Rivista | Rassegna iberistica
Fascicolo | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords María Angélica Bosco • Haicai • Cine mudo italiano • Posthumous editions • Literary polemics • Normalització • Catalan literature • Novel • Coproducción cinematográfica • Stereotipi • Film co-production • Silent cinema • Rosa Montero • Distribución cinematográfica • Colaboración • La mort i la primavera • Rol docente • Buenos Aires • Cultura catalana • Distance learning • Cinema distribution • Didáctica virtual • Women’s fiction • Syria Poletti • Italian silent cinema • Haiku • Luisa Valenzuela • Premi Nobel • Narrativa femminile • Argentine crime literature • Motivation • Affective dimension • Literatura catalana • Polèmica literària • Fira del Llibre de Frankfurt • Gender • Poetry translation • Biography • Genere • Cartoneras del siglo XXI • Science • Virtual learning • Stereotypes • Diario • Novela • Comunicación no verbal • Jorge de Sena • Interpretació hermenèutica • Pastiche • Biografía • Eloísa Cartonera • Literatura criminal argentina • Fairy tale • Cine mudo • Collaboration • Twenty-first century women’s cartoneras • Normalisation • Non-verbal communication • Bashô • Frankfurt Book Fair • Fiaba • Procés d’escriptura • Géneros poéticos • Marie Curie • Catalan culture • Diary • History of Spanish cinema • Writing process • Second languages • Communication • Historia del cine español • Death in Spring • Motivación • Dimensión afectiva • Comunicación • Quim Monzó • Ciencia • Hermeneutic interpretation • Interacción • Segundas lenguas • Nobel Prize • Interaction • Didáctica a distancia • Silvina Ocampo • Edicions pòstumes • Mercè Rodoreda • Tradução de Poesia
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua es, it, pt, ca
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