Intorno alla musica d’arte (muqam) degli uiguri

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DC Field	Value
dc.identifier	ECF_chapter_6196
dc.contributor.author	De Zorzi Giovanni
dc.title	Intorno alla musica d’arte (muqam) degli uiguri
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Despite the recent nomination of the muqam as Intangible Heritage of China, the term refers in itself to the Art music traditions of the vast Arab-Persian and Central Asian world called, with an Arab term, maqām. After a geo-cultural and musicological analysis of the Uyghur muqam, the article takes into exam some of its distinctive components, beginning with the subtle commonalities between the world of muqam and Chinese art music; it moves, then, to the key figure of Uyghur queen Āmānnisā Khān Nāfisi (1526-1560) and to the cultural and musical route connecting Herat-Bukhara-Samarkand-Kashgar in sixteenth century. Finally, the paper focuses on a particular convivial meeting with music called mashrab, possibly influenced by Sufism.
dc.relation.ispartof	Eurasiatica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-12-21
dc.dateAccepted	2021-07-13
dc.dateSubmitted	2021-04-26
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-551-3/intorno-alla-musica-darte-muqam-degli-uiguri/
dc.identifier.doi	10.30687/978-88-6969-550-6/010
dc.identifier.issn	2610-8879
dc.identifier.eissn	2610-9433
dc.identifier.isbn	978-88-6969-551-3
dc.identifier.eisbn	978-88-6969-550-6
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Afāq Khwaja
dc.subject	Afāq Khwaja
dc.subject	Āmānnisā Khān Nāfisi (1526-1560)
dc.subject	Āmānnisā Khān Nāfisi (1526-1560)
dc.subject	Jahri
dc.subject	Jahri
dc.subject	Khāfi
dc.subject	Khāfi
dc.subject	Maqām
dc.subject	Maqām
dc.subject	Maqom
dc.subject	Maqom
dc.subject	Mashrab
dc.subject	Mashrab
dc.subject	Muqam
dc.subject	Muqam
dc.subject	Naqshbandī tariqa
dc.subject	Naqshbandī tariqa
dc.subject	On Ikki Muqam
dc.subject	On Ikki Muqam
dc.subject	Tang Court Ethnic Ensembles
dc.subject	Tang Court Ethnic Ensembles
dc.subject	Uyghur Art Music
dc.subject	Uyghur Art Music
dc.subject	Uyghur Dervishes
dc.subject	Uyghur Dervishes
dc.subject	Uyghur Music Instruments
dc.subject	Uyghur Music Instruments

Chapter
open access peer reviewed

Intorno alla musica d’arte (muqam) degli uiguri

Giovanni De Zorzi Università Ca’ Foscari Venezia, Italia

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abstract

Despite the recent nomination of the muqam as Intangible Heritage of China, the term refers in itself to the Art music traditions of the vast Arab-Persian and Central Asian world called, with an Arab term, maqām. After a geo-cultural and musicological analysis of the Uyghur muqam, the article takes into exam some of its distinctive components, beginning with the subtle commonalities between the world of muqam and Chinese art music; it moves, then, to the key figure of Uyghur queen Āmānnisā Khān Nāfisi (1526-1560) and to the cultural and musical route connecting Herat-Bukhara-Samarkand-Kashgar in sixteenth century. Finally, the paper focuses on a particular convivial meeting with music called mashrab, possibly influenced by Sufism.

Published

Dec. 21, 2021

Accepted

July 13, 2021

Submitted

April 26, 2021

Language

ISBN (PRINT)

978-88-6969-551-3

ISBN (EBOOK)

978-88-6969-550-6

Keywords: Maqom • Muqam • On Ikki Muqam • Maqām • Mashrab • Khāfi • Naqshbandī tariqa • Uyghur Art Music • Uyghur Dervishes • Uyghur Music Instruments • Afāq Khwaja • Jahri • Āmānnisā Khān Nāfisi (1526-1560) • Tang Court Ethnic Ensembles

permalink: http://doi.org/10.30687/978-88-6969-550-6/010

Copyright: © 2021 Giovanni De Zorzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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