Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Distribución cinematográfica • Biografía • Affective dimension • Second languages • Film co-production • Cine mudo • Non-verbal communication • Rosa Montero • Normalisation • Haicai • Didáctica a distancia • Motivation • Biography • Silvina Ocampo • Coproducción cinematográfica • Novel • María Angélica Bosco • Jorge de Sena • Diario • Communication • Hermeneutic interpretation • Poetry translation • Haiku • La mort i la primavera • Narrativa femminile • Colaboración • Posthumous editions • Mercè Rodoreda • Buenos Aires • Catalan culture • Fairy tale • Cartoneras del siglo XXI • Eloísa Cartonera • Cinema distribution • Pastiche • Procés d’escriptura • Women’s fiction • Silent cinema • Interaction • Normalització • Edicions pòstumes • Collaboration • Diary • Géneros poéticos • Tradução de Poesia • Syria Poletti • Literary polemics • Luisa Valenzuela • Literatura criminal argentina • Segundas lenguas • History of Spanish cinema • Cine mudo italiano • Polèmica literària • Stereotipi • Quim Monzó • Genere • Cultura catalana • Premi Nobel • Italian silent cinema • Gender • Frankfurt Book Fair • Science • Dimensión afectiva • Nobel Prize • Argentine crime literature • Interpretació hermenèutica • Historia del cine español • Novela • Ciencia • Rol docente • Death in Spring • Motivación • Literatura catalana • Twenty-first century women’s cartoneras • Stereotypes • Didáctica virtual • Writing process • Bashô • Catalan literature • Fiaba • Marie Curie • Interacción • Distance learning • Comunicación • Virtual learning • Comunicación no verbal • Fira del Llibre de Frankfurt

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language es, pt, ca, it

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