Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Alexander Lensky • Betrayed sentiments • Symbolism • Actor and dramatist • Acting techniques • Publicity launch • Ekphrasis • Vanguard • Changes • Dramaturgy • Plays • Trampled dignity • Vera Komissarzhevskaya • Pirandello • Violence and humiliations • Actor • Fears • Grotesque melodrama • Luigi Rasi • Dramatist • Writing • Stage directions • Ruggeri • Film music • D’Annunzio • Candour • De Chirico • Musical Dramaturgy • Valerij Brjusov • Russian theatre • Career • Tragedy • Malyj Theater • Death • Denarrativisation • Dramatic writing • Theatre production • Gabriellino d’Annunzio • Theatre • Tragedies • Stage • Valerij Brjusov • Episcopo, the ridicolous man • Sleep • Translation • Early sound cinema • Carmelo Bene • Abba • Acting • Royal School of Acting, Florence • Models • Eleonora Duse • Francesca da Rimini • Phoné • French literature • La Nave • Myth • Direction • Figlia di Iorio • Nikolay Evreinov • Loves • Silent cinema • Madness

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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