Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Comunicación no verbal • Argentine crime literature • Interpretació hermenèutica • Tradução de Poesia • Edicions pòstumes • Cultura catalana • Cartoneras del siglo XXI • Catalan culture • Catalan literature • History of Spanish cinema • Literatura catalana • Diario • Biography • Motivation • Polèmica literària • Nobel Prize • Historia del cine español • Italian silent cinema • Procés d’escriptura • Genere • Normalització • Stereotipi • Fiaba • Fira del Llibre de Frankfurt • Communication • Rosa Montero • Distance learning • Diary • La mort i la primavera • Virtual learning • Fairy tale • Segundas lenguas • Novela • Colaboración • Twenty-first century women’s cartoneras • Luisa Valenzuela • Bashô • Cinema distribution • Buenos Aires • Writing process • Novel • Cine mudo italiano • Coproducción cinematográfica • Silvina Ocampo • Biografía • Marie Curie • Jorge de Sena • Didáctica virtual • Science • Film co-production • Dimensión afectiva • Motivación • Posthumous editions • Normalisation • Mercè Rodoreda • Interaction • Poetry translation • Silent cinema • Ciencia • Quim Monzó • Interacción • Comunicación • Eloísa Cartonera • Frankfurt Book Fair • Collaboration • Haiku • Rol docente • Pastiche • Didáctica a distancia • Géneros poéticos • Literatura criminal argentina • Non-verbal communication • Second languages • Distribución cinematográfica • Premi Nobel • Hermeneutic interpretation • Syria Poletti • Women’s fiction • Cine mudo • Haicai • Narrativa femminile • Death in Spring • Stereotypes • María Angélica Bosco • Gender • Literary polemics • Affective dimension

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua es, pt, ca, it

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