Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Tragedy • Eleonora Duse • Madness • Tragedies • Pirandello • Fears • Violence and humiliations • La Nave • Theatre production • Russian theatre • Carmelo Bene • Publicity launch • Royal School of Acting, Florence • Plays • Changes • Figlia di Iorio • Valerij Brjusov • Acting • Abba • Francesca da Rimini • Grotesque melodrama • Candour • Valerij Brjusov • Film music • De Chirico • Writing • Ruggeri • Denarrativisation • Musical Dramaturgy • Trampled dignity • Models • Malyj Theater • Theatre • Myth • Phoné • Symbolism • Episcopo, the ridicolous man • Acting techniques • Gabriellino d’Annunzio • Ekphrasis • Sleep • Vanguard • Translation • Actor and dramatist • Silent cinema • Nikolay Evreinov • Luigi Rasi • D’Annunzio • Vera Komissarzhevskaya • Early sound cinema • Career • Loves • Betrayed sentiments • Death • Stage • Dramaturgy • Dramatic writing • Actor • Stage directions • Alexander Lensky • Dramatist • French literature • Direction

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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