[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
- Barbara Tramelli - Libera Università di Bolzano, Italia - email orcid profile
Keywords Acoustic • New normal • Laser scanning • Reconstruction • Timing • Visual arts • Experience design • 17th century • Middle ages • Music • Museum • Digital documentation • Sound • 3d model • Irony • Public humanities • Virtual • Audio • Lebanon • Digital art history • Linlithgow Palace • Archaeological • Augmented reality • Digital humanities • Database • Storytelling • War damage • City • 3D modeling • Interpretation • 16th century • Controlled vocabularies • Chapel • Modern art • University museum • Semantic web • Technology • Audience-centred • 3D • Musicological • Ontology • Digital archiving • Virtual reality • Digital heritage • Social network • Knowledge organisation • Digital cultural heritage • Urban space
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language en, it
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.