Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Frankfurt Book Fair • Segundas lenguas • Fira del Llibre de Frankfurt • Marie Curie • Distribución cinematográfica • Novela • Luisa Valenzuela • Haicai • Genere • Virtual learning • Interacción • Biografía • Death in Spring • Comunicación • Hermeneutic interpretation • Fairy tale • Catalan literature • Motivación • Tradução de Poesia • History of Spanish cinema • Pastiche • Catalan culture • Coproducción cinematográfica • Motivation • Nobel Prize • Diario • Colaboración • Eloísa Cartonera • Collaboration • Literary polemics • Premi Nobel • Cinema distribution • Rol docente • Syria Poletti • Biography • La mort i la primavera • Literatura catalana • Rosa Montero • María Angélica Bosco • Poetry translation • Bashô • Stereotipi • Comunicación no verbal • Italian silent cinema • Literatura criminal argentina • Cartoneras del siglo XXI • Argentine crime literature • Second languages • Interpretació hermenèutica • Dimensión afectiva • Buenos Aires • Film co-production • Polèmica literària • Quim Monzó • Writing process • Posthumous editions • Mercè Rodoreda • Women’s fiction • Gender • Géneros poéticos • Normalisation • Silvina Ocampo • Novel • Cine mudo italiano • Haiku • Edicions pòstumes • Non-verbal communication • Didáctica a distancia • Narrativa femminile • Historia del cine español • Science • Fiaba • Communication • Ciencia • Cine mudo • Distance learning • Stereotypes • Affective dimension • Jorge de Sena • Didáctica virtual • Interaction • Diary • Cultura catalana • Procés d’escriptura • Twenty-first century women’s cartoneras • Normalització • Silent cinema

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua pt, ca, es, it

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