Antiquity Studies

Series | Antiquity Studies
Volume 32 | Edited book | Paulo maiora canamus

Paulo maiora canamus

Collection of Studies for Paolo Mastandrea

open access | peer reviewed
    edited by
  • Massimo Manca - Università degli Studi di Torino, Italia - email
  • Martina Venuti - Università Ca’ Foscari Venezia, Italia - email

Abstract

This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».

Keywords 12 • Lucan • Fortuna • Misplacements • Saturnalia • Metamorphoses • Textual criticism • Machiavelli • Religious identity • Things • Fables • Latin poetry • Optatianus Porfyrius • Visuality • Critical edition • Book 3 • Propertius • Clinamen • Carmen 9 • Neo-Latin elegy • Inscriptions • Cerberus • Fortleben of Classics • Peleus • Bucolics • Classical philology • Metellus • Principate • Epigrammata Bobiensia • Cicero • Book circulation • Catabasis • Christian literature • Farewell from elegiac poetry • Monologue • Remigius of Reims • Aeneid • Portraits • Latin Language • Objects • Religion • Seneca • Zodiac dish • Book of Daniel • Conjectures • Historia Augusta • Nicolò d’Arco • Rusticitas • Medea • De magistratibus • Carmina minora • Declamationes • ‘Doge’ of Venice • Style • Hymn • Symposius • Vergilian tradition • Ausonius • Epic poetry • Epistulae • Epos • Corippus • Propertian intertextuality • Ancient roman epic • Late Latin poetry • Roman Republic • Tacitus (Emperor) • Hymnodic formulas • Florentine Renaissance • Late Latin literature • Ovid • Maximinus • Orality • Princeps • Latin historiography • Lucretius • Characters • Roman aristocracy • Philology • Scholar exercise • Virgil • Aratus • Roman consulate • Dramaturgy • Narratology • Examinatio • Pliny the Elder • Italian Reinassance • Classical literature • Sallust • am • Animus • Servius auctus • Tales • Book circulation • Alcimus Avitus • Balbinus • Experimentalism • Roman Senate • Tibullus • Phaedrus • Auienus • Sidonius • Roman Empire • 3 • Digital Humanities • Manuscript tradition • Macrobe • Neo-Latin poetry • Martial • Open data • Catullus • Laocoon • Hexameter • Sidonius Apollinaris • Venice Ducal palace • Pupienus • Vergil • Diomedes • Latin philology • Christian Afterlife • Republicanism • Intertextuality • Bacchus • Claudian • Griphus • Fortuna Catulli • John Lydus • FAIR principles • Laudatio puellae • Musisque Deoque • Formulas • Variatio • Late antiquity • Eratosthenes of Cyrene

Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language it, fr, en

Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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