Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Career • Musical Dramaturgy • Models • Russian theatre • Tragedy • Changes • Writing • Myth • Candour • Early sound cinema • Eleonora Duse • Abba • Dramaturgy • Silent cinema • Carmelo Bene • Publicity launch • Tragedies • French literature • Death • Loves • Malyj Theater • Royal School of Acting, Florence • Actor and dramatist • Gabriellino d’Annunzio • Madness • Acting • Alexander Lensky • Stage • Dramatic writing • Sleep • De Chirico • Theatre • Film music • Symbolism • Theatre production • Vanguard • Acting techniques • Nikolay Evreinov • Vera Komissarzhevskaya • Direction • Figlia di Iorio • Phoné • Valerij Brjusov • Plays • La Nave • Actor • Pirandello • Violence and humiliations • Stage directions • Episcopo, the ridicolous man • Luigi Rasi • Valerij Brjusov • Betrayed sentiments • Denarrativisation • Ekphrasis • Trampled dignity • Ruggeri • Francesca da Rimini • Translation • Dramatist • D’Annunzio • Grotesque melodrama • Fears

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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