Series |
Quaderni di Venezia Arti
Edited book | Taking and Denying
Chapter | Weimar Art: Between Tradition and Avant-Garde
Abstract
This study aims to analyse two art movements in Germany: Dada and New Objectivity, identifying their distinctive features in the context of the anti-modernist mood in the interwar period. A ‘call to order’, or return to tradition and classics, can even be found in some texts of the Berlin Dadaists. The aesthetic positions of New Objectivity representatives were also ambiguous. On the one hand, they shattered avant-garde foundations through an appeal to the national pictorial tradition. On the other hand, modernist means of expression can be traced in their works.
Published Dec. 22, 2020 | Language: en
Keywords Weimar art • Expressionism • Berlin Dada • Old masters • New Objectivity
Copyright © 2020 Maria Belikova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-462-2/010
Syntheses of Traditions
Unfolding Cultural Heritage
Interpreting the Renaissance Art
At the Threshold of Modern Art
Hybrid as a Canon
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Belikova, Maria. ‘Weimar Art: Between Tradition and Avant-Garde’. Taking and Denying
Challenging Ca...
Belikova, Maria. ‘Weimar Art: Between Tradition and Avant-Garde’. Taking and Denying
Challenging Ca...
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_5050 |
dc.contributor.author |
Belikova Maria |
dc.title |
Weimar Art: Between Tradition and Avant-Garde |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
This study aims to analyse two art movements in Germany: Dada and New Objectivity, identifying their distinctive features in the context of the anti-modernist mood in the interwar period. A ‘call to order’, or return to tradition and classics, can even be found in some texts of the Berlin Dadaists. The aesthetic positions of New Objectivity representatives were also ambiguous. On the one hand, they shattered avant-garde foundations through an appeal to the national pictorial tradition. On the other hand, modernist means of expression can be traced in their works. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2020-12-22 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-463-9/weimar-art-between-tradition-and-avant-garde/ |
dc.identifier.doi |
10.30687/978-88-6969-462-2/010 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
978-88-6969-463-9 |
dc.identifier.eisbn |
978-88-6969-462-2 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Berlin Dada |
dc.subject |
Berlin Dada |
dc.subject |
Expressionism |
dc.subject |
Expressionism |
dc.subject |
New Objectivity |
dc.subject |
New Objectivity |
dc.subject |
Old masters |
dc.subject |
Old masters |
dc.subject |
Weimar art |
dc.subject |
Weimar art |
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