Edizioni Ca' Foscari

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Journal issue
open access peer reviewed

Vol. 45 | Issue 118 | December 2022

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Language: it, pt, es, ca

Published: Dec. 16, 2022

Keywords

Italian silent cinema • Géneros poéticos • Mercè Rodoreda • Rol docente • Haiku • Cinema distribution • Virtual learning • Catalan literature • Rosa Montero • Syria Poletti • Cine mudo • Diario • Death in Spring • Jorge de Sena • Edicions pòstumes • Writing process • Diary • Women’s fiction • Interacción • Affective dimension • Narrativa femminile • Biografía • Literatura criminal argentina • Distance learning • Twenty-first century women’s cartoneras • Cartoneras del siglo XXI • Bashô • History of Spanish cinema • Historia del cine español • Segundas lenguas • Tradução de Poesia • Normalització • Cine mudo italiano • Frankfurt Book Fair • Silvina Ocampo • Film co-production • Literary polemics • Eloísa Cartonera • Poetry translation • Fiaba • Novela • Interpretació hermenèutica • Polèmica literària • Silent cinema • Luisa Valenzuela • Genere • Marie Curie • Interaction • Science • Fairy tale • Catalan culture • Motivación • Quim Monzó • Ciencia • Coproducción cinematográfica • Didáctica virtual • La mort i la primavera • Argentine crime literature • Fira del Llibre de Frankfurt • Distribución cinematográfica • Second languages • Motivation • Posthumous editions • Nobel Prize • Dimensión afectiva • Non-verbal communication • Cultura catalana • Literatura catalana • Communication • Gender • Comunicación no verbal • Didáctica a distancia • Haicai • Stereotipi • Biography • Collaboration • Procés d’escriptura • Hermeneutic interpretation • Premi Nobel • Colaboración • María Angélica Bosco • Stereotypes • Comunicación • Novel • Pastiche • Buenos Aires • Normalisation

permalink http://doi.org/10.30687/Ri/2037-6588/2022/19

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