Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Madness • Stage • Valerij Brjusov • Russian theatre • Luigi Rasi • D’Annunzio • Dramatic writing • Symbolism • Ruggeri • Gabriellino d’Annunzio • De Chirico • Eleonora Duse • Fears • Royal School of Acting, Florence • Actor • French literature • Nikolay Evreinov • Translation • Candour • Acting techniques • Episcopo, the ridicolous man • Malyj Theater • Carmelo Bene • Betrayed sentiments • Grotesque melodrama • Film music • Stage directions • Plays • Sleep • La Nave • Francesca da Rimini • Direction • Career • Theatre production • Vanguard • Denarrativisation • Figlia di Iorio • Valerij Brjusov • Death • Alexander Lensky • Early sound cinema • Publicity launch • Models • Acting • Changes • Dramatist • Loves • Phoné • Pirandello • Trampled dignity • Dramaturgy • Silent cinema • Writing • Abba • Tragedies • Actor and dramatist • Vera Komissarzhevskaya • Myth • Theatre • Tragedy • Violence and humiliations • Musical Dramaturgy • Ekphrasis

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

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