Rivista | Rassegna iberistica
Fascicolo | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords Catalan culture • Colaboración • Haiku • Normalisation • Syria Poletti • Motivation • Writing process • Stereotipi • Italian silent cinema • María Angélica Bosco • Literary polemics • Eloísa Cartonera • Catalan literature • Gender • Collaboration • Interacción • Edicions pòstumes • Rosa Montero • Polèmica literària • Diario • Historia del cine español • Comunicación • Procés d’escriptura • Death in Spring • Hermeneutic interpretation • Stereotypes • Ciencia • Silvina Ocampo • Motivación • Twenty-first century women’s cartoneras • Affective dimension • Comunicación no verbal • Second languages • Rol docente • Science • Didáctica virtual • Didáctica a distancia • Cine mudo italiano • Interpretació hermenèutica • Novela • Bashô • Premi Nobel • Géneros poéticos • Mercè Rodoreda • Literatura catalana • Distance learning • Poetry translation • Diary • Argentine crime literature • Cultura catalana • Novel • Film co-production • Virtual learning • Cine mudo • Coproducción cinematográfica • Biography • Luisa Valenzuela • Non-verbal communication • La mort i la primavera • Fira del Llibre de Frankfurt • Fairy tale • Dimensión afectiva • Narrativa femminile • Haicai • Fiaba • History of Spanish cinema • Marie Curie • Segundas lenguas • Normalització • Women’s fiction • Buenos Aires • Cinema distribution • Genere • Frankfurt Book Fair • Silent cinema • Quim Monzó • Pastiche • Biografía • Interaction • Literatura criminal argentina • Communication • Nobel Prize • Distribución cinematográfica • Cartoneras del siglo XXI • Posthumous editions • Tradução de Poesia • Jorge de Sena
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, ca, es, pt
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