Eurasiatica

Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale

Intorno alla musica d’arte (muqam) degli uiguri

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Abstract

Despite the recent nomination of the muqam as Intangible Heritage of China, the term refers in itself to the Art music traditions of the vast Arab-Persian and Central Asian world called, with an Arab term, maqām. After a geo-cultural and musicological analysis of the Uyghur muqam, the article takes into exam some of its distinctive components, beginning with the subtle commonalities between the world of muqam and Chinese art music; it moves, then, to the key figure of Uyghur queen Āmānnisā Khān Nāfisi (1526-1560) and to the cultural and musical route connecting Herat-Bukhara-Samarkand-Kashgar in sixteenth century. Finally, the paper focuses on a particular convivial meeting with music called mashrab, possibly influenced by Sufism.


Open access | Peer reviewed

Presentato: 26 Aprile 2021 | Accettato: 13 Luglio 2021 | Pubblicato 21 Dicembre 2021 | Lingua: it

Keywords Āmānnisā Khān Nāfisi (1526-1560) • Khāfi • Maqom • Muqam • Uyghur Dervishes • On Ikki Muqam • Uyghur Music Instruments • Tang Court Ethnic Ensembles • Afāq Khwaja • Mashrab • Uyghur Art Music • Naqshbandī tariqa • Jahri • Maqām

Copyright © 2021 Giovanni De Zorzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-550-6/010


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