Rivista |
Rassegna iberistica
Fascicolo | 45 | 118 | 2022
Keywords Marie Curie • Comunicación • Biografía • Film co-production • Distance learning • Writing process • Cine mudo italiano • Cinema distribution • Literatura catalana • Genere • Second languages • Buenos Aires • Cine mudo • Stereotypes • Edicions pòstumes • Motivation • Diary • Motivación • La mort i la primavera • Cultura catalana • Diario • Pastiche • Silent cinema • Nobel Prize • Didáctica virtual • Science • Interacción • Catalan culture • Normalització • Premi Nobel • Gender • Frankfurt Book Fair • Fira del Llibre de Frankfurt • Colaboración • Mercè Rodoreda • Poetry translation • Tradução de Poesia • Eloísa Cartonera • Haiku • Syria Poletti • Posthumous editions • Géneros poéticos • Rosa Montero • Luisa Valenzuela • Stereotipi • Polèmica literària • Non-verbal communication • Jorge de Sena • Hermeneutic interpretation • Argentine crime literature • Narrativa femminile • Bashô • Comunicación no verbal • Normalisation • Catalan literature • Affective dimension • Didáctica a distancia • Segundas lenguas • Cartoneras del siglo XXI • Novela • Distribución cinematográfica • Rol docente • Coproducción cinematográfica • Dimensión afectiva • Virtual learning • María Angélica Bosco • Literatura criminal argentina • Novel • Silvina Ocampo • Literary polemics • Communication • Death in Spring • Haicai • Twenty-first century women’s cartoneras • Procés d’escriptura • Quim Monzó • Biography • Ciencia • Fiaba • Fairy tale • Women’s fiction • History of Spanish cinema • Interpretació hermenèutica • Historia del cine español • Italian silent cinema • Collaboration • Interaction
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua es, it, ca, pt
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