Timur Novikov. L’attualità del passato

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DC Field	Value
dc.identifier	ECF_chapter_5056
dc.contributor.author	Redaelli Maria
dc.title	Timur Novikov. L’attualità del passato
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	This contribution focuses on the activity of Timur Novikov (1958-2002) and his dynamic approach to Western or national patterns, to classicism or avant-gardism. His artistic activity stands as the perfect case study when discussing appropriations and negations in the development of an artistic canon. The focal point for interpreting Novikov’s dynamical activity is his trademark parodic approach to his work, through the use of the so-called stiob, and in the text this aspect will be analysed on the basis of Linda Hutcheon’s theory of parody ([1985] 2000). Examining Novikov’s career, taking and denying different aesthetic canons, is essential to understand the development of Russian contemporary art.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-463-9/timur-novikov-lattualita-del-passato/
dc.identifier.doi	10.30687/978-88-6969-462-2/016
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-463-9
dc.identifier.eisbn	978-88-6969-462-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Nostalgia
dc.subject	Nostalgia
dc.subject	Parody
dc.subject	Parody
dc.subject	Post-soviet art
dc.subject	Post-soviet art
dc.subject	Post-soviet society
dc.subject	Post-soviet society
dc.subject	Timur Novikov
dc.subject	Timur Novikov

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Timur Novikov. L’attualità del passato

Maria Redaelli Università Ca’ Foscari Venezia, Italia

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abstract

This contribution focuses on the activity of Timur Novikov (1958-2002) and his dynamic approach to Western or national patterns, to classicism or avant-gardism. His artistic activity stands as the perfect case study when discussing appropriations and negations in the development of an artistic canon. The focal point for interpreting Novikov’s dynamical activity is his trademark parodic approach to his work, through the use of the so-called stiob, and in the text this aspect will be analysed on the basis of Linda Hutcheon’s theory of parody ([1985] 2000). Examining Novikov’s career, taking and denying different aesthetic canons, is essential to understand the development of Russian contemporary art.

Published

Dec. 22, 2020

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ISBN (PRINT)

978-88-6969-463-9

ISBN (EBOOK)

978-88-6969-462-2

Keywords: Parody • Post-soviet society • Post-soviet art • Timur Novikov • Nostalgia

permalink: http://doi.org/10.30687/978-88-6969-462-2/016

Copyright: © 2020 Maria Redaelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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