Journal |
Rassegna iberistica
Journal issue | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords Interacción • Fairy tale • Comunicación no verbal • Biografía • Nobel Prize • Luisa Valenzuela • Catalan culture • Cinema distribution • Virtual learning • Eloísa Cartonera • Novel • Colaboración • Stereotipi • History of Spanish cinema • Rol docente • Dimensión afectiva • Edicions pòstumes • Syria Poletti • Historia del cine español • Posthumous editions • Cartoneras del siglo XXI • Buenos Aires • Silvina Ocampo • Normalisation • Collaboration • Non-verbal communication • Motivation • Women’s fiction • Writing process • Communication • Cine mudo • Tradução de Poesia • Literary polemics • Distribución cinematográfica • Mercè Rodoreda • Catalan literature • Premi Nobel • Biography • Literatura catalana • Fiaba • Jorge de Sena • Literatura criminal argentina • Procés d’escriptura • Second languages • Fira del Llibre de Frankfurt • Narrativa femminile • Stereotypes • Didáctica a distancia • Science • Interaction • Cine mudo italiano • María Angélica Bosco • Géneros poéticos • Segundas lenguas • Diario • Death in Spring • Hermeneutic interpretation • Gender • Film co-production • La mort i la primavera • Normalització • Rosa Montero • Haicai • Italian silent cinema • Frankfurt Book Fair • Cultura catalana • Quim Monzó • Marie Curie • Pastiche • Poetry translation • Polèmica literària • Twenty-first century women’s cartoneras • Bashô • Silent cinema • Distance learning • Argentine crime literature • Interpretació hermenèutica • Haiku • Motivación • Diary • Coproducción cinematográfica • Affective dimension • Novela • Genere • Comunicación • Didáctica virtual • Ciencia
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language it, ca, pt, es
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