45 | 118 | 2022
open access | peer reviewedKeywords Silvina Ocampo • Marie Curie • Novela • Coproducción cinematográfica • Narrativa femminile • Premi Nobel • Jorge de Sena • Motivación • Géneros poéticos • Didáctica virtual • Cinema distribution • Virtual learning • Rol docente • Communication • Gender • Motivation • Cartoneras del siglo XXI • Argentine crime literature • Procés d’escriptura • Historia del cine español • Affective dimension • Fiaba • Dimensión afectiva • Normalisation • Poetry translation • Diario • Catalan culture • Science • Fira del Llibre de Frankfurt • María Angélica Bosco • Literatura catalana • Literary polemics • Didáctica a distancia • Segundas lenguas • History of Spanish cinema • Collaboration • Novel • Cine mudo • Film co-production • Italian silent cinema • Interaction • Comunicación • Quim Monzó • Biography • Colaboración • Genere • Mercè Rodoreda • Cine mudo italiano • Distribución cinematográfica • Women’s fiction • Literatura criminal argentina • La mort i la primavera • Syria Poletti • Stereotipi • Twenty-first century women’s cartoneras • Buenos Aires • Frankfurt Book Fair • Non-verbal communication • Death in Spring • Second languages • Biografía • Haicai • Distance learning • Cultura catalana • Bashô • Edicions pòstumes • Catalan literature • Hermeneutic interpretation • Interpretació hermenèutica • Writing process • Haiku • Tradução de Poesia • Fairy tale • Diary • Nobel Prize • Pastiche • Normalització • Comunicación no verbal • Ciencia • Stereotypes • Eloísa Cartonera • Interacción • Silent cinema • Posthumous editions • Polèmica literària • Rosa Montero • Luisa Valenzuela
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language es, pt, it, ca
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