Antiquity Studies

Series | Antiquity Studies
Volume 32 | Edited book | Paulo maiora canamus

Paulo maiora canamus

Collection of Studies for Paolo Mastandrea

open access | peer reviewed
    edited by
  • Massimo Manca - Università degli Studi di Torino, Italia - email
  • Martina Venuti - Università Ca’ Foscari Venezia, Italia - email

Abstract

This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».

Keywords Book of Daniel • Epic poetry • Latin philology • Monologue • Fortuna • Pliny the Elder • Hymn • Cerberus • Scholar exercise • Venice Ducal palace • Griphus • Historia Augusta • Latin historiography • Open data • Tales • Religion • Republicanism • Roman Senate • Symposius • Laudatio puellae • Maximinus • Optatianus Porfyrius • Sallust • Epistulae • Medea • Aratus • 12 • Declamationes • Princeps • Aeneid • Fortleben of Classics • Hymnodic formulas • Variatio • Neo-Latin poetry • Manuscript tradition • Farewell from elegiac poetry • Roman Republic • Inscriptions • Animus • Roman Empire • Virgil • Things • Digital Humanities • Christian literature • Vergilian tradition • Roman consulate • Orality • Portraits • Style • Epigrammata Bobiensia • Macrobe • Late antiquity • Metamorphoses • Eratosthenes of Cyrene • Claudian • Characters • Machiavelli • Corippus • Peleus • Ovid • John Lydus • Tibullus • Bacchus • Experimentalism • Pupienus • Late Latin poetry • Balbinus • 3 • Sidonius Apollinaris • Auienus • Philology • Saturnalia • FAIR principles • Zodiac dish • Critical edition • Diomedes • Italian Reinassance • Propertius • Book circulation • Latin poetry • Carmen 9 • Book 3 • Ancient roman epic • Misplacements • Narratology • Classical literature • Carmina minora • Phaedrus • Examinatio • Fables • Fortuna Catulli • Objects • Book circulation • Nicolò d’Arco • Seneca • Visuality • Textual criticism • Florentine Renaissance • Cicero • Remigius of Reims • Roman aristocracy • Christian Afterlife • Metellus • Rusticitas • De magistratibus • Principate • Religious identity • Epos • Neo-Latin elegy • am • Catabasis • Servius auctus • Vergil • Formulas • Propertian intertextuality • Latin Language • Clinamen • Intertextuality • Hexameter • Classical philology • Conjectures • Dramaturgy • Martial • Sidonius • Tacitus (Emperor) • Laocoon • Bucolics • Ausonius • Lucan • Alcimus Avitus • Late Latin literature • ‘Doge’ of Venice • Lucretius • Catullus • Musisque Deoque

Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language it, en, fr

Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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