Rivista | Rassegna iberistica
Fascicolo | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords History of Spanish cinema • Didáctica virtual • Hermeneutic interpretation • Comunicación • Buenos Aires • Distribución cinematográfica • Silvina Ocampo • Rol docente • Jorge de Sena • Posthumous editions • Comunicación no verbal • La mort i la primavera • Biografía • Literary polemics • Polèmica literària • Argentine crime literature • Cultura catalana • Eloísa Cartonera • Cartoneras del siglo XXI • Géneros poéticos • Silent cinema • Cine mudo italiano • Motivación • Haiku • Film co-production • Motivation • Novela • Italian silent cinema • Twenty-first century women’s cartoneras • Virtual learning • Collaboration • Novel • Diario • Bashô • Communication • Interacción • Rosa Montero • Syria Poletti • Distance learning • Premi Nobel • Literatura catalana • Quim Monzó • Poetry translation • Procés d’escriptura • Mercè Rodoreda • Fira del Llibre de Frankfurt • Stereotipi • Narrativa femminile • Genere • Fairy tale • Luisa Valenzuela • Normalisation • Interpretació hermenèutica • Segundas lenguas • Marie Curie • Gender • Women’s fiction • Literatura criminal argentina • Fiaba • Non-verbal communication • Coproducción cinematográfica • Catalan literature • Science • Dimensión afectiva • Didáctica a distancia • Diary • Pastiche • Stereotypes • María Angélica Bosco • Nobel Prize • Historia del cine español • Catalan culture • Edicions pòstumes • Colaboración • Second languages • Writing process • Cinema distribution • Interaction • Ciencia • Frankfurt Book Fair • Cine mudo • Normalització • Biography • Tradução de Poesia • Affective dimension • Death in Spring • Haicai
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, es, pt, ca
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