Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Violence and humiliations • Tragedy • Translation • Vera Komissarzhevskaya • Ekphrasis • Francesca da Rimini • Dramatist • Russian theatre • Musical Dramaturgy • Luigi Rasi • Pirandello • Silent cinema • Writing • Models • Direction • Vanguard • Abba • Candour • Dramatic writing • French literature • Symbolism • Phoné • Ruggeri • De Chirico • Actor and dramatist • Gabriellino d’Annunzio • Valerij Brjusov • Film music • Plays • Early sound cinema • Madness • Valerij Brjusov • Malyj Theater • Denarrativisation • Stage directions • Carmelo Bene • Death • Changes • Publicity launch • Dramaturgy • Theatre • Alexander Lensky • Trampled dignity • Eleonora Duse • La Nave • Betrayed sentiments • Royal School of Acting, Florence • Myth • Acting techniques • Career • Loves • Tragedies • Nikolay Evreinov • Stage • Theatre production • Figlia di Iorio • Grotesque melodrama • Episcopo, the ridicolous man • Sleep • Fears • D’Annunzio • Acting • Actor

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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