Rivista | Rassegna iberistica
Fascicolo | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords Normalisation • Cinema distribution • Comunicación no verbal • Gender • Historia del cine español • Novel • Biografía • María Angélica Bosco • Diario • Colaboración • Cultura catalana • Interaction • Cartoneras del siglo XXI • Haiku • Biography • History of Spanish cinema • Jorge de Sena • Normalització • Narrativa femminile • Literatura criminal argentina • Cine mudo • Nobel Prize • La mort i la primavera • Silent cinema • Segundas lenguas • Didáctica virtual • Literary polemics • Géneros poéticos • Fiaba • Distribución cinematográfica • Polèmica literària • Non-verbal communication • Interpretació hermenèutica • Bashô • Writing process • Eloísa Cartonera • Rol docente • Stereotipi • Comunicación • Interacción • Pastiche • Quim Monzó • Fairy tale • Women’s fiction • Catalan culture • Argentine crime literature • Cine mudo italiano • Motivación • Posthumous editions • Collaboration • Literatura catalana • Dimensión afectiva • Luisa Valenzuela • Hermeneutic interpretation • Tradução de Poesia • Coproducción cinematográfica • Mercè Rodoreda • Catalan literature • Film co-production • Science • Virtual learning • Buenos Aires • Affective dimension • Ciencia • Edicions pòstumes • Stereotypes • Distance learning • Motivation • Rosa Montero • Syria Poletti • Second languages • Twenty-first century women’s cartoneras • Poetry translation • Communication • Silvina Ocampo • Didáctica a distancia • Genere • Novela • Marie Curie • Italian silent cinema • Haicai • Frankfurt Book Fair • Fira del Llibre de Frankfurt • Premi Nobel • Diary • Death in Spring • Procés d’escriptura
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua es, ca, pt, it
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