Rivista |
Rassegna iberistica
Fascicolo | 45 | 118 | 2022
Keywords Eloísa Cartonera • Historia del cine español • Second languages • Motivation • Catalan culture • Interacción • Normalisation • Biografía • Bashô • Segundas lenguas • Film co-production • Biography • Mercè Rodoreda • Interpretació hermenèutica • Rol docente • Cultura catalana • La mort i la primavera • Twenty-first century women’s cartoneras • Haicai • Catalan literature • Comunicación no verbal • Nobel Prize • Jorge de Sena • María Angélica Bosco • Cinema distribution • Collaboration • Distribución cinematográfica • Marie Curie • Rosa Montero • Writing process • Posthumous editions • Silvina Ocampo • Stereotipi • Polèmica literària • Gender • Premi Nobel • Cine mudo italiano • Cine mudo • Dimensión afectiva • Novela • Genere • Narrativa femminile • Communication • Didáctica virtual • Literary polemics • Cartoneras del siglo XXI • Virtual learning • Géneros poéticos • Interaction • Literatura catalana • Argentine crime literature • Quim Monzó • Tradução de Poesia • Ciencia • Women’s fiction • Motivación • Italian silent cinema • Luisa Valenzuela • Diario • Distance learning • Buenos Aires • Stereotypes • Non-verbal communication • Syria Poletti • Poetry translation • Hermeneutic interpretation • Affective dimension • Colaboración • Fairy tale • Novel • Comunicación • Edicions pòstumes • Death in Spring • Haiku • Fira del Llibre de Frankfurt • Didáctica a distancia • History of Spanish cinema • Procés d’escriptura • Silent cinema • Normalització • Coproducción cinematográfica • Fiaba • Diary • Literatura criminal argentina • Science • Pastiche • Frankfurt Book Fair
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua pt, es, it, ca
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.