Antiquity Studies

Paulo maiora canamus

Collection of Studies for Paolo Mastandrea

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open access | peer reviewed
    edited by
  • Massimo Manca - Università degli Studi di Torino, Italia - email
  • Martina Venuti - Università Ca’ Foscari Venezia, Italia - email

Abstract

This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».

Keywords Musisque Deoque • Florentine Renaissance • Hymnodic formulas • Peleus • Experimentalism • Latin philology • am • Roman Republic • Metellus • Catabasis • Style • Medea • Venice Ducal palace • Critical edition • Orality • Monologue • Ausonius • Fortuna Catulli • John Lydus • Roman Senate • Fables • Diomedes • FAIR principles • Propertian intertextuality • Servius auctus • Christian Afterlife • Historia Augusta • Lucretius • Carmina minora • Book of Daniel • Religious identity • Latin poetry • Hexameter • Christian literature • Animus • Manuscript tradition • ‘Doge’ of Venice • Italian Reinassance • Open data • Ovid • Phaedrus • Late Latin literature • Catullus • Carmen 9 • Misplacements • Farewell from elegiac poetry • Fortleben of Classics • Laudatio puellae • Classical philology • Book circulation • Characters • Corippus • Epistulae • Remigius of Reims • Machiavelli • Intertextuality • Zodiac dish • Neo-Latin elegy • Formulas • Cerberus • Vergil • Digital Humanities • Book circulation • Visuality • Roman aristocracy • Tales • Fortuna • Tibullus • Auienus • Balbinus • Things • Optatianus Porfyrius • Dramaturgy • Princeps • Aeneid • Martial • Latin historiography • Portraits • Textual criticism • Eratosthenes of Cyrene • Nicolò d’Arco • Tacitus (Emperor) • Late Latin poetry • Philology • Ancient roman epic • Narratology • Pliny the Elder • Aratus • Saturnalia • Rusticitas • Lucan • Bucolics • Maximinus • Laocoon • Republicanism • Bacchus • Book 3 • 3 • Conjectures • Religion • Examinatio • Propertius • De magistratibus • Cicero • Sallust • Sidonius • Virgil • Inscriptions • Epic poetry • Griphus • 12 • Classical literature • Roman Empire • Principate • Roman consulate • Claudian • Sidonius Apollinaris • Epigrammata Bobiensia • Vergilian tradition • Scholar exercise • Latin Language • Pupienus • Symposius • Macrobe • Metamorphoses • Clinamen • Declamationes • Epos • Objects • Variatio • Late antiquity • Neo-Latin poetry • Hymn • Alcimus Avitus • Seneca

Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language en, fr, it

Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.