstruction • Middle ages • Ontology • City • Technology • War damage • Audio • Interpretation • Controlled vocabularies • Music • New normal • Chapel • Digital art history • Public humanities • Visual arts • Digital documentation • Augmented reality • Lebanon
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language it, en
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.