Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Abba • Francesca da Rimini • French literature • Plays • Translation • Early sound cinema • D’Annunzio • Russian theatre • Denarrativisation • Carmelo Bene • Stage • Writing • Phoné • Actor • Pirandello • Ekphrasis • Grotesque melodrama • Madness • Fears • Stage directions • Tragedy • Dramaturgy • Eleonora Duse • Royal School of Acting, Florence • Theatre • Valerij Brjusov • Malyj Theater • Luigi Rasi • Dramatist • De Chirico • Violence and humiliations • Gabriellino d’Annunzio • Changes • Theatre production • Direction • Vanguard • Valerij Brjusov • Symbolism • Actor and dramatist • La Nave • Loves • Musical Dramaturgy • Nikolay Evreinov • Ruggeri • Film music • Vera Komissarzhevskaya • Models • Publicity launch • Career • Alexander Lensky • Acting • Sleep • Trampled dignity • Dramatic writing • Acting techniques • Betrayed sentiments • Tragedies • Death • Episcopo, the ridicolous man • Figlia di Iorio • Silent cinema • Candour • Myth

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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