Archivio d’Annunzio Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Betrayed sentiments • Myth • Loves • Abba • Changes • Silent cinema • Writing • Dramaturgy • Royal School of Acting, Florence • French literature • Publicity launch • Russian theatre • Stage • Tragedy • Actor • Direction • Ekphrasis • La Nave • De Chirico • Career • Theatre production • Translation • Madness • D’Annunzio • Phoné • Luigi Rasi • Denarrativisation • Actor and dramatist • Grotesque melodrama • Trampled dignity • Vanguard • Acting • Theatre • Acting techniques • Gabriellino d’Annunzio • Valerij Brjusov • Ruggeri • Francesca da Rimini • Malyj Theater • Dramatic writing • Eleonora Duse • Models • Death • Fears • Pirandello • Candour • Plays • Symbolism • Vera Komissarzhevskaya • Figlia di Iorio • Musical Dramaturgy • Valerij Brjusov • Alexander Lensky • Episcopo, the ridicolous man • Tragedies • Sleep • Violence and humiliations • Early sound cinema • Film music • Carmelo Bene • Nikolay Evreinov • Stage directions • Dramatist

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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