Enrico Crispolti e l’arte russa e sovietica contemporanea in Italia (1956-1990)

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DC Field	Value
dc.identifier	ECF_book_830
dc.creator	Bertelé Matteo
dc.title	Enrico Crispolti e l’arte russa e sovietica contemporanea in Italia (1956-1990)
dc.type	Monograph
dc.language.iso	it
dc.description.abstract	This volume analyses the contribution of art historian, critic and curator Enrico Crispolti (Rome, 1933–2018) to the dissemination of Russian and Soviet art in Italy during the second half of the 20th century. The study charts the noteworthy stages of his activity, starting with the second iteration of Alternative attuali (L'Aquila, 1965) – which saw the Western debut of ten non-conformist Soviet artists – passing through La nuova arte sovietica. Una prospettiva non ufficiale, curated in Venice in 1977 as part of the Biennale del dissenso culturale, up to individual critical essays commissioned by the first independent scholars from the Soviet Union on the eve of its collapse.
dc.relation.ispartof	La prospettiva rovesciata \| Obratnaja perspektiva
dc.identifier.doi	10.30687/978-88-6969-988-7
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2025-11-04
dc.dateAccepted	2025-10-13
dc.dateSubmitted	2025-07-13
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-988-7/
dc.identifier.eissn	2784-8590
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-988-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Alternative Attuali
dc.subject	Biennale
dc.subject	Curatorship
dc.subject	Enrico Crispolti
dc.subject	History of Exhibitions
dc.subject	Non-conformism
dc.subject	Russian Art
dc.subject	Soviet Art
dc.subject	Unofficial Art

Monograph
open access peer reviewed

Matteo Bertelé Università Ca' Foscari Venezia

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abstract

This volume analyses the contribution of art historian, critic and curator Enrico Crispolti (Rome, 1933–2018) to the dissemination of Russian and Soviet art in Italy during the second half of the 20th century. The study charts the noteworthy stages of his activity, starting with the second iteration of Alternative attuali (L'Aquila, 1965) – which saw the Western debut of ten non-conformist Soviet artists – passing through La nuova arte sovietica. Una prospettiva non ufficiale, curated in Venice in 1977 as part of the Biennale del dissenso culturale, up to individual critical essays commissioned by the first independent scholars from the Soviet Union on the eve of its collapse.

Published

Nov. 4, 2025

Accepted

Oct. 13, 2025

Submitted

July 13, 2025

Language

ISBN (EBOOK)

978-88-6969-988-7

Keywords

Russian Art • Curatorship • Enrico Crispolti • History of Exhibitions • Non-conformism • Biennale • Unofficial Art • Soviet Art • Alternative Attuali

permalink http://doi.org/10.30687/978-88-6969-988-7

Copyright: © 2025 Matteo Bertelé. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

1 • Introduzione

Nov. 4, 2025

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2 • Alternative attuali 2 (L’Aquila, 1965)

Nov. 4, 2025

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3 • La nuova arte sovietica: una prospettiva non ufficiale (Venezia, 1977)

Nov. 4, 2025

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4 • Le mostre all’insegna della glasnost (1988-1990)

Nov. 4, 2025

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APPENDICE

Lo spessore storico della nuova arte sovietica

Enrico Crispolti

Nov. 4, 2025

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Table of contents

APPENDICE