Archivio d’Annunzio

Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Death • Actor • Royal School of Acting, Florence • Ekphrasis • Nikolay Evreinov • Stage • Myth • Francesca da Rimini • Vera Komissarzhevskaya • Dramaturgy • Plays • Acting techniques • Abba • Denarrativisation • D’Annunzio • Episcopo, the ridicolous man • Fears • Madness • Theatre production • Writing • Musical Dramaturgy • Betrayed sentiments • Stage directions • Symbolism • Luigi Rasi • Eleonora Duse • Violence and humiliations • De Chirico • Alexander Lensky • Grotesque melodrama • Candour • Changes • Actor and dramatist • Figlia di Iorio • Malyj Theater • Vanguard • Models • Theatre • Pirandello • Gabriellino d’Annunzio • Russian theatre • Dramatic writing • Ruggeri • Tragedy • Acting • Tragedies • Early sound cinema • Direction • French literature • La Nave • Dramatist • Silent cinema • Valerij Brjusov • Phoné • Valerij Brjusov • Publicity launch • Sleep • Loves • Film music • Carmelo Bene • Translation • Career • Trampled dignity

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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