Rivista |
Rassegna iberistica
Fascicolo | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords Eloísa Cartonera • Historia del cine español • Second languages • Motivation • Catalan culture • Interacción • Normalisation • Biografía • Bashô • Segundas lenguas • Film co-production • Biography • Mercè Rodoreda • Interpretació hermenèutica • Rol docente • Cultura catalana • La mort i la primavera • Twenty-first century women’s cartoneras • Haicai • Catalan literature • Comunicación no verbal • Nobel Prize • Jorge de Sena • María Angélica Bosco • Cinema distribution • Collaboration • Distribución cinematográfica • Marie Curie • Rosa Montero • Writing process • Posthumous editions • Silvina Ocampo • Stereotipi • Polèmica literària • Gender • Premi Nobel • Cine mudo italiano • Cine mudo • Dimensión afectiva • Novela • Genere • Narrativa femminile • Communication • Didáctica virtual • Literary polemics • Cartoneras del siglo XXI • Virtual learning • Géneros poéticos • Interaction • Literatura catalana • Argentine crime literature • Quim Monzó • Tradução de Poesia • Ciencia • Women’s fiction • Motivación • Italian silent cinema • Luisa Valenzuela • Diario • Distance learning • Buenos Aires • Stereotypes • Non-verbal communication • Syria Poletti • Poetry translation • Hermeneutic interpretation • Affective dimension • Colaboración • Fairy tale • Novel • Comunicación • Edicions pòstumes • Death in Spring • Haiku • Fira del Llibre de Frankfurt • Didáctica a distancia • History of Spanish cinema • Procés d’escriptura • Silent cinema • Normalització • Coproducción cinematográfica • Fiaba • Diary • Literatura criminal argentina • Science • Pastiche • Frankfurt Book Fair
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua pt, es, it, ca
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