Journal | Rassegna iberistica
Journal issue | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords Second languages • Ciencia • Cine mudo • Diary • Genere • Tradução de Poesia • Jorge de Sena • Stereotypes • Novela • Polèmica literària • Marie Curie • Argentine crime literature • Cine mudo italiano • Posthumous editions • Literatura criminal argentina • Normalització • Rol docente • Didáctica virtual • Didáctica a distancia • Luisa Valenzuela • Gender • Colaboración • Collaboration • Catalan culture • Historia del cine español • Segundas lenguas • Motivación • Haiku • Literatura catalana • Edicions pòstumes • Cultura catalana • Science • Bashô • Silent cinema • History of Spanish cinema • Twenty-first century women’s cartoneras • Nobel Prize • Comunicación • Cartoneras del siglo XXI • Quim Monzó • Novel • Fiaba • Mercè Rodoreda • Comunicación no verbal • Procés d’escriptura • Women’s fiction • Premi Nobel • Hermeneutic interpretation • Interaction • Stereotipi • Biografía • La mort i la primavera • Syria Poletti • Distance learning • Haicai • Interacción • Biography • Distribución cinematográfica • Frankfurt Book Fair • Dimensión afectiva • Coproducción cinematográfica • Buenos Aires • Motivation • Film co-production • Virtual learning • Catalan literature • María Angélica Bosco • Géneros poéticos • Non-verbal communication • Narrativa femminile • Diario • Fira del Llibre de Frankfurt • Interpretació hermenèutica • Literary polemics • Silvina Ocampo • Fairy tale • Italian silent cinema • Affective dimension • Normalisation • Communication • Pastiche • Death in Spring • Writing process • Eloísa Cartonera • Rosa Montero • Poetry translation • Cinema distribution
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language it, ca, es, pt
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