Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Second languages • Posthumous editions • Jorge de Sena • Quim Monzó • Normalització • Colaboración • Literary polemics • Haiku • Mercè Rodoreda • Luisa Valenzuela • Affective dimension • Women’s fiction • Premi Nobel • Comunicación • Cartoneras del siglo XXI • Pastiche • Fairy tale • Non-verbal communication • Géneros poéticos • Hermeneutic interpretation • Collaboration • Rol docente • Motivation • Didáctica virtual • María Angélica Bosco • Cine mudo italiano • Distribución cinematográfica • Gender • Segundas lenguas • La mort i la primavera • Distance learning • Biography • Marie Curie • Fira del Llibre de Frankfurt • Film co-production • Silvina Ocampo • Interacción • Rosa Montero • Poetry translation • Writing process • Novel • Historia del cine español • Argentine crime literature • Catalan literature • History of Spanish cinema • Novela • Narrativa femminile • Catalan culture • Cultura catalana • Interpretació hermenèutica • Haicai • Cine mudo • Virtual learning • Cinema distribution • Didáctica a distancia • Death in Spring • Twenty-first century women’s cartoneras • Biografía • Stereotipi • Procés d’escriptura • Motivación • Normalisation • Tradução de Poesia • Stereotypes • Silent cinema • Literatura catalana • Frankfurt Book Fair • Interaction • Polèmica literària • Genere • Dimensión afectiva • Edicions pòstumes • Fiaba • Eloísa Cartonera • Nobel Prize • Comunicación no verbal • Bashô • Diary • Literatura criminal argentina • Ciencia • Science • Italian silent cinema • Diario • Communication • Syria Poletti • Buenos Aires • Coproducción cinematográfica

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, ca, es, pt

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