45 | 118 | 2022
open access | peer reviewedKeywords Cartoneras del siglo XXI • Jorge de Sena • La mort i la primavera • Ciencia • Genere • Literatura catalana • Motivation • Dimensión afectiva • Mercè Rodoreda • Rol docente • Catalan culture • Bashô • Géneros poéticos • Women’s fiction • Comunicación no verbal • Gender • Affective dimension • Normalització • Literatura criminal argentina • Buenos Aires • Second languages • Argentine crime literature • Virtual learning • Pastiche • Cine mudo • Distance learning • Segundas lenguas • Posthumous editions • Interpretació hermenèutica • Polèmica literària • Comunicación • Luisa Valenzuela • Colaboración • Literary polemics • Writing process • Collaboration • Haicai • Didáctica virtual • Coproducción cinematográfica • Interacción • Diary • History of Spanish cinema • Novela • Biografía • Historia del cine español • Premi Nobel • Non-verbal communication • Nobel Prize • Syria Poletti • Tradução de Poesia • Haiku • Frankfurt Book Fair • Biography • Catalan literature • Fira del Llibre de Frankfurt • Stereotipi • Cultura catalana • Poetry translation • Fiaba • Silent cinema • Silvina Ocampo • Procés d’escriptura • Science • Marie Curie • Narrativa femminile • Quim Monzó • Cinema distribution • Communication • Novel • Diario • Cine mudo italiano • Italian silent cinema • María Angélica Bosco • Edicions pòstumes • Interaction • Distribución cinematográfica • Film co-production • Didáctica a distancia • Hermeneutic interpretation • Eloísa Cartonera • Twenty-first century women’s cartoneras • Normalisation • Rosa Montero • Fairy tale • Motivación • Stereotypes • Death in Spring
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language es, ca, pt, it
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