Edizioni Ca' Foscari

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open access peer reviewed

Vol. 45 | Num. 118 | Dicembre 2022

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Lingua: it, es, ca, pt

Pubblicato: 16 Dicembre 2022

Keywords

Pastiche • Historia del cine español • Premi Nobel • Diario • Literary polemics • Interacción • Cine mudo italiano • Literatura catalana • Literatura criminal argentina • María Angélica Bosco • Ciencia • Novela • Comunicación no verbal • Interpretació hermenèutica • La mort i la primavera • Posthumous editions • Non-verbal communication • Virtual learning • Cartoneras del siglo XXI • Cultura catalana • Writing process • Stereotipi • Biography • Silvina Ocampo • Nobel Prize • Didáctica a distancia • Communication • Marie Curie • Rosa Montero • Collaboration • Colaboración • Biografía • Hermeneutic interpretation • Motivación • Quim Monzó • Tradução de Poesia • Haiku • Interaction • Comunicación • Italian silent cinema • Segundas lenguas • Normalisation • Syria Poletti • Distribución cinematográfica • Procés d’escriptura • Fira del Llibre de Frankfurt • Women’s fiction • Genere • Film co-production • Eloísa Cartonera • Catalan literature • Rol docente • Silent cinema • Jorge de Sena • Cine mudo • Death in Spring • Bashô • Science • Dimensión afectiva • Narrativa femminile • Géneros poéticos • Edicions pòstumes • Novel • History of Spanish cinema • Coproducción cinematográfica • Mercè Rodoreda • Polèmica literària • Haicai • Argentine crime literature • Fiaba • Twenty-first century women’s cartoneras • Gender • Poetry translation • Affective dimension • Motivation • Second languages • Buenos Aires • Distance learning • Luisa Valenzuela • Didáctica virtual • Frankfurt Book Fair • Diary • Fairy tale • Catalan culture • Stereotypes • Normalització • Cinema distribution

permalink http://doi.org/10.30687/Ri/2037-6588/2022/19

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