Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Coproducción cinematográfica • Normalització • Hermeneutic interpretation • Silent cinema • Posthumous editions • Cartoneras del siglo XXI • Twenty-first century women’s cartoneras • Frankfurt Book Fair • Buenos Aires • Narrativa femminile • Tradução de Poesia • Poetry translation • Italian silent cinema • Ciencia • Didáctica a distancia • Haicai • Genere • Interacción • Affective dimension • Edicions pòstumes • Fairy tale • Catalan culture • Géneros poéticos • Second languages • Biography • Biografía • Diary • Communication • Normalisation • Stereotypes • Didáctica virtual • Literary polemics • Dimensión afectiva • Procés d’escriptura • Pastiche • Diario • Bashô • Motivación • Novela • Polèmica literària • Stereotipi • La mort i la primavera • Argentine crime literature • Interaction • Quim Monzó • Fira del Llibre de Frankfurt • Marie Curie • Distance learning • Haiku • Nobel Prize • Comunicación • Silvina Ocampo • Death in Spring • Cine mudo italiano • Cultura catalana • Fiaba • Science • Luisa Valenzuela • Film co-production • Eloísa Cartonera • Motivation • Literatura catalana • Collaboration • Segundas lenguas • Non-verbal communication • Cinema distribution • Cine mudo • Interpretació hermenèutica • Writing process • Gender • History of Spanish cinema • Comunicación no verbal • Premi Nobel • Historia del cine español • Colaboración • Women’s fiction • Rol docente • Literatura criminal argentina • Novel • Jorge de Sena • Mercè Rodoreda • Rosa Montero • Catalan literature • María Angélica Bosco • Distribución cinematográfica • Syria Poletti • Virtual learning

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, ca, es, pt

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