Archivio d’Annunzio

Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 4 | 2017

4 | 2017

open access | peer reviewed
Abstract

Keywords Actor • Figlia di Iorio • Writing • Dramatist • Grotesque melodrama • Musical Dramaturgy • Symbolism • Trampled dignity • Death • Changes • Loves • Francesca da Rimini • Theatre • Tragedy • Violence and humiliations • Denarrativisation • Acting • Stage • Film music • Eleonora Duse • Alexander Lensky • Malyj Theater • Russian theatre • Early sound cinema • Theatre production • Tragedies • Candour • Carmelo Bene • Translation • Acting techniques • Myth • Phoné • Stage directions • Fears • Dramaturgy • Pirandello • Silent cinema • Valerij Brjusov • La Nave • Models • Valerij Brjusov • Abba • Sleep • Career • Ruggeri • Luigi Rasi • D’Annunzio • Publicity launch • Episcopo, the ridicolous man • Vanguard • Betrayed sentiments • Royal School of Acting, Florence • Direction • Madness • Gabriellino d’Annunzio • French literature • Plays • Vera Komissarzhevskaya • Nikolay Evreinov • Actor and dramatist • Dramatic writing • De Chirico • Ekphrasis

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Published Oct. 5, 2017 | Language it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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