45 | 118 | 2022
open access | peer reviewedKeywords Affective dimension • Buenos Aires • Non-verbal communication • Interpretació hermenèutica • Narrativa femminile • Literary polemics • Frankfurt Book Fair • History of Spanish cinema • Procés d’escriptura • Novela • Polèmica literària • Posthumous editions • Premi Nobel • Distance learning • Cine mudo • Interacción • Tradução de Poesia • Catalan culture • Quim Monzó • Women’s fiction • Interaction • Novel • Science • Biography • Fiaba • Rol docente • Dimensión afectiva • Didáctica virtual • Didáctica a distancia • María Angélica Bosco • Nobel Prize • Biografía • Fira del Llibre de Frankfurt • Marie Curie • Syria Poletti • Communication • Writing process • Collaboration • Gender • Stereotipi • Pastiche • Silvina Ocampo • Motivation • Film co-production • Historia del cine español • Normalització • Literatura criminal argentina • Hermeneutic interpretation • Death in Spring • Comunicación • Genere • Haicai • Luisa Valenzuela • Silent cinema • Rosa Montero • Bashô • Virtual learning • Comunicación no verbal • Second languages • Literatura catalana • Coproducción cinematográfica • Diary • Géneros poéticos • Mercè Rodoreda • Cartoneras del siglo XXI • Cinema distribution • Jorge de Sena • Twenty-first century women’s cartoneras • La mort i la primavera • Normalisation • Segundas lenguas • Eloísa Cartonera • Stereotypes • Colaboración • Fairy tale • Motivación • Cine mudo italiano • Edicions pòstumes • Italian silent cinema • Ciencia • Distribución cinematográfica • Cultura catalana • Catalan literature • Diario • Poetry translation • Haiku • Argentine crime literature
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language es, ca, pt, it
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