Edizioni Ca' Foscari

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open access peer reviewed

Vol. 45 | Num. 118 | Dicembre 2022

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Lingua: pt, es, it, ca

Pubblicato: 16 Dicembre 2022

Keywords

Cartoneras del siglo XXI • Cine mudo italiano • Comunicación no verbal • Biography • Didáctica virtual • La mort i la primavera • Catalan culture • Second languages • Syria Poletti • Marie Curie • Non-verbal communication • Writing process • Quim Monzó • Polèmica literària • Diario • Rol docente • Literatura catalana • Interacción • Bashô • Gender • Cinema distribution • Virtual learning • Luisa Valenzuela • Motivación • Silvina Ocampo • Normalisation • History of Spanish cinema • María Angélica Bosco • Rosa Montero • Death in Spring • Poetry translation • Interaction • Buenos Aires • Ciencia • Hermeneutic interpretation • Nobel Prize • Coproducción cinematográfica • Segundas lenguas • Posthumous editions • Didáctica a distancia • Communication • Diary • Mercè Rodoreda • Interpretació hermenèutica • Novel • Silent cinema • Stereotipi • Fira del Llibre de Frankfurt • Haiku • Biografía • Fairy tale • Film co-production • Twenty-first century women’s cartoneras • Distribución cinematográfica • Affective dimension • Argentine crime literature • Women’s fiction • Géneros poéticos • Tradução de Poesia • Motivation • Edicions pòstumes • Italian silent cinema • Cine mudo • Colaboración • Fiaba • Collaboration • Catalan literature • Stereotypes • Procés d’escriptura • Narrativa femminile • Comunicación • Frankfurt Book Fair • Haicai • Cultura catalana • Pastiche • Science • Literatura criminal argentina • Normalització • Dimensión afectiva • Genere • Eloísa Cartonera • Jorge de Sena • Literary polemics • Historia del cine español • Premi Nobel • Distance learning • Novela

permalink http://doi.org/10.30687/Ri/2037-6588/2022/19

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