Станковизм как канон и его преодоление в живописи Общества станковистов

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DC Field	Value
dc.identifier	ECF_chapter_5046
dc.contributor.author	Voronina Oksana
dc.title	Станковизм как канон и его преодоление в живописи Общества станковистов
dc.type	Chapter
dc.language.iso	ru
dc.description.abstract	This article aims to outline the range of ideas the OST members had about canonical easel painting and to show how the artists creatively interacted with these ideas in their practice. The paper is based on a selection of paradigmatic as well as little-known OST artworks and archival materials. Using formal analysis on one hand and historical analysis on the other hand, it is possible to demonstrate that the OST artists based their work on a combination of opposite technical approaches. The purpose of this research is to clarify the nature of OST art for which there was much hope in the 1920s and that subsequently became the foundation for the work of the post-war artists.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-463-9/stankovizm-kak-kanon-i-ego-preodolenie-v-zhivopisi/
dc.identifier.doi	10.30687/978-88-6969-462-2/006
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-463-9
dc.identifier.eisbn	978-88-6969-462-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Abstraction
dc.subject	Abstraction
dc.subject	Compositional axes
dc.subject	Compositional axes
dc.subject	Easel Painters’ Society
dc.subject	Easel Painters’ Society
dc.subject	Easel painting
dc.subject	Easel painting
dc.subject	Formula similarity
dc.subject	Formula similarity
dc.subject	Museum of Painterly Culture
dc.subject	Museum of Painterly Culture
dc.subject	Non finito
dc.subject	Non finito
dc.subject	Project Method – Dynamics
dc.subject	Project Method – Dynamics
dc.subject	Statics
dc.subject	Statics
dc.subject	Tangible forms
dc.subject	Tangible forms
dc.subject	VKHUTEMAS
dc.subject	VKHUTEMAS

Chapter
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Станковизм как канон и его преодоление в живописи Общества станковистов

Oksana Voronina State Institute for Art Studies (SIAS), Moscow; Moscow Museum of Modern Art, Russia

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abstract

This article aims to outline the range of ideas the OST members had about canonical easel painting and to show how the artists creatively interacted with these ideas in their practice. The paper is based on a selection of paradigmatic as well as little-known OST artworks and archival materials. Using formal analysis on one hand and historical analysis on the other hand, it is possible to demonstrate that the OST artists based their work on a combination of opposite technical approaches. The purpose of this research is to clarify the nature of OST art for which there was much hope in the 1920s and that subsequently became the foundation for the work of the post-war artists.

Published

Dec. 22, 2020

Language

ISBN (PRINT)

978-88-6969-463-9

ISBN (EBOOK)

978-88-6969-462-2

Keywords: Formula similarity • Project Method – Dynamics • Compositional axes • Statics • Abstraction • VKHUTEMAS • Non finito • Museum of Painterly Culture • Easel painting • Easel Painters’ Society • Tangible forms

permalink: http://doi.org/10.30687/978-88-6969-462-2/006

Copyright: © 2020 Oksana Voronina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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